Interface Cultures

Interface Cultures Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Interface Cultures, Hochschule und Universität, Domgasse 1, Linz.

Interface Cultures is an internationally oriented master & research program in Interactive Digital Arts, led by Manuela Naveau and Laurent Mignonneau at the University of Arts in Linz, Austria. The Interface Cultures department at the University of Art and Design in Linz, Austria provides an internationally oriented master & research program in Interactive Digital Arts, led by Christa Sommerer and

Laurent Mignonneau, in 2020 Manuela Naveau joined the department with an additional focus on Critical Data and art.

🚨 Only 1 week left to apply to Interface Cultures Master Programme at Kunstuni Linz 🚨Interface Cultures connects humans ...
02/06/2026

🚨 Only 1 week left to apply to Interface Cultures Master Programme at Kunstuni Linz 🚨

Interface Cultures connects humans and machines, art and culture, interaction and experience - turn your curiosity into practice with us!

Feel free to reach out with any questions and we’ll do our best to get back to you 📩

Deadline: June 9th.
Interviews: June 30th & July 1st.

🔗 Apply now: https://calls.kunstuni-linz.at/calls/175S22/cg/index.php?lang=EN

📚 Learn more about the programme: https://www.kunstuni-linz.at/studium/studienrichtungen/interface-cultures/masterstudium



Image Credit: Knotting the Memory :: Encoding the Khipu, Patricia Cadavid, 2019, (c) IC Archives

Uni Prof. Dr. Laurent Mignonneau and Dr. Christa Sommerer ‘s artwork ‘Flaneur’ is being shown at The Shenzhen Internatio...
28/05/2026

Uni Prof. Dr. Laurent Mignonneau and Dr. Christa Sommerer ‘s artwork ‘Flaneur’ is being shown at The Shenzhen International Museum of Art (SIMoA), Shenzhen, China and will be exhibited until May 2027!

In the interactive installation ‘Flaneur’, visitors can walk around on a large round projection surface. Their walking pattern and speed creates beautiful vegetations, consisting of leaves, flowers, branches and other organic elements. Strolling around fills up a colorful virtual garden which always recomposes itself.

However digital ants also like these beautiful flora and come to quickly eat them up. They organize themselves to eliminate all what humans have created. Between one’s joyful creation of a garden and the removal cycle created by the ants, one might be reminded of the human impact on nature.

‘Flaneur’ celebrates the aimless strolling around and the life cycle of creation and disappearance.

🌐 Web site of the artwork:
https://interface.ufg.ac.at/christa-laurent/Flaneur.html

🌐 Website about Shenzhen International Art Museum (the biggest in China):
https://www.szgm.gov.cn/english/news/latestnews/content/post_12705808.html

Saumil Bhandari () is showing his electromagnetic installation ‘Fill in the Gap’ in the MIND THE GAP exhibition taking p...
28/05/2026

Saumil Bhandari () is showing his electromagnetic installation ‘Fill in the Gap’ in the MIND THE GAP exhibition taking place in both Linz & Vienna!

📍Post City Linz 26th May, Linz, 6PM (1 day event)

📍Third Space Wien (Mariahilferstrase 74A), 29th May, Wien 12-6PM (3 day event)

MIND THE GAP brings young artists in both cities together to enter this unspoken space and to consider what it means to approach the gap, and whether it can be narrowed at all. The exhibition emerges as a wish to reflect on these conditions without fixing them into rigid positions, inviting participants to engage in dialogue and to think about different ways of existing together.

The exhibition unfolds across both cities, opening with a vernissage at Post City in Linz on the 26th of May and concluding with a finissage in Vienna at Third Space on the 31st of May. This structure invites the movement of artworks, people, and critical ideas, allowing meanings to shift, misalign, and reappear differently as they travel between contexts. The exhibition is thus not understood as a singular event, but as a sequence of encounters shaped by location, time, and context.

Join us for our next guest lecture with Sarah Emler (.emler) on Wednesday, June 3rd, 2026!03.06.2026 | 10:00 - 11:00 at ...
27/05/2026

Join us for our next guest lecture with Sarah Emler (.emler) on Wednesday, June 3rd, 2026!

03.06.2026 | 10:00 - 11:00 at Interface Cultures, Lecture Room DO0327

Truth under Pressure: How journalists gather and verify information in the age of AI

How do journalists know whether information is trustworthy in an age of AI generated content and constant information overload?

Drawing from her work as a journalist, Sarah Emler will talk about how she gathers and verifies information, images, and videos in international reporting. The guest lecture will look at how to work with information coming from political actors, NGOs, or content on social media. It will discuss how misinformation spreads online, and how credible sources can be identified. It will also address the ethical side of journalism, including situations where a story cannot be published because it could put someone in danger.

Biography:
Sarah Emler is a journalist with the Austrian Public Broadcaster (ORF), where she covers breaking news in the foreign affairs department for TV and radio. Prior to joining ORF, she worked with Reuters and contributed to several radio stations and newspapers across various countries. Her reporting has taken her to the United States, France, Saudi Arabia, the UAE, Oman, Uganda, and beyond. Sarah focuses on climate issues and human rights. She also has strong knowledge of fact-checking, and verification. In addition to her film and media studies, she majored in journalism and took additional educational training in human rights. She also teaches media and copyright law. As a member of the Oxford Climate Journalism Network, she was selected for the NYU Climate Finance Fellowship in 2024. In 2025, together with the Austrian Network of Climate Journalists, she received a grant to organize an investigative climate journalism training in Vienna in 2026.

