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Opening tonight: "Nothing is ever really lost" by Meisterschüler*innen der HBK Braunschweig 2026. We look forward to wel...
16/10/2026

Opening tonight: "Nothing is ever really lost" by Meisterschüler*innen der HBK Braunschweig 2026. We look forward to welcoming you at Kunstverein Braunschweig from 7 pm onwards!

With speeches by Prof. Dr. ANA DIMKE, President, Braunschweig University of Art; GABRIELA SCHIMMEL, Head of Corporate Communications, Öffentliche Versicherung Braunschweig; CATHRIN MAYER, Director; and MONJA REMMERS, Curator.

Meisterschüler*innen
JOHANNA ALTGAẞEN (), CLAUDIA BARTHOLOMÄUS (), JUAN BLANCO (), WIEBKE FISCHER (.fischer), HANNAH GÜSE (), CAROLIN HEGERATH (.hegerath), HENDRIK HEISSENBERG, HYE HYUN KIM (.hye.hyun), JURI KIM (), TORBEN LAIB, JANA MICHAL, PATRICK NEUGEBAUER (), RUBIA ROSE, AGNES SCHMID (), DAPHNE SCHÜTTKEMPER (), MARIANNA TYRALLA, FREDERIC MAC VETTER

Curated by
MONJA REMMERS

In cooperation with
Braunschweig University of Art (.braunschweig)

Supported by
Öffentliche Versicherung Braunschweig (), Die Förderer – Fördererkreis der HBK Braunschweig (), Niedersächsisches Ministerium für Wissenschaft und Kultur (.niedersachsen), Stadt Braunschweig – Fachbereich Kultur und Wissenschaft (.de

DAPHNE SCHÜTTKEMPER
Adlerhorst, 2026
Silicone and steel
Each 120 x 120 x 380 cm

HENDRIK HEISSENBERG
Kanalyse, 2026
Dual channel video, 3D animation, coffee grounds in water, scans of drinking vessels
Runtime and dimensions variable

HYE HYUN KIM
Fremdenzimmer: Gäste, Geister und andere Dinge, 2026
Mixed-media installation
Dimensions variable

AGNES SCHMID
Projektor4_Einsatz3, 2026
Cardboard, lenses, spotlights, electric motor, overhead
transparencies, wood, yarn
24 x 29,4 x 47 cm

Credit: Nothing is ever really lost. Meisterschüler*innen der HBK Braunschweig 2026, exhibition view, Kunstverein Braunschweig. Photos: Frank Sperling.

Join us this October at Kunstverein Braunschweig for the opening of the Meisterschüler*innen exhibition and an exciting ...
09/10/2026

Join us this October at Kunstverein Braunschweig for the opening of the Meisterschüler*innen exhibition and an exciting lineup of events!

Opening
“Nothing is ever really lost”
Meisterschüler*innen der HBK Braunschweig 2026
Friday, October 16, 7 pm

Artist Talk with CLAUDIA BARTHOLOMÄUS, TORBEN LAIB, PATRICK NEUGEBAUER, RUBIA ROSE, MARIANNA TYRALLA
Moderation: MONJA REMMERS
Thursday, October 22, 2026, 5 pm
Free of charge, plus admission
In German

Performance
“What remains is a handful” by CARLOTTA OPPERMANN
Sunday, October 25, 2026, 4 pm
Free of charge, plus admission

By invitation of the Meisterschüler*innen as part of the exhibition “Nothing is ever really lost”.

