Corérisc

Corérisc FRQSC funded research team focused in its first iteration on queer, feminist and minoritarian horror in media, art and performance.

11/06/2023

TONIGHT @ Monstrum: Sofia Di Gironimo
"A Woman's Stupid Smile, or Towards Something Else in 'Peeping Tom' and 'Hookup Hotshot'"
Screening: PEEPING TOM (Michael Powell, 1960)
@ GIV: 7-10pm. ALWAYS FREE!
https://www.monstrum-society.ca/fall-2023.html

10/12/2023

CFP: MONSTRUM 7.2 (December 2024) Special Issue
Q***r/ing Horror: Video Essays at the Intersection of Horror and Q***rness
Guest Editor: Dayna McLeod

In What’s the Use? (2019), Sara Ahmed examines “q***r use as reuse” (198). She posits, “If I have considered q***r use as how we dismantle a world that has been built to accommodate some, we can also think of q***r use as a building project” (219-221). Here she highlights the potentiality of q***r use, emphasizing its capacity to deconstruct a world full of biased systems, and facilitate creative and productive practices. How might we consider “q***r use as reuse” (198) in videographic criticism of q***r horror? What interventions, analysis, and critique might we manifest if we look at the form of the video essay in relationship to q***r/horror media objects? Ahmed writes, “Q***r use can also be about not ingesting something; spitting it out; putting it about. If q***r use is not ingesting something, not taking it in, q***r use can also be about how you attend to something” (207-8).

Submissions are now open for Monstrum 7.2, a special issue entirely comprised of video essays that “attend to” the intersections of horror and q***rness. We seek proposals for 2–7-minute video essays that take up, speak to, or relate Ahmed’s notion of q***r use in relation to horror. Likewise, video essayists might consider re/readings of the monstrous, where it is located, and how it is constructed (Jack Halberstam, Skin Shows: Gothic Horror and the Technology of Monsters, 1995); dis/identification practices and pleasures in q***ring and circulating negative and positive affect found in horror (Michael J. Faris, “The Q***r Babadook: Circulation of Q***r Affects” in The Routledge Handbook of Q***r Rhetoric, 2022); and/or how “q***r horror has turned the focus of fear upon itself, on its own communities and subcultures” (Darren Elliott-Smith, Q***r Horror Film and Television: Sexuality and Masculinity at the Margins, 2016, 197).

We are interested in how the video essayist might situate q***rness relative to horror through the analysis of specific media objects and/or texts and their formal techniques as productive, disruptive, interventionist, analytical, methodological, and/or confrontational. Does horror be/come in the process of q***ring or through its q***r re/use? How/does horror lie within q***rness itself? Video essayists may also consider the medium of the video essay or source media-object as ‘the body’, where the medium itself (film, television, web-based media object, etc.) and its production are horrific: What does the construction of the media object tell us about q***r horror? What is the horror? How do q***rs and q***rness encounter and contend with it? What might q***r reuse of q***rness look like through a horror lens? What are q***r re-telling and reviewing practices of horror?

Accepted proposals will also be asked to submit an accompanying statement of 750-1000 words to accompany the published video essay.

PROPOSAL DEADLINE: November 15, 2023

Questions: Contact Dayna McLeod at daynarama [at] gmail.com.

Go to the MMS website for more info on submitting:
https://www.monstrum-society.ca/special-issue-cfps.html

Becky Holt and Sofia de Gironimo upcoming talks at Monstrum!
10/04/2023

Becky Holt and Sofia de Gironimo upcoming talks at Monstrum!

Check out the upcoming MONSTRUM Halloween lectures on p**n and horror by Becky Holt, screening X (Ti West, 2022), and by Sofia Di Gironimo who will be screening Michael Powell’s PEEPING TOM (1960). It will ROCK! @ GIV, Mondays: October 30, and November 6, 2023. -7-10 pm. Be prepared for body fluids!
Website: https://www.monstrum-society.ca/fall-2023.html

07/18/2023

DISCOURSE 44.3 “Horror Grows Up?” is now available via Project MUSE.

Edited by Jason Middleton, Adam Lowenstein, and Aviva Briefel, “Horror Grows Up?” features contributions from Jason Zinoman, Mikal J. Gaines, Monica L. Miller, and the three guest editors.

44.3 also includes book reviews by David Pettersen (on Niels Niessen’s MIRACULOUS REALISM), Valentina Rosales (on Domietta Torlasco’s THE RHYTHM OF IMAGES), and Chang-Min Yu (on Nick Jones’s SPACES MAPPED AND MONSTROUS).

Cover: “1242” by Andy Manktelow, digital image of found dollhouse sculpture [2022]

https://muse.jhu.edu/issue/49625

One more week to submit to our summer writing workshop!
03/25/2023

One more week to submit to our summer writing workshop!