2 weeks left to apply to the Interface Cultures Master’s Program at Kunstuni Linz 👾Work with interactive art, interfaces...
26/05/2026

2 weeks left to apply to the Interface Cultures Master’s Program at Kunstuni Linz 👾

Work with interactive art, interfaces, and experimental technologies - combining hands-on prototyping with critical questions around digital culture. If you’re passionate about these topics, this is your chance to join an innovative and international community!

Deadline: June 9th.
Interviews: June 30th & July 1st.

🔗 Apply now: https://calls.kunstuni-linz.at/calls/175S22/cg/index.php?lang=EN

📚 Learn more about the programme: https://www.kunstuni-linz.at/studium/studienrichtungen/interface-cultures/masterstudium



Image Credit: Tutta Notte Buia, Alessia Fallica & Martina Pizzigoni (MAalex), 2025, ©MAalex

This Friday, Kevin Blackistone, Ariathney Coyne and Laura Gagliardi will be showing ‘Inner Radiance’ at the Deep Space i...
19/05/2026

This Friday, Kevin Blackistone, Ariathney Coyne and Laura Gagliardi will be showing ‘Inner Radiance’ at the Deep Space in ✨

22.05.2026 | 19:00 at Deep Space, Ars Electronica Center, Linz.

Inner Radiance is a critical dance and performance exploration of the of the bodily interior.

What are the hidden worlds within us? Can we find new ways to perceive them and make them real? How can we de-clinisize and de-pathologize representations of that part of us which is hidden beneath the flesh. How can excavating the unseen layers of the human organism permit us to better internalize our human commonalities and connections?

Inner Radiance approaches these questions through a first-of-it’s-kind performance in which live medical ultrasound will be used to generate 3d volumes with which the dancers will interact; choreographically performing with their own interior selves. Through this piece the dancers will become part of the visual design as their scans are translated into forms not only physically representative but also abstracted through exchange of temporal and physical dimensions. By performatively engaging with medical technology beyond it’s diagnostic contexts, this performance presents the wonder of the human organism absent concerns of pathology, and the visual boundary of the flesh to inspire considerations on how the biases of later frequently affect the care of the former.

Choreography and Movement:
Ariathney Coyne
Laura Gagliardi

Concept, visual design and sound composition: Kevin Blackistone

Information for attendance available at: https://ars.electronica.art/center/en/events/dse-inner-radiance/

Congratulations to Camilla Scholz () for the successful master thesis defense: ‘A Room in Time: Experiencing time in int...
07/05/2026

Congratulations to Camilla Scholz () for the successful master thesis defense: ‘A Room in Time: Experiencing time in interactive, immersive environments.’

Best of luck with your future endeavours!

Interface Cultures excursion to Gmunden ⛰️Huge thank you to  &  for welcoming us and showing us around your wonderful ga...
05/05/2026

Interface Cultures excursion to Gmunden ⛰️

Huge thank you to & for welcoming us and showing us around your wonderful galleries and spaces, it was a pleasure!

Join us next week for the thesis defence of Camilla Scholz () on Wednesday, 6th of May.06.05.2026 | 14:30 at the Deep Sp...
01/05/2026

Join us next week for the thesis defence of Camilla Scholz () on Wednesday, 6th of May.

06.05.2026 | 14:30 at the Deep Space in Studio 1, 3rd floor, Hauptplatz 8, Kunstuniversität Linz.

‘A Room in Time’

Experiencing time in interactive, immersive environments.

Time changes shape with every context. The constant ticking of a clock is challenged as soon as our emotions make time feel like it is flying by or dragging on. Physics further questions our assumptions about time, as it is entangled with space and influenced by gravity and motion. In media art, however, time is often treated as a background constant in which the artwork unfolds. Drawing on scientific and philosophical concepts, this thesis examines how different conceptions of time can be addressed in art, making time palpable within the experience. Based on the physical research presented in physicist Carlo Rovelli’s book “The Order of Time” (Rovelli, 2017/2018), various concepts of time are explored, focusing on how time is embodied in interactive artworks through immersive, sensory experiences. Two original artworks, “time moves faster in the mountains” and “in and out of time”, made for the Deep Space, an interactive, immersive environment, serve as case studies. The first explores the concept of time dilation, while the second approaches time from a personal and subjective perspective, imagining a new embodied metaphor of time. Within these artworks, time is actively experienced as the environment becomes an embodiment of time. This thesis argues that, by bringing different concepts of time into interactive, immersive environments, time is not merely represented but enacted and embodied, changing our perception of time. By performing time within a multisensory environment, abstract theories of time can be explored from a new perspective by experiencing them through the body.

The application window for Interface Cultures is open!Explore the intersection of art, technology, and research and deve...
29/04/2026

The application window for Interface Cultures is open!

Explore the intersection of art, technology, and research and develop your practice by working with interactive systems, data, and experimental media!

Apply by June 9
Interviews take place on June 30th & July 1st

🔗 Apply now: https://calls.kunstuni-linz.at/calls/175S22/cg/index.php?lang=EN

📚 Learn more about the program: https://www.kunstuni-linz.at/studium/studienrichtungen/interface-cultures/masterstudium

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Image Credit: Post-Dervish Chant, Smirna Kulenović & TAZ 22, Indiara Di Benedetto, 2021, (c) IC Archives

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Domgasse 1
Linz
4010

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