Wie sind die Öffnungszeiten?

Montag 09:00 - 18:00 Dienstag 09:00 - 18:00 Mittwoch 09:00 - 18:00 Donnerstag 09:00 - 18:00 Freitag 09:00 - 18:00

TransArts

Wegbeschreibung Website Kontaktieren Sie die Universität

TransArts Vienna
Universität für Angewandte Kunst The Offical TransArts Page

12/10/2026

TransArts lecture program winter’26/26

03.11. tba

17.11. 10h - Anna Hulačová (Anna Hulačová)  Anna Hulačová is a sculptress whose work revives traditional crafts, translating the inspiration found in ancient mythologies, eastern cultures as well as in Czech folk traditions and symbols into the language of contemporary art.
(Photo: Michaela Cejkova; Kunstraum Dornbirn)

24.11. 10h - Joseph Popper (Joseph Popper)

Joseph Popper is an artist and researcher from London, UK. His research examines the imagining of outer space and the shaping of outer space imaginaries. He explores the potential of imagery and fiction for disrupting pervasive aesthetics and narratives, which inform common visions and impact upon Earth-Space relations.
(Photo: Kunstuniversität Linz; Joseph Popper)

01.12. 10h - Veronika Kaup-Hasler (Veronica Kaup-Hasler) in conversation with Franz Schuh
(This talk will be held in german) 
Veronika Kaup-Hasler is a scientist, politician, dramaturg and currently executive city councillor for cultural affairs and science. Before taking over this position, she worked in numerous cultural institutions such as dramaturgy at the theater Basel, dramaturgy at Wiener Festwochen, director of Festival Theaterformen and director of Steirischer Herbst.

Franz Schuh is a Austrian author and essayist, working on the interface of politics and philosophy. Schuh is currently teaching on the aesthetics of politics at the department of transdisciplinary arts at the angewandte.
(Photo: Katarina Soskic; Wolfgang Paterno)

15.12. 10h - Yoshinori Niwa (Yoshinori Niwa 丹羽良徳)

Yoshinori Niwa is a vienna-based japanese artist, primarily working in performance and social intervention, video and installation. His performative and participatory works examine topics of power dynamics, social participation and questions on societal coexistence.
(Photo: Teresa Wally; Henrik Bergstedt)

All lectures take place at FLUX2, 2nd floor, Vordere Zollamtstraße 7, 1030 Wien

Curation and organisation: Roman Pfeffer (Roman Pfeffer), Roswitha Schuller (Roswitha Schuller), Stephan Hilge, Christoph Höschele (Christoph Hoeschele)

die Angewandte

05/10/2026

V SPOMIN Juriju Hartmanu
In Memory of Jurij Hartmann

Exhibition views from the exhibition „V SPOMIN Juriju Hartmanu“ with works by Jurij Hartmann (Jurij Hartman) in Ljubljana.

Organized by his family and friends and put together through volunteer work, the exhibition brings together works from Jurij Hartmann‘s artistic body. Portraying his practice, the exhibition honors his artistic work and conceptual thoughts.

Taking this exhibition as a starting point, a community formed around Jurij‘s work, wanting to make sure that his practice will continue to be shown and seen. In this effort, plans are being made for coming exhibitions, the continuation of unfinished projects and a Fund for young artists.

In memory of our dear classmate and friend, we extend huge thanks to his family and friends for organizing this exhibition and by that, sharing Jurij‘s work with the people.

Jurij Hartman Matej Hartman die Angewandte

18/09/2026

MA semester presentations summer‘26

With guest juror Günther Oberhollenzer ()

slide 1,2,3 Luise Lutz / Michel Strümpf, Auf Wiedersehen Sprache, 2026 at Galerie Lombardi-Kargl (Lombardi—Kargl) ( )

slide 4,5 Juli Winterstein, Hibernation, 2026 (Juli Winterstein)

slide 6,7 Simone Molinari, Icky-the-Bocky, 2026 (Simone Molinari)

slide 8,9 Natallia Yelavik, TAKES, 2026 (Natasha Moreno)

die Angewandte

16/09/2026

BA semester presentations summer‘26

With guest juror Hannah Marynissen (.marynissen)

slide 1,2,3 Pieter Zomerdijk, UMWELT In castration, it cuts, it bites, it pulls and stretch, 2026 (Pieter Zomerdijk)

slide 4,5 Ilijah Vujošević, I, who know the letters, say that it is very good to live on earth oder maintained order / Literate in power, 2026 (илија)

slide 6,7 Frederike Gordillo, it’s longue durée; The World Turned Upside Down, public reading with Maria Vittoria Franzini, Simone Molinari, Momoko Berthold, curated by Alice Bazzichelli, 2026 (Frederike Gordillo)

slide 8,9 Anselm Wieland, ohne titel, 2026 (Anselm Wieland)

slide 10,11 Max Steinacker, Biomachina 274, 2026 (Max Steinacker)

die Angewandte

16/09/2026

BA semester presentations summer‘26

With guest juror Hannah Marynissen (.marynissen)

slide 1,2,3 Pieter Zomerdijk, UMWELT In castration, it cuts, it bites, it pulls and stretch, 2026 (Pieter Zomerdijk)

