Centre for Research on Latin America and the Caribbean

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Centre for Research on Latin America and the Caribbean The Centre for Research on Latin America and the Caribbean (CERLAC) is an interdisciplinary research

The Centre for Research on Latin America and the Caribbean (CERLAC) is an interdisciplinary research unit concerned with the economic development, political and social organization, and cultural contributions of Latin America and the Caribbean. The Centre works to build academic and cultural links between these regions and Canada; to inform researchers, policy advisors, and the public on matters concerning the regions; and to assist in the development of research and teaching institutions that directly benefit the peoples of the regions.

10/13/2026

Meet Professor Emerita Liisa North, one of the founders of the Michael Baptista Special Collections. Get to know some of her work with the Latin American Working Grou
p, and the vast amount of community effort that maintaining the Collection entails!

The Centre for Research on Latin America and the Caribbean presents:Expelling evil: Visuality and ritualized drama in Ma...
10/01/2026

The Centre for Research on Latin America and the Caribbean presents:

Expelling evil: Visuality and ritualized drama in Mayan law in Quiché, Guatemala

Movie screening and discussion
by visual anthropologist
Carlos Y. Flores

October 21, 2026
2:30pm - 4:00pm
Kaneff Tower 626
York University – Keele Campus

The documentary Suk’ B’anik examines how some Maya-K’iche’ communities in Guatemala address crime and conflict through community-based justice practices rooted in ancestral traditions. In Santa Cruz del Quiché, local authorities organize public proceedings in which offenders are held accountable, encouraged to repent, and ultimately reintegrated into the community. Anthropologist Carlos Y. Flores explores the collective values, emotions, and rituals that shape these trials. Far more than legal processes, these community gatherings serve as powerful expressions of social cohesion, moral restoration, and Maya-K’iche’ cultural identity.

Carlos Y. Flores is an anthropologist whose research focuses on political violence, processes of community reconstruction and visual anthropology, particularly in the Mayan region of México and Guatemala.He has produced several ethnographic documentaries, including Suk’ B’anik (2022), in collaboration with Maya K’iche’ authorities in Guatemala. Currently, he teaches at the Autonomous University of the State of Morelos in Mexico.

Discussant: Carlota McAllister | Associate Professor
Faculty of Environmental and Urban Change

This event is being co-sponsored by the Centre for Indigenous Knowledges and Languages (CIKL)

CERLAC Presents: Third & Final Film in the 2026 Uruguayan Cultural Film Series: "Anina"Thursday, October 22, 20264:30pm ...
09/30/2026

CERLAC Presents: Third & Final Film in the 2026 Uruguayan Cultural Film Series: "Anina"

Thursday, October 22, 2026

4:30pm - 6:30pm

York Lanes 280N

York University - Keele Campus

Anina Yatay Salas is a pensive redhead who really does not like her name. Her peers always ridicule her about this, especially Anina’s arch-enemy Yisel. When these two get into a playground fight one day they are sent to the school head who disciplines them with a nerve-racking punishment: they are both given a sealed black envelope which they are not allowed to open for an entire week. Haunted by nightmares, the days drag by endlessly for Anina. She and her inquisitive best friend try to devise all sorts of ways to discover what is inside the envelope. Gradually, Anina begins to realize that not only does Yisel share her fate: she also has much bigger problems to contend with than Anina. Tentatively, the two rivals begin to get to know each other. Narrated by the voice of the young protagonist, the film is able to follow Anina’s thought processes and provide an insight into her emotional world. Anina’s day-dreams are not always about her troubles and woes – they also reflect her awakening feelings of love.

The film "Anina" is a fantastical journey into the world of a ten-year-old girl who, following a playground skirmish, is given the weirdest punishment in the history of weird punishments.

09/29/2026

Wondering how to use the Michael Baptista Special Collections for your next research project? Check out our tutorial on using finding aids in the stacks!

CERLAC is Co-sponsoring: Film Screening, Panel Discussion: To Stay, to Leave, to Intervene: Art and Migration through La...
09/16/2026

CERLAC is Co-sponsoring: Film Screening, Panel Discussion: To Stay, to Leave, to Intervene: Art and Migration through La Última Cachada

Date: Monday, September 28
Time: 2:30 – 4:00 p.m.
Location: Sensorium Flex Space – Room 326, Centre for Fine Arts, York University
Free. RSVP HERE
https://events.yorku.ca/events/film-screening-and-panel-discussion-to-stay-to-leave-to-intervene-art-and-migration-through-la-ultima-cachada/?occurrence=2026-09-28

In conjunction with the RUTAS festival on Monday, September 28, Sensorium, Centre for Research on Latin America and the Caribbean (CERLAC), and the Graduate Program in Theatre, Dance, and Performance Studies will co-host a screening and discussion with artists-activists-scholars from the Hemispheric Encounters Network (HEN), including documentary filmmaker Andrea Rodríguez Marín (Mexico), Magdalena Henríquez (Salvadoran actress and co-founder of La Cachada Teatro), Alina Peña (researcher-professor, ITESO, Universidad Jesuita de Guadalajara), and Amparo Marroquín Parducci (researcher-professor, José Simeón Cañas Central American University).

