John Salutz Designs

02/10/2022

PUNK ROCK GIRL!
The Argyle Theatre at Babylon Village
Produced in Association with Lively McCabe Entertainment
Producers: Michael Barra and Allison Bressi

Lighting Design: John Salutz
Photography: Richard Termine Photography

Book and Musical Arrangements: Joe Iconis
Orchestrations and Musical Arrangements: Rob Rokicki
Directed and Choreographed: Jennifer Werner Cannizzaro
Musical Director: Jennifer Peacock
Musical Supervisor: Geoffrey Ko
Set Design: Nate Bertone
Costume Design: Jen Caprio
Sound Design: Carlos Dias Jr.
Wig Design: Peter Fogel
PSM: Alison Savino
ASM: Leah V. Pye, Shannon Stewart
Associate Director: Leonard Sullivan
Associate Set Designer: Josh Warner
Associate Costume Designer: Anna Blazer, Heather Neil
Prop Assistant: Courtney Alberto
Casting Director: Michael Cassara, CSA

04/21/2020

Bars & Measures
- Urban Stages
By: Idris Goodwin
Directed: Kristan Seemel
Photography: Russ Rowland
Scenery: Frank Oliva
Costumes: Sarah Lawrence
Sound: David Lawson

04/21/2020

Photo: Million Dollar Quartet; Directed and choreographed by Adam Pelty; music direction by Taylor Gray, the 8-member ensemble will feature Morgan Bernhard as Carl Perkins, Jason Cohen as Brother Jay, Anthony Genovesi as Fluke, Taylor Gray as Jerry Lee Lewis, John Glowacki as Sam Phillips, Callee Miles as Dyanne, James Penca as Johnny Cash, and Alessandro Gian Viviano as Elvis Presley; Mark and Dylan Perlman, Managing Partners; Evan Pappas, Artistic Director); dress rehearsal photographed: Tuesday, May 14, 2019; 7:00 PM at The Argyle Theatre, Babylon, NY. Photograph: © 2019 RICHARD TERMINEPHOTO CREDIT - RICHARD TERMINE

Million Dollar Quartet
- The Argyle Theatre
By: Colin Escott and Floyd Mutrux
Directed: Adam Pelty
Photography: Richard Termine
Scenery: NETWorks
Costumes: Bobbi Morse
Sound: Carlos Dias, Jr.

10/31/2019

This production (with a set by Frank J. Oliva, lighting by John Salutz and sound by David Margolin Lawson) is for the most part handsomely polished, and Goodwin mirrors the brothers’ relationship in the play’s very form.

Jazz unites two brothers, one accused of plotting terrorism, in Idris Goodwin’s play.

03/15/2018

“The production is striking and yet not too slick ....
John Salutz's lighting adds to the overall effect with striking patterns and beautifully layered colors.”
-- David Barbour, Lighting and Sound America

Dogs of Rwanda, Urban Stages
http://urbanstages.org/dogsofrwanda

03/15/2018

“The play, which is co-directed by Frances Hill and Peter Napolitano, is enhanced by its notable design elements .... John Salutz's lighting is particularly evocative, offering a sense of the African sun with a warm orange wash and the puniness of humanity under a dark and vast, star-filled night sky.”
-- James Wilson, Talkin’ Broadway

Dogs of Rwanda, Urban Stages
http://urbanstages.org/dogsofrwanda

03/15/2018

“Lighting designer John Salutz employs a neutral brightness that conveys the sense of the present and a swirling palette of hues that strikingly depict the calamitous past.”
-- Darryl Reilly, Theater Scene

Dogs of Rwanda, Urban Stages
http://urbanstages.org/dogsofrwanda

01/19/2018

- Ensemble Studio Theatre
By: Paul Cameron Hardy
Directed: RJ Tolan
Photography: Jody Christopherson
Scenery: Angelica Borrero
Costumes: Audrey Nauman
Props: Claire Rufiange
Lighting: John Salutz
Sound: Emily Auciello

01/19/2018

By: Bob Bartlett
Directed: David Drake
Photography: Jody Christopherson
Lighting and Sound Design: John Salutz
Scenery: David Drake and Robert Lohman
Costumes: Audrey Nauman
Cast: J. Stephen Brantley, Todd Flaherty

03/17/2017

- Stella Adler Acting Studio, NYC
Directed by: Beth Ann Hopkins
Photography by: Zachary Zirlin Photography
Scenery by: Jessica Moretti
Costumes by: Nicholas Staigerwald
Sound by: Bryan Williams

03/17/2017

"Bartlett's sparse dialogue, delivered by the expressive duo, enhanced by John Salutz's stunning sound and lighting design, makes the play a sight to behold."

http://www.theasy.com/Reviews/2017/B/barebackink.php

BOTTOM LINE: The Ganymede myth gets a sexy makeover in Bob Bartlett's intimate and intense two-hander.