Classical Music Society - York University

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Happy Friday classical enthusiasts! Today's fun fact is related to Remembrance Day, more specifically, Britten's "War Re...
11/11/2022

Happy Friday classical enthusiasts! Today's fun fact is related to Remembrance Day, more specifically, Britten's "War Requiem."

Edward Benjamin Britten was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His work, the "War Requiem," is recognized for being culturally, historically, or aesthetically significant.

During the Battle of Britain in 1940, the city of Coventry was subject to concentrated mass bombings in which many civilians lost their lives and much of the city was razed to the ground. The city’s medieval cathedral was virtually destroyed. After the war, it was decided to rebuild Coventry Cathedral to a new design by architect Basil Spence. To celebrate the cathedral’s consecration in May 1962, a showcase arts festival was planned.

It was against this background that Britten responded to an approach from the Coventry Cathedral Festival Committee for a new piece as he was a pacifist and conscientious objector. But, "The commission afforded Britten a twofold opportunity: he was able to fulfil his long-held desire to compose a large‑scale choral work appropriate for such an important symbolic occasion; and it allowed him to air in public his long­-held pacifist beliefs and his faith in humanity’s capacity for compassion..." (ENO).

"The "War Requiem" was not meant to be a pro-British piece or a glorification of British soldiers, but a public statement of Britten's anti-war convictions. It was a denunciation of the wickedness of war... The fact that Britten wrote the piece for three specific soloists -- a German baritone, a Russian soprano, and a British tenor -- demonstrated that he had more than the losses of his own country in mind, and symbolized the importance of reconciliation. The piece was also meant to be a warning to future generations of the senselessness of taking up arms against fellow men," (caltech).

Hey Lions! This week, we will be having our first guest speaker for this term: James Saint Fleur. James is an undergradu...
11/09/2022

Hey Lions! This week, we will be having our first guest speaker for this term: James Saint Fleur. James is an undergraduate York music student and plays the bassoon at York as well as in the Canadian Armed Forces. He will be joining us this week to discuss the role music plays in war and the military in our presentation: Music in War. There will be a Q&A Session at the end of the presentation.

The event will take place Thursday, November 10 @ 7:30pm via Zoom. You can find the Zoom link below or in our bio. We hope to see you all there!

Zoom link: https://yorku.zoom.us/j/98472712268

Happy Friday classical enthusiasts! Today's fun fact is all about the friendship between Mozart and Haydn 🎼The relations...
11/04/2022

Happy Friday classical enthusiasts! Today's fun fact is all about the friendship between Mozart and Haydn 🎼

The relationship between the composers Wolfgang Amadeus Mozart (1756–1791) and Joseph Haydn (1732–1809) is not very well documented, but the evidence that they enjoyed each other's company and greatly respected each other's work is strong, and suggests that the elder Haydn acted, in at least a minor capacity, as a mentor to Mozart.

The two seem to have crossed paths for the first time at a musicians’ benefit concert in December 1783 which featured works by both composers on the program. It’s clear from contemporary accounts that Mozart and Haydn admired each other and that the two men quickly developed a deep friendship. Through the 1780s in Vienna, the two composers played together in impromptu quartets, with Haydn on violin and Mozart playing viola. Haydn helped his younger colleague by lending Mozart his own, heavily annotated copy of a textbook on Baroque counterpoint.

Mozart would affectionately address Haydn as “Papa,” and he used the less formal “du” form of speech in German, which would have been quite unusual considering the age gap between the two men.

Their friendship was further affirmed in 1785 when Mozart dedicated his six “Haydn quartets” to his older friend. Usually, compositions would have been dedicated to a wealthy patrons or sponsor of the work, however it’s a measure of Mozart’s deep regard for his friend and mentor that he chose to dedicate these works to Haydn instead.

Mozart describes sending his “six sons” (six quartets) to his “best friend”: "A father who had decided to send his sons out into the great world thought it his duty to entrust them to the protection and guidance of a man who was very celebrated at the time, and who happened moreover to be his best friend. In the same way I send my six sons to you...Please, then, receive them kindly and be to them a father, guide, and friend! ..I entreat you, however, to be indulgent to those faults which may have escaped a father’s partial eye, and in spite of them, to continue your generous friendship towards one who so highly appreciates it," - Mozart

11/01/2022

CMS will also be starting up our Classical Music Society Ensemble again! If you are interested, please email us your name and instrument by Saturday, November 5 at 11:59pm. Our email is: [email protected]

Rehearsals for the ensemble will be on Tuesdays @ 6:30pm. Our first rehearsal will happen on Tuesday, November 8 at 6:30pm.

