03/27/2025
We are overjoyed to be welcoming curator, art historian, cultural critic and visual artist Didier Morelli for a talk on performance art in the city, Street Actions: Women Performing in Montreal and Toronto in the 1970s.
๐ช๐๐๐ก and ๐ช๐๐๐ฅ๐?
April 2, 2025, 2-4 pm
680 Sherbrooke West, Rm. 1041
๐ช๐๐๐ง?
๐ฆ๐๐ฟ๐ฒ๐ฒ๐ ๐๐ฐ๐๐ถ๐ผ๐ป๐: ๐ช๐ผ๐บ๐ฒ๐ป ๐ฃ๐ฒ๐ฟ๐ณ๐ผ๐ฟ๐บ๐ถ๐ป๐ด ๐ถ๐ป ๐ ๐ผ๐ป๐๐ฟ๐ฒ๐ฎ๐น ๐ฎ๐ป๐ฑ ๐ง๐ผ๐ฟ๐ผ๐ป๐๐ผ ๐ถ๐ป ๐๐ต๐ฒ 1970๐ examines how women performance artists moved in the city, imagining alternate modes of embodiment in Montrรฉal and Toronto between 1970 and 1980. The short, ten-year timeframe accounts for the flourishing of Canadian conceptual and performance art in the 1970s, a period marked by artists moving outside of the established boundaries of their studios and white-walled galleries to adopt the streets as a primary site of experimentation and public presentation. Artists in question include Franรงoise Sullivan, Rita Letendre, Vera Frenkel, Johanna Householder, Elizabeth Chitty, and Marshalore amongst others. How did this unique convergence between the moving bodies of women performance artists, civic building projects and urban transformations, and the politics of the Canadian and Quรฉbรฉcois Womenโs Movement (1960-1985) engender an era of change?
๐๐ถ๐ฑ๐ถ๐ฒ๐ฟ ๐ ๐ผ๐ฟ๐ฒ๐น๐น๐ถ is a curator, performance and art historian, cultural critic and visual artist. His Fonds de recherche du QuรฉbecโSociรฉtรฉ et culture (FRQSC) Postdoctoral Fellowship, which he holds at Concordia University and the CCA examines how second-wave feminist performances subverted urban functionalism by imagining alternate modes of embodiment in Montreal and Toronto during the 1970s. Previously the associate editor at Espace art actuel, his writing has also been published in Art Journal, CTR: Canadian Theatre Review, C Magazine, CBC Arts, Esse Arts + Opinions, RACAR, Spirale, and TDR: The Drama Review. Morelli will be the curator of the 2026 MANIF, the Quebec City Biennial, which is titled โBriser la glace / Splitting Ice.โ