Join us for a screening of La Última Cachada, a powerful documentary about the work of La Cachada Teatro, a Salvadoran feminist theatre collective whose members draw on their own lived experiences to create socially engaged performance about migration amid the shifting political and social realities of El Salvador.

Drawing on the short documentary, the conversation that follows asks the question, “What does a country lose when its people leave?” This discussion brings together theatrical experience, audiovisual creation, and research to approach migration as displacement, desire, loss, and possibility. Through the voices and bodies of La Cachada Teatro, we will explore how art intervenes in reality, transforms lived experience, and opens collective spaces for resistance, memory, and hope.

Following the screening of La Última Cachada and subsequent discussion, Sensorium is inviting all attendees, as well as Sensorium members and prospective members, to join us for a Fall Meet & Greet in the Sensorium Loft Space to mark the beginning of the semester. This event will be a fantastic opportunity to meet each other informally, learn more about the Sensorium and CERLAC communities, their upcoming events, and ways to get involved. Light refreshments will be served.

Please RSVP for both the Film Screening and Meet & Greet, to help us with snacks ordering (drop-ins also welcome).

CERLAC Presents:Official Screening of After Melissa - Survival is only the beginning.A Documentary Film by Kaneal GayleT...
09/03/2026

CERLAC Presents:

Official Screening of After Melissa - Survival is only the beginning.
A Documentary Film by Kaneal Gayle

Thursday, September 10, 2026
2:30 – 4:30
280N York Lanes
York University | Keele Campus

In the immediate aftermath of a devastating hurricane, communities across Westmoreland, St. Elizabeth, Trelawny, and St. James in Jamaica were thrust into a fragile reality where survival, grief, and resilience unfolded side by side.

This documentary chronicles the first two weeks after the storm, capturing the raw, unfiltered experiences of families and individuals as they grappled with trauma, loss, and uncertainty while still finding the strength to endure each day.
Through intimate, ground-level storytelling, the film follows hurricane survivors as they navigate damaged homes, disrupted livelihoods, and limited access to basic services. Mothers caring for children in overcrowded shelters, elderly residents confronting isolation, and workers attempting to rebuild small businesses; reveal how recovery is not only physical, but deeply emotional and psychological.

Set against the backdrop of Jamaica’s rugged landscapes and resilient spirit, the documentary explores how trauma manifests in the days immediately following disaster, and how hope begins to take root even amid despair. By focusing on lived experiences rather than statistics, the film offers a human portrait of recovery, which underscores the urgency of compassionate, people-centered disaster response, and honors the strength of those striving to survive, heal, and rebuild their lives, one day at a time.

About the Director
Kaneal Gayle is a Jamaican communications consultant, journalist and documentary filmmaker.
With a career in journalism and production that began in 2008, Kaneal has built a reputation for human-centered storytelling that blends strong editorial instincts with cinematic craft thus creating content that informs, moves audiences, and supports meaningful social change.

As a filmmaker, Kaneal is recognized for compelling, socially relevant documentary storytelling. He directed the award-winning documentary Battlelines: Javed Jaghai v The State, winner of the Press Association of Jamaica’s Special Award for Outstanding Television (2014). His work has screened internationally, including two documentaries that premiered at the CaribbeanTales Film Festival in Toronto: Rainbow Revolution (2016), which documents Jamaica’s inaugural Pride events, and Dancehall’s Asian Ambassadors (2018), a film exploring Japanese women who moved to Jamaica driven by their love for dancehall culture. Dancehall’s Asian Ambassadors also screened at multiple festivals in the United States and the wider Caribbean and Europe, extending the film’s reach to diverse global audiences.

Kaneal’s journey into filmmaking was a natural evolution of his journalistic mission. After years of chasing daily headlines, he recognized that the limitations of short news formats often restricted the depth and nuance required to tell complex human stories. That realization pushed him toward long-form features that could explore root causes, elevate underrepresented voices, and create space for dignity, context, and truth. Over time, those deeper features became documentaries and projects defined by careful listening, strong character development, and a commitment to impact.