Feel free to reach out if you have any questions 🎼

Hey Lions! This week, CMS will be hosting a Classical Music Debate Night presented by the executive team. The debate is ...
11/01/2022

Hey Lions! This week, CMS will be hosting a Classical Music Debate Night presented by the executive team. The debate is an informal event where we will have a variety of topics for us to debate and discuss among other members and the executive team. The event will be taking place via Zoom on Thursday, November 3 @ 7pm.

You can find the Zoom link below or in our bio. We hope to see you all there ☺️

Zoom link: https://yorku.zoom.us/j/98131578587

Happy Friday classical enthusiasts! Today we have a perhaps shocking fact that is very in tune to the world's current ci...
04/01/2022

Happy Friday classical enthusiasts! Today we have a perhaps shocking fact that is very in tune to the world's current circumstances 😷🎶

According to a new joint research by the Royal Philharmonic Orchestra, streaming service Deezer, and British Phonographic Industry (BPI), classical music is becoming more popular among young folks! A decade ago, the BPI published a similar study which found just a tenth of classical listeners were under 30, while the vast majority (70 percent) were over the age of 50. However, since the pandemic this has changed.

"Of those streaming classical music in the last year, a third (34 percent) were 18 to 25 years old. Over the same period, classical streams by listeners under 35 rose by 17 percent.Yhe report, which looks at official streaming data on Deezer, a competitor of Spotify, shows that over three months, global plays of classical music among 18 to 25-year-olds grew by 11 per cent," (Classicfm).

Mozart and Bach are the platform’s most popular classical composers, while streams of female pianists including Khatia Buniatishvili and Martha Argerich soared during that three-month period.

Why did classical music have a spike? Well, many listeners under 35 felt listening to orchestral music during the lockdown helped them relax, feel good, calm and sleep better.

As classical enthusiasts ourselves, we couldn't be happier to hear classical music is finding a place in more people's hearts 🤍

This is our last fun fact for the term. Thank you for joining us and we will see you in FW 2022- 2023! Good luck on any exams, juries and final assignments 🙌🏾

Hey Lions! This week CMS will be hosting our bi-annual Winter Trivia Night presented by the executive team. With conside...
03/30/2022

Hey Lions! This week CMS will be hosting our bi-annual Winter Trivia Night presented by the executive team. With consideration to concert next week for many orchestra members, this will be our final meeting for the term. Thus, keeping with tradition we will be hosting a Kahoot featuring classical music related questions. There WILL be prizes! The meeting will take place Thursday, March 31st at 8pm.

You can find the Zoom link below or in our bio.

https://yorku.zoom.us/j/94267396196

We hope to see you all there!

Happy Friday classical enthusiasts! This week we have a fact coming to us from the other side of the world 🇯🇵🎤We’ve all ...
03/25/2022

Happy Friday classical enthusiasts! This week we have a fact coming to us from the other side of the world 🇯🇵🎤

We’ve all heard of the word karaoke, a form of entertainment in which people take turns to sing to popular songs over pre-recorded backing tracks. But did you know the word “karaoke” is a Japanese word that literally translates to “empty orchestra?”

The word karaoke is derived from two Japanese words. “Kara” comes from the word “karappo” meaning empty or void and “oke” comes from the work “okesutura” or orchestra. Thus, the literal translation becomes “orchestra recorded tape without singer’s voice” or “backing track version.”

Karaoke officially originated in Japan in the 1970s but there’s a lot more that goes into it’s history. But it is said to have originated at a snack bar in Japan. A performer was booked in but unable to perform so the snack bar owner instead played some recorded instrumentals and invited customers to sing instead.

Hey Lions! This week we will be welcoming Dr. Chambers who will be discussing conducting.  We will be hosting our Conduc...
03/23/2022

Hey Lions! This week we will be welcoming Dr. Chambers who will be discussing conducting. We will be hosting our Conducting Session on Thursday, March 24 at 8PM. You can find the Zoom link below or in our bio.

Zoom link: https://yorku.zoom.us/j/91877975830

We look forward to seeing you all on Thursday!

Happy Friday classical enthusiasts! This week we have a lonnnnggg fact for you 😵‍💫🎻Havergal Brian (born 29 January 1876 ...
03/18/2022

Happy Friday classical enthusiasts! This week we have a lonnnnggg fact for you 😵‍💫🎻

Havergal Brian (born 29 January 1876 – 28 November 1972) was an English composer, best known for his Symphony No. 1 in D Minor (The Gothic). Why? Well this Symphony is the biggest symphonic piece ever written!

