04/05/2026
Well, as our semester draws to a close, and preparations for Grad Show kick into gear - (Creative Expo is Thursday April 23 - 6-9pm. We’re in 3190, and the other Creative programs in various locations.) we’re winding down this page, which we’ve not made much use of since the whole FB format went south. So, very soon, (when we can find the actual delete button) this page will disappear. If you’re an alumni interested in getting in touch - you know how to find us - drop us an email or stop by the studio - come see Grad Show!
So, since we’ve just returned from our annual trip to the AGO, this article seems relevant. If they hadn’t rescinded their part in the acquisition of the work, it’s quite possible we would have had the opportunity to see it on our trip. The politics of the matter aside, I find that the author’s description of the nature of Goldin’s work really resonates with me, and with how I see my art process working - for me…. Despite their stature and the large sums their work garners, Goldin’s work is a very personal documentation of arcane networks of lives and paths and images and influences crossed over time. It’s what’s going on every waking minute of an artist’s life, and our challenge remains to capture that lightening in a bottle. Give me some Everest! Rx
Why did the Art Gallery of Ontario change its mind on acquiring Nan Goldin’s Stendhal Syndrome?