CALL FOR PARTICIPANTS

I’ll Sleep When I’m Undead: Sleep in Contemporary Horror Media
July 2-7, 2023 in Montreal
Submission deadline: March 31, 2023

CORERISC: the Collective for Research on Epistemologies of Embodied Risk, and The Sociability of Sleep seek participants for a week-long writing workshop (July 2-7, 2023) centered on sleep in 21st century horror media. We aim to explore how horror media–from films to television to social media–responds to the conditions of sleep as a site of embodied risk today.

Sleep today is said to be in crisis. Sleep is under threat by our 24/7 (Crary 2013) lifestyles; by demands of availability generated by social media, the internet and the always-on of media themselves; by the blue light of media screens, and the somatic reset of social media addictions; and by the crisis cycle of the contemporary news media. Sleep scientists are increasingly attending to longstanding inequities of access to “good sleep”, unevenly distributed across the fracture lines of social inclusion, and reflecting the environmental and cultural impact of insecure sleep conditions, including excess noise and illumination, rising temperatures under climate change, vulnerability to assault, an increasing demands to be available for work or care. These and other anxieties around sleep as a site of embodied risk are found across the spectrum of 21st century horror media.

Beyond dreams and nightmares, sleep itself has a complex history in horror media, in the remix of cinemas as a dream machine to a rich visual and aural language for altered states that blur the line between waking life and nightmare. While our focus is on 21st century media, we also seek work that puts today’s bad sleepers in dialogue with the past of sleep-horror media. Our premise is this: sleep is in essence a risky business. Sleep is often seen as generating precarious situations, and sleep itself is understood as a site of risk, vulnerability, and loss of control and agency. Sleep’s horror affects enervate the sharp edges of conventional horror, its eruptive distinctions between normal and deviant, raising complex questions of creepy agency, resistance, dispossession and vulnerability. Horror sleep media explores rest as a space of work, the site of the relentless extraction of the body’s capacities and biopolitical management, through monitoring and modulation, or in other cases the only territory in which the complexities and dangers of life today can be navigated as a new site of survival. Rather than naming a novel state of affairs, feminist, q***r, and racialized sleep horror understands sleep not as a break in the fabric of reality that allows a horrific otherworldliness to emerge, but as the condition of the exhausting conditions of everyday life. Part of the horror in the contemporary wave of sleep horror media is that the waking/ dreaming binary is displaced by the grey zone of somatic capitalism, where even off-hours are occupied by apps that track, quantify and assess us while we sleep, for purposes not our own. How does 21st century media figure the dispossessive risks of sleep?

This weeklong writing workshop is a collaboration between the Sociability of Sleep interdisciplinary research-creation project and CORÉRISC as part of the series "Altered States: The Social Lives of Sleep". We seek four to five participants for a week-long writing workshop in Montreal in the context of the Sociability of Sleep’s summer exhibition InSomnolence (June 20-July 13, 2023). Participants will arrive on Sunday. Monday through Friday will be dedicated to collaborative and individual writing sessions, working towards the publication of an edited collection. As such, we plan to work both with individual chapters, and also to collectively shape the conversation about sleep in contemporary horror. Each day will include two short public talks from participants about their emergent research in sleep horror along with writing workshops and end-of-day check-ins. In keeping with the spirit of the workshop as a generative space, the week’s events will include several activities meant to inspire discussion. The Montreal Monstrum Society will co-host a public screening of a sleep horror film; participants will be encouraged to suggest material to screen and discuss; there will be a workshop on public scholarship on popular media; and there is the possibility of creating a podcast focusing on the sleep media that we watch and discuss together.

We seek proposals from workshop participants on topics such as:
- Sleep and Genre (horror, noir, fantastique, dark fantasy)
- Sleep and Media (cinema, television, short-form, social media)
- Poetics of Sleep Horror (form, tone, atmosphere, style, mode)
- Horror studies and sleep
- Sleep and Experimental Horror
- Sleep Horror as/and Ecology
- Sleep Horror and Technology
- Sleep Horror and Creep (climate creep, deep/geological time, scale)
- Somnolent affects: sleep and spectators
- (Sleep) media as a source of horror and risk
- Too much, too little: sleep out of scale
- Earlids and Eyelids: The Bleed of Sleep
- Sleep Horror and Crisis, Disruption, Disorder
- Lost sleep: insomnia and other absences (as awareness, as problematic/symptom)
- Sleep Horror and Labour
- Retrovision: 21st century sleep horror frameworks recalling earlier media forms
- Sleep and/in Horror Studies (concept, content, figuration)

Proposals should include:
- a one-page description of your potential chapter: topic, approach and media (300-400 words)
- a short bio (150 words)

We welcome submissions from emerging scholars and contingent faculty, as well as from researchers from underrepresented perspectives in horror studies. There is funding available to support the participation of scholars, prioritizing those without access to institutional support. The workshop will take place in person in Montreal. If for you, travel to Montreal is not a possibility but you wish to take part in the entire workshop, please indicate this in your application and we will find accommodation for remote participation.