Described by a critic as "one man's personal venture into the unknown", the symphony requires about 800 musicians: 190 in the orchestra and, for the setting of the Te Deum in part two, an adult chorus of 500, a children's choir of 100 and four soloists. The orchestra should ideally have 82 strings, 32 winds, 24 brass on stage, 24 brass off stage, six timpanists, four keyboards plus harp and 18 percussionists playing, among other things, a thunder machine, chains, a bird-scarer and two triangles. With 2,351 bars and a performance time pushing two hours, the Gothic, it is even recognized in the Guiness World Records as the largest symphonic piece. Sadly, since it's completion in 1927 it has only been performed a handful of times.

But why is it so long? "The genesis of the work stems from many sources, including a conversation Brian had with Henry Wood about writing a suite that would revive the older instruments that had fallen out of use in the modern symphony orchestra, such as the oboe d'amore or basset horn. This idea was repudiated by Brian's close friend Granville Bantock, but returned when Brian turned to writing symphonies after the end of the First World War. The Gothic element refers to the vision of the Gothic age (from about 1150 to 1500) as representing a huge (almost unlimited) expansion in humanity's artistic and intellectual development, but particularly manifest in the architecture of the great European cathedrals. The scale of the choral finale, which took several years to write, appears to be an attempt to evoke the scale and detail of this architecture in sound; Brian had to paste blank pages of score together to be able to write the work on gigantic sheets with 54 staves to the page..." (Wikipedia).

Well we do know now if you feel your pieces are long, it can't be as bad The Gothic Symphony!

Happy Friday classical enthusiasts! This week's fact is about the French composer, Joseph Maurice Ravel. Joseph Maurice ...
03/11/2022

Happy Friday classical enthusiasts! This week's fact is about the French composer, Joseph Maurice Ravel.

Joseph Maurice Ravel was a French composer, pianist and conductor. He is often associated with Impressionism although the composer rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.

Les Apaches was a group of musicians, writers and artists which formed in Paris, France in 1903. The core was formed by the French composer Maurice Ravel, the Spanish pianist Ricardo Viñes and the writer and critic Michel-Dimitri Calvocoressi.The name "apache," meaning "thug" was in reference to the group of Parisian delinquents known in Belle Époque Paris by that name. It was said to have been chosen after a newsagent bumped into them exclaiming: "Attention the Apaches!" The group met at different houses and are known for defending Claude Debussy after the eventful creation of Pelléas et Mélisande in 1902.

So it comes to a surprise to hear Ravel would amuse the gentlemen by dressing as a ballerina, complete with tutu and falsies, while dancing on pointe. While we can't confirm how frequent or popular the event was, we can say it is still entertaining for us to imagine many years later!

Happy Friday classical enthusiasts! This week we have an...eerie, unromantic fact 😱🧔🏻Louis-Hector Berlioz was a French R...
02/25/2022

Happy Friday classical enthusiasts! This week we have an...eerie, unromantic fact 😱🧔🏻

Louis-Hector Berlioz was a French Romantic composer and conductor. He was a significant composer but what many people don't know about him is his possessive streak. Over the course of his life he had quite a few lovers and courtesans, around which are a lot of dramatic stories.

Marie, a Belgian pianist, was 18 at the time- and she quickly became an infatuation for Berlioz. However, unlike prior obsessions, she reciprocated his advances, and they planned an engagement. However, before they could officiate the betrothal, Berlioz had to win over Marie’s mother “Madam Moke”. He decided to do so by attempting to win the coveted Prix de Rome, a prestigious prize for French music. After three attempts, he won the first prize, and this not only convinced Madame Moke of Berlioz’s pedigree, but also finally convinced Berlioz’s own father that music was a valid path to go down. So Berlioz had won the Prix de Rome, and was set to marry his beloved Marie, but one of the conditions of the prize was that winners had to study in Rome, in the Villa Medici, for two years. He took the journey but later learned that his beloved Marie had ended their engagement, and was now going to marry the much richer and older Camille Pleyel, a big businessman in piano making. Berlioz, with his crazy, obsessive brain, was furious, and planned to kill them both, along with Marie’s mother who he referred to as “The hippopotamus”. His plan was to enter the Mokes’ family home disguised as a maid, kill Camille, kill her mother the hippopotamus, kill Camille’s future husband, and then shoot himself in the head (Jo Fraser Composer).

But of course, his plan never happened. He lost his maid outfit and halfway through the journey, realized how dumb the idea was. So, he turned around and returned to Rome. After all of this, Berlioz would go on to write Lélio, ou Le retour à la vie Op. 14b, intended as a sequel to his Symphonie fantastique.

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Toronto, ON

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