07/30/2026
A look back at one of our inspiring SURC-West presentations!
On April 21, 2026, at the SUNY Undergraduate Research Conference (SURC)-West, Music Therapy students Max Oppedisano, Reggie Walters, Bridget Cunningham, Mackenzie Coccia, and Venus Rodriguez presented an original performance based on their exploration of emerging student music therapist identities in Dr. Hyun-Jung Kang's Clinical Seminar.
Title:
Emerging Student Music Therapist Identity as Embodied Transformation and Expansion of the Self within Musical and Relational Communities
Abstract:
Becoming a music therapist is not simply the acquisition of skills and knowledge, but an ongoing transformation and expansion of the self. Within musical, therapeutic, clinical, and communal contexts, identity does not exist apart from lived experience; it emerges through embodied participation, relational encounter, and shared sound.
In Dr. Hyun-Jung Kang’s Clinical Seminar, junior and senior music therapy students engage in an artistic inquiry into their emerging student professional identities. Rather than approaching identity as a fixed or fully formed construct, this project understands it as dynamic, situated, and continually becoming. Drawing on phenomenological and post-structural sensibilities, identity is framed as embodied, relational, and in motion, shaped through musical practice, therapeutic presence, community participation, and campus life. While this inquiry begins within the classroom, it continues to develop through dialogue and witnessing within the broader music therapy and SUNY community.
Student health-musicians (student music therapists) collaborated in small groups to explore who they are becoming within the field. Through original performance works, each group renders audible and visible the resonances, uncertainties, tensions, aspirations, sense of connection, and emerging values that characterize their developmental process. Performances will be followed by brief spoken reflections, inviting the audience into a space of witnessing and collective meaning-making.