This event is being co-sponsored by The Harriet Tubman Institute - York University

CERLAC is Co-sponsoring the Canadian Documentary Premiere ofWalter Rodney: What They Don’t Want You to Know Walter Rodne...
08/28/2026

CERLAC is Co-sponsoring the Canadian Documentary Premiere of
Walter Rodney: What They Don’t Want You to Know

Walter Rodney: What They Don’t Want You to Know is an original 72-minute documentary featuring a murder, Cold War conspiracies, Black Power, the end of the Empire, and how that connects to the policing, surveillance practices, and social movements of today. This is the first film where Walter’s widow reveals the personal impact on the family of Walter’s assassination. It feeds a growing global appetite for history from a different perspective, as we grapple with the legacy of empire and colonialism and its impact on the modern world.

The Rodney family will be in attendance for the screening.
Directed by Arlen Harris and Daniyal Harris-Vajda with support from Ameena Gafoor Institute, Walter Rodney Foundation, and Urban Garden Productions.

The Mach Form link for people to register for September 16 with York: https://forms.cloud.microsoft/pages/responsepage.aspx?id=GBNTNBFw1E-H8KQ4FsSb0NEvYMKcOT9BgXPDP7MVVZNUNkVLMVo1MFdFV0M5V0FDNVNRQzM2UjAzVy4u&origin=lprLink&route=shorturl

The Eventbrite link for people to register for September 18 with UoT

CERLAC and CALACS present: The Uncomfortable Scrutiny of the Global FootballsphereDebates on and about Latin American an...
08/25/2026

CERLAC and CALACS present: The Uncomfortable Scrutiny of the Global Footballsphere

Debates on and about Latin American and Caribbean teams and nations in the aftermath of the 2026 Men's World Cup


You are invited to join us online for a talk exploring how football became a stage (and a mirror) for national identity across Latin America and the Caribbean during the 2026 World Cup.

Get a critical read on the 2026 World Cup, co-hosted by Canada, Mexico, and the USA, and what it revealed about Latin American and Caribbean nations.

Explore how political and social issues become "footballized" — and how football itself is used as both spectacle and smokescreen.

Hear directly from Dr. Pete Watson, author of Football and Nation Building in Colombia: The Only Thing that Unites Us (Liverpool University Press, 2022) and a leading voice in Latin American sport history.

Wednesday, 16 September 2026

12:00PM (Toronto/Easter Time)

Online via Zoom - Register here: https://yorku.zoom.us/meeting/register/tQ-k80oCSBKB95gc2eKYbQ


About the talk

Sporting mega-events let nations tell stories about themselves — and have stories told about them. This talk examines the narratives surrounding Latin American and Caribbean nations at the 2026 World Cup: how political and social issues became "footballized," how football was politicized as both spectacle and smokescreen, and what fractures in national identity this exposes.

About the speaker

Dr. Watson is an expert in Latin American sport history and its ties to culture, politics, and society. He has recorded 60+ podcast episodes on Latin American football and cinema (Footpol, Outside Write, These Football Times, Your Boys Took a Hell of a Beating, and Soccernostalgia), and is currently researching British referees in 1940s–50s Latin America with Dr Alexander Jackson (National Football Museum). More at linktr.ee/drpetewatson.

CERLAC is Co-Sponsoring: Conversatorio: Situación de los derechos de los pueblos indígenas en Centroamérica y Nicaragua*...
08/14/2026

CERLAC is Co-Sponsoring: Conversatorio: Situación de los derechos de los pueblos indígenas en Centroamérica y Nicaragua*

La Cátedra Centroamérica invita a un espacio de diálogo sobre la situación actual de los derechos de los pueblos indígenas en Centroamérica, tomando como caso de análisis la situación de Brooklyn Rivera, quien falleció el 30 de mayo de 2026 bajo custodia del Estado de Nicaragua.

El caso ha motivado pronunciamientos de la Oficina del Alto Comisionado de las Naciones Unidas para los Derechos Humanos y de la CIDH, que han solicitado una investigación imparcial.

Palabras de inicio:
Claudia Pineda, directora de la Asociación Memoria y Justicia.

Invitada especial:
Anexa Alfred Cunningham, vicepresidenta del Mecanismo de Expertos sobre los Derechos de los Pueblos Indígenas de la ONU.

Jueves 20 de agosto de 2026
2:00 p. m. (CST)
Facultad de Ingeniería, primer piso, miniauditorio 1

Trasmisión en vivo: https://www.youtube.com/webtvucr

Address

4700 Keele Street • Kaneff Tower Suite 825
Toronto, ON
M3J1P3

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