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There’s still time to see Stay Right Here, a solo exhibition from painter and ECU alum Aiden Kierkegaard (MFA 2024). 🖼️I...
01/28/2025

There’s still time to see Stay Right Here, a solo exhibition from painter and ECU alum Aiden Kierkegaard (MFA 2024). 🖼️

In Stay Right Here, painting becomes an artistic mode through which Aiden Kirkegaard accesses personal memories and imagines alternative realities. In Kirkegaard’s practice, her physical studio space becomes a dwelling place for dreaming. In large-scale shaped canvases, imagery of doorways and windows from Aiden’s previous homes function as a place of origin in the work.

Memories, even those unremembered, line the walls of the spaces we grew up in, they are embedded and woven into its architecture. This imagery is used as a space to hold and embrace playful mark-making and colour application. While their reference to home architecture is rooted in real spaces, the paintings are also imaginary. Paint is scraped, poured, canvases cut and collaged, all representing moments spoken and movements made in domestic spaces.

This collection of work examines how the painted mark traces memory, these paintings become a vessel that holds on to what is remembered while giving way to the plasticity of those memories.

January 24 - February 1, 2025
THIS Gallery
Lower Ground Level
30E - 268 Keefer Street
Vancouver, BC

ID1: The poster for the exhibition features one of Aiden’s paintings. The colours featured are vibrant green and blue hues with a large splatter of bright yellow forming a focal point. Black bars with white text provide information on the exhibition and gallery.
ID2: A photograph of Aiden standing between two of her works, in a gallery setting. She is relaxed, smiling and looking to the left of the frame. She wears a buttoned-up striped shirt and off-white trousers.

Currently on view, until February 22 at Latitude 53 in Edmonton. âkwaskitinkewin: an embrace features work by two ECU al...
01/18/2025

Currently on view, until February 22 at Latitude 53 in Edmonton. âkwaskitinkewin: an embrace features work by two ECU alums: Zoe Ann Cire (BFA 2019) and Michelle Sound (MA 2011).

Curatorial Statement from Adrienne Larocque:
Our dreams of being held, safe and protected by our culture are becoming a reality. To embrace, and be embraced by your culture means to be surrounded by warmth, beauty, comfort and style. Through playful joyousness, practicality, embracing our teachings, and acknowledging the ones that came before us, each of these textile-based works show the possibilities of being wrapped in the presence of your culture.

📍10130 – 100 Street
amiskwacîwâskahikan
Edmonton, AB, Canada
🕰️ Wednesdays–Saturdays, 12–5 PM

Pictured work: Michelle Sound, NDN Aunties, Auntie Patch, Running Fox Beads - Skye Paul, Aunty Magic Pin, Mad Aunty - Joi Arcand, 2021, Mixed medium, upcycled fabrics hand drum frames. Photo credit: Latitude 53.

ID: A photograph taken from the left-side angle, showing embellished drums arranged and hung on a light purple-painted gallery wall. Materials secured to the drums include fur, fabric, demin, leather, patches and fringe.

Opening night Thursday 💫 Wil Aballe gallery reopens in a new location, with a solo exhibition from ECU alum Thea Canlas ...
01/14/2025

Opening night Thursday 💫 Wil Aballe gallery reopens in a new location, with a solo exhibition from ECU alum Thea Canlas (MFA 2023). Thea was recently a finalist for the 2024 Sondheim Prize and participated in Skowhegan School of Painting and Sculpture. She will be in attendance and will do an artist talk on Friday, January 17 at 6 PM.

THEA CANLAS�Value Studies
Wil Aballe�NEW LOCATION: 1375 Railspur Alley, Vancouver, BC
Opening reception: Thurs, Jan 16, 6-8 PM�Exhibition: Jan 16 – Mar 2, 2025�Hours: Wed – Sun, 11-5 PM

In the artist’s own words:

Using the language of material histories intrinsically linked to colonial economies, national identity, and personal memories of home, Value Studies (2021-present) is a series of works that attempt to articulate the embodied experience of generations of erasure through commodification and its effects on perceptions of cultural value.