Proposals can be sent to [email protected], with the subject line “Undead Sleep Submissions”. Deadline is March 31, 2023; participants will be notified by mid-March. “I’ll Sleep When I’m Undead” is organized by CORÉRISC members Lynn Kozak, Alanna Thain and Kristopher Woofter, in collaboration with The Sociability of Sleep and is part of “Altered States: The Social Lives of Sleep”, with support from the Fonds de recherche du Québec - Société et culture and the Social Sciences and Humanities Research Council of Canada.

CALL FOR PARTICIPANTSI’ll Sleep When I’m Undead: Sleep in Contemporary Horror Media July 2-7, 2023 in MontrealSubmission...
03/02/2023

CALL FOR PARTICIPANTS

I’ll Sleep When I’m Undead: Sleep in Contemporary Horror Media
July 2-7, 2023 in Montreal
Submission deadline: March 31, 2023

CORERISC: the Collective for Research on Epistemologies of Embodied Risk, and The Sociability of Sleep seek participants for a week-long writing workshop (July 2-7, 2023) centered on sleep in 21st century horror media. We aim to explore how horror media–from films to television to social media–responds to the conditions of sleep as a site of embodied risk today.

Sleep today is said to be in crisis. Sleep is under threat by our 24/7 (Crary 2013) lifestyles; by demands of availability generated by social media, the internet and the always-on of media themselves; by the blue light of media screens, and the somatic reset of social media addictions; and by the crisis cycle of the contemporary news media. Sleep scientists are increasingly attending to longstanding inequities of access to “good sleep”, unevenly distributed across the fracture lines of social inclusion, and reflecting the environmental and cultural impact of insecure sleep conditions, including excess noise and illumination, rising temperatures under climate change, vulnerability to assault, an increasing demands to be available for work or care. These and other anxieties around sleep as a site of embodied risk are found across the spectrum of 21st century horror media.

Beyond dreams and nightmares, sleep itself has a complex history in horror media, in the remix of cinemas as a dream machine to a rich visual and aural language for altered states that blur the line between waking life and nightmare. While our focus is on 21st century media, we also seek work that puts today’s bad sleepers in dialogue with the past of sleep-horror media. Our premise is this: sleep is in essence a risky business. Sleep is often seen as generating precarious situations, and sleep itself is understood as a site of risk, vulnerability, and loss of control and agency. Sleep’s horror affects enervate the sharp edges of conventional horror, its eruptive distinctions between normal and deviant, raising complex questions of creepy agency, resistance, dispossession and vulnerability. Horror sleep media explores rest as a space of work, the site of the relentless extraction of the body’s capacities and biopolitical management, through monitoring and modulation, or in other cases the only territory in which the complexities and dangers of life today can be navigated as a new site of survival. Rather than naming a novel state of affairs, feminist, q***r, and racialized sleep horror understands sleep not as a break in the fabric of reality that allows a horrific otherworldliness to emerge, but as the condition of the exhausting conditions of everyday life. Part of the horror in the contemporary wave of sleep horror media is that the waking/ dreaming binary is displaced by the grey zone of somatic capitalism, where even off-hours are occupied by apps that track, quantify and assess us while we sleep, for purposes not our own. How does 21st century media figure the dispossessive risks of sleep?

This weeklong writing workshop is a collaboration between the Sociability of Sleep interdisciplinary research-creation project and CORÉRISC as part of the series "Altered States: The Social Lives of Sleep". We seek four to five participants for a week-long writing workshop in Montreal in the context of the Sociability of Sleep’s summer exhibition InSomnolence (June 20-July 13, 2023). Participants will arrive on Sunday. Monday through Friday will be dedicated to collaborative and individual writing sessions, working towards the publication of an edited collection. As such, we plan to work both with individual chapters, and also to collectively shape the conversation about sleep in contemporary horror. Each day will include two short public talks from participants about their emergent research in sleep horror along with writing workshops and end-of-day check-ins. In keeping with the spirit of the workshop as a generative space, the week’s events will include several activities meant to inspire discussion. The Montreal Monstrum Society will co-host a public screening of a sleep horror film; participants will be encouraged to suggest material to screen and discuss; there will be a workshop on public scholarship on popular media; and there is the possibility of creating a podcast focusing on the sleep media that we watch and discuss together.

