09/27/2026
Former UH English major and current Emory University Associate Professor Meina Yates-Richard () recently published her first scholarly book, Sonorous Passages: Black Maternal Soundings and the Liberatory Imagination (Duke University Press, 2026). The book examines how the sounds of Black maternal figures function as mediators of liberatory thought within Black Atlantic literary and cultural production. By reading a range of works, from the essays of Frederick Douglass to modern-day sonic art, Yates-Richard traces how Black maternal figures have been conceptually elided from the Black political imagination, even as the soundings of Black mothers provide generative sites for political thought.
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âThis work of course grows out of my graduate study, though at the time I was most interested in exploring sound as a mode of traumatic testimony to enslaved experience. As I more keenly reaudited my primary materials, however, I grew more and more interested in how Black maternal figuresâ soundings articulated freedom imaginings â even as those figures were often taken as emblems of unfreedom. My dissertation adviser, Dr. Nicole Waligora-Davis, had long counseled me that this was really a project concerned with freedom, but I could not quite see that in-process.â
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Reflecting on her years at UH, Yates-Richard notes that âI am a first-gen college graduate, and I think that this is a population that UH in general and English in particular serves well. I felt nurtured and encouraged to dream during my time there.â
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Another anchoring figure in her project was her grandmother, Jewel Faye. âWhen I was growing up, she frequently said âI heard you twice the first timeâ â a delightful turn of phrase that always presented an enigma to me. Fast-forward many years, and after much study and practice of close reading and listening to literature, I developed the critical methodology of âdouble listening.â This method aims to capture strategies of listening on dual (or multiple) registers, re-auditing and reinterpretation, listening for echoes, and attuning to vibration in order to unearth previously unheard resonances of Black liberation discourse.â