Interface Cultures

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Interface Cultures is an internationally oriented master & research program in Interactive Digital Arts, led by Manuela Naveau and Laurent Mignonneau at the University of Arts in Linz, Austria. The Interface Cultures department at the University of Art and Design in Linz, Austria provides an internationally oriented master & research program in Interactive Digital Arts, led by Christa Sommerer and Laurent Mignonneau, in 2020 Manuela Naveau joined the department with an additional focus on Critical Data and art.

Congratulations to Flavia Luna Somarriba Perez-Desoy (Flavia-Luna) for the successful master thesis defense ‘Interactive...
23/10/2026

Congratulations to Flavia Luna Somarriba Perez-Desoy (Flavia-Luna) for the successful master thesis defense ‘Interactive Art in Hospitals: A Overview for Artists and Healthcare Professionals’

We wish you all the best with your future endeavors!

Congratulations to Antonio Zingaro for the successful master thesis defense ‘Please Keep Seeding, A Defense of Digital P...
19/10/2026

Congratulations to Antonio Zingaro for the successful master thesis defense ‘Please Keep Seeding, A Defense of Digital Piracy Against Copyright’s Moral Panic’

We wish you all the best with your future endeavors!

Congratulations to Alex Fallica (Alex Fallica) on your successful master thesis defence ‘Shock Value. The Image of Viole...
12/10/2026

Congratulations to Alex Fallica (Alex Fallica) on your successful master thesis defence ‘Shock Value. The Image of Violence in the Flow of Synthetic Narratives’

Best of luck with all your future endeavours!

Congratulations to Martina Pizzigoni (Martina Pizzigoni) for the successful master thesis defense ‘Media Habit(at). Digi...
12/10/2026

Congratulations to Martina Pizzigoni (Martina Pizzigoni) for the successful master thesis defense ‘Media Habit(at). Digital Relationality in the Era of Simulacra‘

Wishing you all the best with your future endeavors!

Congratulations to Sule Damaris Suarez Leguizamon for the successful master thesis defense ‘Live coding as a performativ...
12/10/2026

Congratulations to Sule Damaris Suarez Leguizamon for the successful master thesis defense ‘Live coding as a performative act. Real time in audiovisual live coding performance’

We wish you all the best with your future endeavors!

Congratulations to ghazal🌱 and Hanif Haghtalab for winning the ‘Best Paper Award in Art Research’ track at ExpandedConfe...
08/10/2026

Congratulations to ghazal🌱 and Hanif Haghtalab for winning the ‘Best Paper Award in Art Research’ track at ExpandedConference 2026 as part of Ars Electronica festival.

The paper ‘Feel.Back.Loop: Affective Co-Adaptation between Humans and Embodied Intelligent Systems through Reinforcement Learning’, was in collaboration with Philipp Wintersberger, professor at IT:U.

Join us next week for the thesis defense of Flavia Luna Somarriba Perez-Desoy (Flavia-Luna) on Tuesday, 13th of October....
06/10/2026

Join us next week for the thesis defense of Flavia Luna Somarriba Perez-Desoy (Flavia-Luna) on Tuesday, 13th of October.

13.10.2026 | 16:30 at Interface Cultures, 3rd Floor, Domgasse, Kunstuniversität Linz

Interactive Art in Hospitals: A Overview for Artists and Healthcare Professionals

This research evaluates the emotional experience of patients and their visitors throughout a patients journey in a hospital setting and showcases what interactive art can offer. Drawing from both personal experience and interdisciplinary studies, the work brings together perspectives from healthcare, art therapy and design to examine how elements like visuals, sounds, colours and interaction can impact well-being.

Through the analysis of existing hospital-based artworks and the development of my own project, Ballad of a Frog, I reflect on how care spaces can be reimagined, and how interactive art can be greatly beneficial for reducing negative emotions and regaining agency with a ludic and holistic approach.

Join us next week for the thesis defense of Antonio Zingaro on Tuesday, 13th of October.13.10.2026 | 13:00 at Interface ...
06/10/2026

Join us next week for the thesis defense of Antonio Zingaro on Tuesday, 13th of October.

13.10.2026 | 13:00 at Interface Cultures, 3rd Floor, Domgasse, Kunstuniversität Linz

‘Please Keep Seeding, A Defense of Digital Piracy Against Copyright’s Moral Panic’

Piracy has developed alongside the technologies used to copy, distribute, and access culture. This thesis follows its development from printed books to file-sharing networks and streaming platforms. It looks at how copyright affects ownership, access to culture, cultural preservation, and creative labour. The research combines artistic practice, a literature review, interviews, and the analysis of media-art projects. Interviews with authors working in the field of cinema, music, and publishing show that unauthorised circulation can have very different effects. Participants described concerns about income, recognition, and control over their work, while some also associated piracy with visibility, discovery, and access for audiences excluded by price or availability. Copyright offers formal protection, but it does not always ensure fair pay, easy access to culture, or long-term preservation. The art projects discussed in this thesis make the hidden systems behind copying and sharing easier to see. They raise questions about authorship, ownership, and the power of digital platforms. The thesis proposes a broader response to piracy: affordable legal access paired with fair remuneration, public support for artists, and stronger conditions for creative work.

Join us next week for the thesis defence of Alex Fallica (Alex Fallica) on Monday, 12th of October.12.10.2026 | 15:30 at...
05/10/2026

Join us next week for the thesis defence of Alex Fallica (Alex Fallica) on Monday, 12th of October.

12.10.2026 | 15:30 at Interface Cultures, 3rd Floor, Domgasse Kunstuniversität Linz

Shock Value. The Image of Violence in the Flow of Synthetic Narratives

The image of violence has always occupied an ambiguous position within visual culture, provoking fascination and revulsion alike while continuously (re)negotiating the role of the spectator. With the rise of the World Wide Web, graphic imagery gained unprecedented accessibility, establishing an ecosystem in which violent depictions can be endlessly encountered, shared, and reproduced, with the most recent development of Generative Artificial Intelligence entering this stratified landscape as a new tool for producing violent imagery.

This dissertation explores where this newfound socially unacceptable imagery positions itself within digital violence and gore voyeurism. Through the interactive AI installation Shock Value (or Cadavre Exquis), the thesis investigates how algorithms and neural networks influence the consumption, impact, and reception of synthetic violence, while informing the (re)production of cultural memory and collective imaginaries.

Join us next week for the thesis defence of Martina Pizzigoni (Martina Pizzigoni) on Monday, 12th of October.12.10.2026 ...
05/10/2026

Join us next week for the thesis defence of Martina Pizzigoni (Martina Pizzigoni) on Monday, 12th of October.

12.10.2026 | 11:00 at Interface Cultures, 3rd Floor, Domgasse Kunstuniversität Linz

Media Habit(at). Digital Relationality in the Era of Simulacra

How do we become who we are within environments that continuously learn from us?

Moving across media theory and artistic practice, the thesis examines how everyday interactions with platforms become entangled with broader systems of power, from the infrastructures that enable access to the models that interpret our behaviours.

We adapt to the systems we use, while those systems incorporate our actions and return them to us as new conditions for seeing, choosing and relating. The research follows this process from the formation of digital habits to the moment when computational accounts of a person begin to influence their opportunities and lived experience.

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Domgasse 1
Linz
4010

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