We seek proposals from workshop participants on topics such as:
- Sleep and Genre (horror, noir, fantastique, dark fantasy)
- Sleep and Media (cinema, television, short-form, social media)
- Poetics of Sleep Horror (form, tone, atmosphere, style, mode)
- Horror studies and sleep
- Sleep and Experimental Horror
- Sleep Horror as/and Ecology
- Sleep Horror and Technology
- Sleep Horror and Creep (climate creep, deep/geological time, scale)
- Somnolent affects: sleep and spectators
- (Sleep) media as a source of horror and risk
- Too much, too little: sleep out of scale
- Earlids and Eyelids: The Bleed of Sleep
- Sleep Horror and Crisis, Disruption, Disorder
- Lost sleep: insomnia and other absences (as awareness, as problematic/symptom)
- Sleep Horror and Labour
- Retrovision: 21st century sleep horror frameworks recalling earlier media forms
- Sleep and/in Horror Studies (concept, content, figuration)

Proposals should include:
- a one-page description of your potential chapter: topic, approach and media (300-400 words)
- a short bio (150 words)

We welcome submissions from emerging scholars and contingent faculty, as well as from researchers from underrepresented perspectives in horror studies. There is funding available to support the participation of scholars, prioritizing those without access to institutional support. The workshop will take place in person in Montreal. If for you, travel to Montreal is not a possibility but you wish to take part in the entire workshop, please indicate this in your application and we will find accommodation for remote participation.

Proposals can be sent to [email protected], with the subject line “Undead Sleep Submissions”. Deadline is March 31, 2023; participants will be notified by mid-March. “I’ll Sleep When I’m Undead” is organized by CORÉRISC members Lynn Kozak, Alanna Thain and Kristopher Woofter, in collaboration with The Sociability of Sleep and is part of “Altered States: The Social Lives of Sleep”, with support from the Fonds de recherche du Québec - Société et culture and the Social Sciences and Humanities Research Council of Canada.

Out now just in time for your holiday pleasure: MONSTRUM 5.2: "Short-Form Horror: History, Pedagogy and Practice," guest...
12/14/2022

Out now just in time for your holiday pleasure: MONSTRUM 5.2: "Short-Form Horror: History, Pedagogy and Practice," guest-edited by Sonia Lupher and Alanna Thain. Free and open access!

TOC

Sonia Lupher and Alanna Thain, eds. Brief Encounter: Short-Form Horror Across the Media Spectrum

Aiden Tait : “This has all happened before”: Intergenerational Trauma, Tulpas, and Tackling Lovecraft’s Cultural Legacy in America in Scooby Doo! Mystery Incorporated

Alex Svensson: Multiplex Monstrosities: Promotional Jolts and Marketing Mishaps at the Movies

Charlotte Scurlock: Real Ghosts: Trauma, True Crime, and Temporality in Sharp Objects

Erica Tortolani: Short-Form Women-Made Horror: Origins and Observations

Finley Freibert: Angelic Frankenstein and the History of Bob Mizer’s Pre-Stonewall Muscle Monsters

Steven Greenwood: Optional Narratives and Supplementary Storytelling in Behaviour Interactive’s Dead By Daylight

Sonia Lupher: Pathways to African Horror: An Interview with Ann Sarafina Nneoha, Founder of the Africa International Horror Film Festival

Alanna Thain: Beyond Type A: The Horror Development Lab at the Blood in the Snow Film Festival Remakes the Scene

DOSSIER: Glimpses into Global Horror (curated by Sonia Lupher)

Murray Leeder, Canada: “Doreen Manuel’s These Walls”

Dani Bethea, Australia: “John Bell’s The Moogai and the Ghosts of a Stolen Generation”

Seung-hwan Shin, South Korea: “Nose Nose Nose EYES! : Korean Horror and Naturalist Sensibility”

Qian Zhang, USA: “The Othered Subject in Koreatown Ghost Story”

Ido Rosen, Israel: “F is for Female: The Woman Soldier and the Horror of the Israeli-
Palestinian Conflict in Keshales and Papushado’s F is for Falling”

Valeria Villegas Lindvall, Brazil: “On the Vengeful V***a: Lillah Halla’s Menarca”

Dan Vena, Canada: “Monsterdykë (2021)”

MONSTRUM 5.2 is Live! Our new issue is now available on the MMS website. This special issue, "Short-Form Horror: History, Pedagogy and Practice," was guest-edited by Sonia Lupher and Alanna Thain.

Monstrum 5.2 presents an Introduction by editors Lupher and Thain, along with four feature essays, two videographic essays, two feature interviews, and a special Dossier of seven short essays focused on examples of short-form horror from around the globe.

https://www.monstrum-society.ca/monstrum-v5-n2-december-2022.html

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Montreal, QC

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