ID: A photograph of a piece by Thea. Three identical, white Virgin Mary statues stand equally apart in a row. The statues on each end are facing slightly outward, the centre statue straight ahead. Photo credit: Will Aballe gallery.

Considering applying to grad school? Join us for a virtual graduate studies info session for ECU alums this Wednesday, J...
01/12/2025

Considering applying to grad school? Join us for a virtual graduate studies info session for ECU alums this Wednesday, January 15 at 5:30 PM PST hosted by Marina Tanaka, Graduate Admissions + Recruitment Coordinator. 🖥️

Marina will detail the unique masters programs offered here at ECU, as well as provide more general graduate degree application tips and advice. There will be a Q&A period after the session, to ensure you can ask any questions not already covered.

Register here: https://loom.ly/fwhY6wk

ID: The Emily Carr University campus at night. The modern building is white with colour-accented windows, and glows with yellow light from within.

As you stroll along the Arbutus Greenway, you’ll have the chance to catch a billboard featuring work by ECU alum Laurain...
01/10/2025

As you stroll along the Arbutus Greenway, you’ll have the chance to catch a billboard featuring work by ECU alum Lauraine Mak (BFA 2013). Originally an oil painting, Wave of Gummy Bears occupies one of five billboards along the greenway dedicated to art by recent local grads. 🌊

About the piece: Conceived in Germany while studying Gustave Courbet’s series of Wave paintings, this work depicts the iconic Haribo gummy bear synonymous with German sweets tumbling through a turbulent wave.

The image was born as a satirical nod to classical painting in a contemporary context; each gummy bear thrashes in the water ignoring formal perspective and logical depth, competing against each other to claim the forefront of the picture plane. The wave of green gummy bears swell as they culminate in the upper centre of the painting, conveying a sweeping dramatized formation of gummy bears against a stylized backdrop which references Courbet’s realist seascape paintings.

ID1: A photo of Wave of Gummy Bears installed on a billboard along the walkway. The artwork shows a slew of green gummy bears travelling along an ocean wave. Below the billboard is a row of red bicycles. Photo credit: Lauraine Mak.
ID2: Wave of Gummy Bears, an oil painting depicting a slew of green gummy bears travelling along an ocean wave. Photo credit: Lauraine Mak.

📣 There’s still time to apply: grunt gallery invites Deaf, Hard of Hearing, deaf, neurodiverse, or transitioning non-ver...
01/10/2025

📣 There’s still time to apply: grunt gallery invites Deaf, Hard of Hearing, deaf, neurodiverse, or transitioning non-verbal artists living in Metro Vancouver/Lower Mainland British Columbia to participate in a six-week Non-Verbal Co-Learning Engagement during Winter/Spring 2025. This program centers on non-verbal creative practices and explores collaborative ways of learning and sharing.

Deadline (to apply): January 10, 2025

Program Focus: Non-verbal communication, including text, gesture, drawing, and signed languages in artist-run centres and contemporary artist practices.
Timeline: A six-week program fostering shared learning between the artist(s), grunt gallery staff, and the community.
Goals: To explore non-verbal forms of artistic engagement, prioritize accessibility, and challenge traditional, ocular-centric approaches to art.

Duration: 6 weeks - February 7th - March 14th, 2025.
Format: Weekly silent meetings (via text, gesture, drawing, signed languages), grunt staff meeting participation, community roundtable discussions, and media response/video interview.
Support:

● Artist Fee: $2,000 (CARFAC-aligned)
● Local travel expenses covered (if applicable)
● ASL interpretation, CART captioning, and other accessibility supports are provided.

Find out more: https://loom.ly/iVIV2rQ

ID: A photo showing the front entrance of the grunt gallery. It is on street level, with a short walkway leading to the doors, which are closed.

The 2024 Alumni Career Pathway Series is available to watch on YouTube! 🖥️Thank you to those who came to campus and join...
12/17/2024

The 2024 Alumni Career Pathway Series is available to watch on YouTube! 🖥️

Thank you to those who came to campus and joined in online to hear from our knowledgeable panelists + moderators. For the rest of you, please enjoy the videos of the talks, which were shot and edited by ECU student Warren Tang.