slide 4,5 Ilijah Vujošević, I, who know the letters, say that it is very good to live on earth oder maintained order / Literate in power, 2026 (илија)

slide 6,7 Frederike Gordillo, it’s longue durée; The World Turned Upside Down, public reading with Maria Vittoria Franzini, Simone Molinari, Momoko Berthold, curated by Alice Bazzichelli, 2026 (Frederike Gordillo)

slide 8,9 Branko Bekavac, ohne titel, 2026 (Anselm Wieland)

slide 10,11 Max Steinacker, Biomachina 274, 2026 (Max Steinacker)

die Angewandte

14/09/2026

MA semester presentations summer‘26

With guest juror Günther Oberhollenzer ()

slide 1,2 Lorenzo Zerbini, It Is Impatient of the Knife, 2026 ()

slide 3,4 Emilia Momoko Berthold, Pigeon Piece, 2026 (Momoko Berthold)

slide 5,6,7 Noa Laetitia Schaub/ Marlene Victoria Fröhlich, Dialog 1/ ich denke an das Haus, denke ich, 2026

slide 8,9 Leonhard Thomas Pill, SCHLAMMSTAPELZEIT PART I, 2036

die Angewandte

17/08/2026

MA semester presentstions winter‘26

With guest judge Pia Wamsler ().

slide 1,2 Ester Gašparovà, first person singular, 2026 ()

slide 3,4 Daria Lytvynenko, Sevastapol? My father studied in Sevastapol, 2026 (darialytvynenko)

slide 5,6 Natallia Yelavik, PEARL, 2026 (Natasha Moreno)

slide 7,8 Laura Schlagintweit, ScHu TSChu neXt sTop dOOm :,)), 2026 (Laura Schlagintweit)

die Angewandte

07/08/2026

TransArts lectures recap part II summer‘26

Starting off the second half of this semester‘s lecture series, the class invited Nikolaj Schulz, PhD fellow at department of sociology, university of Copenhagen and close collaborator to late french philosopher Bruno Latour.
In his talk Schultz argued that getting closer to non-humans is not the only analytical strategy we need if we wish to face our times crisis of sensibilities. Instead, based on his book ‚Land Sickness‘, Schultz argued that we also need descriptions of how the existential conditions of the human being has transformed in the Anthropocene, how the human has transformed into another kind of being, one leaving behind a set of destructive traces that is slowly but certainly destroying its own species’ conditions of subsistence.
Nikolaj Schultz

In the framework of a residency at PART International Art Residency Austria (PART Residency), the class made a studio visit to artist Beaux Mendes.
Their work treats painting as a transitory medium, while consistently revealing the physical qualities of the used support. Involving rituals of passage and pilgrimage, their practice invites estrangement and altered states of experience resulting from repeated trips to sites for painting, often remote and obscure. These sites conjure a relay of sensory information and embedded imagery that phase between environment and artist, generating a range of phenomena recorded by way of an artwork as conduit.
beaux mendes

Closing off this semester, Peter Melicharek and Veronika Haberler, Legal advisors at the Wiener Advocatur Bureau, visited the class to discuss everything legal concerning arts.
The students were invited to bring their very own art-related legal cases and concrete questions which they were then legally advised on. Additionally the two legal advisors decided legal terms and specific laws.

Curation and Organisation: Roswitha Schuller (Roswitha Schuller), Stephan Hilge, Roman Pfeffer (Roman Pfeffer), Christoph Hoeschele (Christoph Hoeschele), Anja Werkl

die Angewandte

30/07/2026

‘AAA TransArts MA graduations summer‘26

Elena Rosalia Apollonio (Elena Rosalia Apollonio)
„Die Katze beißt sich in den Schwanz“
Painting, 2026

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAH

Thesis supervision: Stephan Hilge, Bettina-Maria Busse

Photos: Vincent Forstenlechner

die Angewandte

28/07/2026

‘AAA TransArts MA graduations summer‘26

Christopher Friess (Christopher Friess)
„For now, time is the duration of a thought“
Installation, 2026

In a world where nothing remains unavailable, something is lost. A future or alternative reality emerges, one shaped by the condition of post-availability: a sleepless world in which the legacy of 24/7 ideologies persist. In this world, processes of homogenisation extend even to those domains that once resisted the capitalisation of material and immaterial resources. Enter the remains of our world: a depot of artefacts. Wooden crates contain objects accumulated between the present and the imagined. The exhibition space becomes a temporary storage site. The crates are opened for inspection.

Thesis supervision: Roman Pfeffer (Roman Pfeffer), Bettina-Maria Busse

Photos: Vincent Forstenlechner

die Angewandte

Adresse

Vordere Zollamtsstraße 7
Wien
1030

Öffnungszeiten

Montag	09:00 - 18:00
Dienstag	09:00 - 18:00
Mittwoch	09:00 - 18:00
Donnerstag	09:00 - 18:00
Freitag	09:00 - 18:00

Website

http://www.transarts.at/

Benachrichtigungen

Erfahren Sie als Erste/r von Neuigkeiten und Aktionen: Wir schicken Ihnen eine E-Mail, wenn TransArts etwas veröffentlicht. Ihre E-Mail-Adresse wird für keinen anderen Zweck verwendet, und Sie können sich jederzeit abmelden.