05/10/2026
新文科創意藝術交流系列：第四期
UACA New Liberal Arts Exchange Series - IV
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華南師範大學｜新文科創意藝術交流系列 是在「粵港澳高校創意藝術聯盟」框架下進行的跨院校學術協作項目，旨在推動華南地區與國內外頂尖院校和藝術力量的深度對話，在「新文科」模式下進行跨學科藝術創新。
“South China Normal University | UACA New Liberal Arts Exchange Series” is an inter-institutional academic collaboration project supported by the “Guangdong-Hong Kong-Macao University Alliance for Creative Arts". It aims to promote in-depth dialogue between universities in South China and leading international institutions and artistic forces, and to advance interdisciplinary artistic innovation under the "New Liberal Arts" model.
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粵港澳高校創意藝術聯盟
Guangdong-Hong Kong-Macao University Alliance for Creative Arts
華南師範大學
South China Normal University
華南當代創意跨院校科藝實踐計劃
South China Contemporary Creative Inter-institutional Science and Arts Practice Scheme
華南師大 x 葡萄牙阿威羅大學 x 葡萄牙里斯本大學
SCNU x University of Aveiro x University of Lisbon
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當代打擊樂的對話：聲音、材料、身體與科技實踐
Dialogue in Contemporary Percussion: Practices in Sound, Materials, Body and Technology
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活動介紹
INTRODUCTION
本次講座以 “打擊樂的對話” 為題，並以葡萄牙當代打擊樂實踐為主線，結合兩位音樂家的合作與交流，延伸至中葡不同音樂文化語境下的觀察與討論。講座從傳統樂器出發，逐步進入物件與材料、音色組織、記譜、身體動作、電子技術、合作實踐與身體感知等議題，通過具體作品、樂譜、演奏錄像與技術案例，討論聲音如何被產生、組織與表演，以及材料、動作、記譜與科技如何改變當代打擊樂的創作與演奏實踐。講座同時涉及演奏者作為合作者與創造者的角色，以及身體信號、傳感器與電子系統在當代音樂中的運用。
This lecture takes contemporary percussion practice in Portugal as its main thread and, through the collaboration and exchange between the two musicians, extends the discussion to different Chinese and Portuguese musical and cultural contexts. Starting from traditional instruments, the lecture moves through objects and materials, timbral organization, notation, bodily gesture, electronics, collaborative practice, and bodily perception. Drawing on specific works, scores, performance videos, and technological examples, it examines how sound is produced, organized, and performed, and how materials, gesture, notation, and technology reshape contemporary percussion composition and performance practice. The lecture also addresses the performer’s role as collaborator and creator, as well as the use of bodily signals, sensors, and electronic systems in contemporary music.
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訪問學者 及 藝術家
VISITING SCHOLAR & ARTIST
努諾 · 阿羅索
Nuno AROSO
葡萄牙著名打擊樂演奏家、研究者、教育者
Renowned Portuguese Percussionist, Researcher, Educator
葡萄牙阿威羅大學教授、INET-md 民族音樂學與舞蹈研究中心 研究員
Professor at the University of Aveiro; INET-md researcher (Instituto de Etnomusicologia – Centro de Estudos em Música e Dança)
黃逸
Rita, Yi HUANG
青年旅歐打擊樂演奏家、葡萄牙里斯本大學博士候選人
Emerging Europe-based percussionist, Doctoral Candidate at the University of Lisbon
CESEM 音樂社會學與美學研究中心合作研究員
CESEM Collaborating Researcher (Centro de Estudos de Sociologia e Estética Musical)
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2026 / 10 / 12 | MON 週一
10:20 - 12:00
華南師範大學音樂學院（廣州校區大學城校園）
新文科創意藝術實驗室 - 一樓學術報告廳
SCNU SCHOOL OF MUSIC (HEMC, Guangzhou)
NEW LIBERAL ARTS CREATIVE LAB - 1F Academic Presentation Hall