Read the article and find the videos linked here: https://loom.ly/cEiXjR0

The ACPS is presented annually by Alumni Relations in collaboration with Career Development + Work Integrated Learning and the Shumka Centre for Creative Entrepreneurship. The 2024 series is hosted by Shannon McKinnon, Director, CD+WIL, and collaboratively organized by Shannon and Teresa Nieman, in coordination with Cemre Demiralp and Jennifer Martin at Shumka Centre. The ACPS is generously supported by RBC.

Visual Arts Entrepreneurship panel:
Chelsea Yuill (BFA 2019), Brian McBay (BDES 2010), and Philip Dion (BMA 1996)
Moderated by Annie Canto (MFA 2020)

Building Your Network panel:
Jazz Groden-Gilchrist (BFA 2016), Nimi Martins (MDES 2024) and Kunal Sen (BMA 2008)
Moderated by Annie Briard (MFA 2013)

Commercial Film + Photography panel:
Fedya Vinkovetsky (BFA 2020), Jeremy Jude Lee (BFA 2014) and Isabella Dagnino (MFA 2023)
Moderated by Alan Goldman (MAA 2011)

ID: A still from the Building Your Network panel held on October 24, 2024.

Artist, alum and ECU instructor Annie Briard (MFA 2013) has a solo exhibition at Los Angeles’ Royale Projects, now throu...
12/12/2024

Artist, alum and ECU instructor Annie Briard (MFA 2013) has a solo exhibition at Los Angeles’ Royale Projects, now through January 25 2025. 🟠🟣🟡

Rooted in conceptual photography, analog technologies and Light and Space, this series, Through the Walls of Gold, asks us to reconsider the workings of visual perception and how it shapes our surrounding existence. By complicating what is seen, Briard constructs dreamlike landscapes that transcend the appearance of the physical world into imaginative realms while reflecting back visual phenomenology.

Deeply affected by the unique light qualities of California’s High Desert, she has been making regular trips to this environment over the past decade. Briard forges an ethereal atmosphere that captures the area’s sublime allure, once depicted by visionaries like Agnes Pelton, a member of the Transcendental Painting Group. The open terrain’s natural, muted beauty is optically distorted and reimagined through an acidic palette and otherworldly perspective.

Annie Briard’s work has been presented in numerous solo exhibitions including at the Quebec Biennale, Monica Reyes Gallery, Burrard Arts Foundation (Vancouver), AC Institute (New York) and Joyce Yahouda Gallery (Montreal). Recently, she was commissioned to create a number of monumental projects for the Vancouver Art Gallery, the New Westminster Museum, Capture Photography Festival, Art Souterrain and a forthcoming research hospital in Toronto. She has been artist-in-residence at High Desert Test sites in Joshua Tree California, the Banff Centre for the Arts in Canada and SIM in Iceland.

ID1: The poster sheet for the exhibition, featuring white text over one of Annie’s works. A desert scene is obscured by layers of colour and tilting frames of other images.
ID2: A photo of one of Annie’s works installed on a gallery wall. A colourful landscape photograph is divided by a translucent piece of coloured plexiglass.
ID3: Annie’s works installed in a gallery space, with a large orange plexiglass pyramid in the centre of the room.

ECU alum and ceramics artist Logan Kenler (BFA 2019) has a new solo exhibition presented by the Telephone Gallery. The s...
11/13/2024

ECU alum and ceramics artist Logan Kenler (BFA 2019) has a new solo exhibition presented by the Telephone Gallery. The show, called Enshrined, will be housed in the back gallery of Gallery Jones, with its opening night celebrations taking place November 14, 5-8 PM. ✨

Enshrined is a collection of sculptural ceramic works exploring the materiality of clay as both a three-dimensional drawing tool and a historically enduring vessel. Each piece is sculpted around an expression, or an emotive likeness. Arranged together, the pieces may be read like a sentence or phrase, each contextualized by the others. Here, what is interpreted relies on the subjective understanding of the viewer; personal narratives may be held within an individual piece or compiled into a sequence. The work draws inspiration from anime, manga, folk art, shrines, and the organic natural forms and textures of nature.

📍Gallery Jones
258 East 1st Ave
#1, Vancouver BC

November 14-27
🥂 Opening night: November 14, 5-8 PM.

ID: The poster for Enshrined features one of Logan’s sculptures on a pale yellow background. The sculpture is a bust of a cartoon-like child figure, made of seemingly unglazed grey clay. Black text on either side provides exhibition information.

Two ECU alums celebrate ten years of their ceramics studio in its current location. 🎉Atelier Make, located in Montreal, ...
11/05/2024

Two ECU alums celebrate ten years of their ceramics studio in its current location. 🎉

Atelier Make, located in Montreal, is founded and run by Jaimie Robson (BFA 2002) and Maya Ersan (BFA 2003). The two met while studying at ECU, and have continued to be friends and business partners.

Atelier Make is now thriving and offers workshops and courses in addition to sales and rentals. If you’re an alum in Montreal, be sure to stop by their beautiful shop!

📍Atelier Make
1241 Gilford Street, Montreal, QC H2J 1R1

ID1: Jaimie and Maya examine ceramic colour swatches in their brightly-lit studio. Behind them are shelves full of pottery and supplies.
ID2: An exterior view of the Atelier Make storefront in Montreal. It is a historic brick building with stone-coloured wood accents around the door. Its windows are full of pottery.
ID3: A collection of some ceramic items on display. There is a mug, a vase, some plates, a ceramic pomegranate and two ceramic pears.
ID4: Jaimie uses a clay mug to trace out the shape of its bottom on a workspace with a rolling pin and various tools.

Photos courtesy Atelier Make.

Please join us for the final Alumni Career Pathway Series panel of the season on November 7!The theme is Commercial Film...
11/04/2024

Please join us for the final Alumni Career Pathway Series panel of the season on November 7!

The theme is Commercial Film + Photography, featuring Fedya Vinkovetsky, Isabella Dagnino and Jeremy Jude Lee. This hybrid panel takes place in Rennie Hall from 4 - 6 PM, and includes an audience Q&A period as well as time to mingle and network.

Free to attend for everyone. We hope to see you in-person or online.

Rennie Hall on Campus
520 East 1st Ave
4 - 6 PM
Zoom link: https://loom.ly/J0W2NwQ

The Alumni Career Pathway Series is an annual three-part series brought to you by RBC that is presented by Alumni Relations in collaboration with Career Development + Work Integrated Learning and the Shumka Centre for Creative Entrepreneurship. The series hosts alumni panelists and moderators who demystify career paths for current ECU students.

Congratulations to ECU alum Meghan Weeks (BFA 2003), who is a 2024 recipient of the BC Achievement Foundation's Sam Cart...
11/01/2024

Congratulations to ECU alum Meghan Weeks (BFA 2003), who is a 2024 recipient of the BC Achievement Foundation's Sam Carter Award for Applied Art + Design. The honourees will be celebrated at a presentation and exhibition reception on November 21. 👏

Meghan is the creative force behind MDW Jewelry, where she serves as artist, maker, designer, and small business owner. With a background in woodworking and informal training in silversmithing, Meghan’s work blends tactility, humour, Cree teachings, and childhood memories. Her pieces, crafted through fabrication, beadwork, carving, and lost wax casting, are made from sterling silver and beads, aimed at decolonizing the jewelry world and fostering dialogue between the wearer and the art.

Meghan is a member of Sucker Creek First Nation in Treaty 8 territory, and a long-time Vancouver resident who actively contributes to BC’s cultural economy. Since 2018, she has showcased her work at Indigenous festivals, gallery spaces, and for both Indigenous and non-Indigenous clients. Meghan holds a BFA in Media Arts from Emily Carr Institute of Art and Design and values her roles as a mentor and collaborator. Her jewelry, inspired by nature and cultural heritage, is as thought-provoking as it is beautiful.

ID1: A photo of Meghan. She sits facing right, wearing an orange dress and her hair in loose waves.
ID2: A necklace designed by Meghan. It is silver with a criss-cross interlocking texture pattern, in a horizontal diamond shape.
ID3: A model extends a fist toward the camera to showcase Meghan’s silver bison ring.
ID4: A beaded necklace designed by Meghan, featuring a beaded heart. Colours are navy, purple, pink, yellow and red.

Photo credit: MDW Jewelry.

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