FiBS – Ferien in Braunschweig
Following the trail of art – A Flashlight Tour for the whole family
Sunday, October 25, 2026, 6:30–7:30 pm
Cost: €3
In German
Registration: [email protected]

Public Guided Tours
Thursdays 6 pm and Sundays 3 pm
Free of charge, plus admission
In German

The Meisterschüler*innen of HBK Braunschweig lead public guided tours through the exhibition.
braunschweig

For the eighth time, Kunstverein Braunschweig, in cooperation with Braunschweig University of Art (.braunschweig), prese...
30/09/2026

For the eighth time, Kunstverein Braunschweig, in cooperation with Braunschweig University of Art (.braunschweig), presents this year’s Meisterschüler*innen. The exhibition “Nothing is ever really lost”, on view from October 17 through November 8, brings together works by 17 international artists, including works created specifically for the exhibition, works that emerged from their degree projects, and works further developed and adapted for presentation at the Kunstverein.

Join us for the opening on Friday, October 16, at 7 pm.

Meisterschüler*innen
JOHANNA ALTGAẞEN (), CLAUDIA BARTHOLOMÄUS (), JUAN BLANCO (), WIEBKE FISCHER (.fischer), HANNAH GÜSE (), CAROLIN HEGERATH (.hegerath), HENDRIK HEISSENBERG, HYE HYUN KIM (.hye.hyun), JURI KIM (), TORBEN LAIB, JANA MICHAL, PATRICK NEUGEBAUER (), RUBIA ROSE, AGNES SCHMID (), DAPHNE SCHÜTTKEMPER (), MARIANNA TYRALLA, FREDERIC MAC VETTER

Curated by
MONJA REMMERS

In cooperation with Braunschweig University of Art

Supported by
Öffentliche Versicherung Braunschweig (), Die Förderer – Fördererkreis der HBK Braunschweig e. V. (), Niedersächsisches Ministerium für Wissenschaft und Kultur (.niedersachsen), Stadt Braunschweig – Fachbereich Kultur und Wissenschaft (.de)

Our doors are temporarily closed while installation is underway for our next exhibition, “Nothing is ever really lost,” ...
28/09/2026

Our doors are temporarily closed while installation is underway for our next exhibition, “Nothing is ever really lost,” featuring the Meisterschüler*innen of HBK Braunschweig 2026 (.braunschweig).

More details are coming soon. Save the date for the opening on October 16 at 7 pm, and sign up for our newsletter via the link in bio for the latest updates.

We look forward to welcoming you back soon!

Photo: Kunstverein Braunschweig.

"Attic" by ANNETTE SENNEBY () is complemented by a small selection of archival material documenting her long-standing pr...
23/09/2026

"Attic" by ANNETTE SENNEBY () is complemented by a small selection of archival material documenting her long-standing practice.

Senneby’s artistic career began while she was studying at the Royal Institute of Art in Stockholm, when the school first started engaging with the international art world. In 1986, she was awarded the PS1 fellowship, which proved decisive for her artistic practice. The New York milieu – with artists such as Susan Weil, Bernard Kirschenbaum, Richard Nonas, Gordon Matta-Clark, Laurie Anderson, Trisha Brown, Robert Whitman, and Robert Rauschenberg – opened up new ways of working, including materials that lacked established status within art and site-specific practices that related to the performative potential of space. At the same time, she was introduced to the medium of the artist’s book, which led to her lifelong collaboration with the publisher Vincent FitzGerald.

Vitrine 1 and 2
Selected works and archival documents by Annette Senneby, including photographs, artist books, works on paper, and documentation spanning from the 1980s to 2026

Imprint, 2006
Video, 6,17 min.

"Attic" is curated by Emily Fahlén () in dialogue with Cathrin Mayer ().

Credit: (1–3) Annette Senneby, Attic, exhibition view. Courtesy the artist. Photo: Frank Sperling. (4–7) Annette Senneby, Attic, exhibition view. Courtesy the artist. Photos: Gloria May Berthold ().
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Join us this Saturday, September 19, at 4 pm for a tour through “Interference Pattern” with MICHAEL RAY-VON () and curat...
17/09/2026

Join us this Saturday, September 19, at 4 pm for a tour through “Interference Pattern” with MICHAEL RAY-VON () and curator JUNIA THIEDE ().

In English
Free of charge, plus admission

Credit: Michael Ray-Von, Interference Pattern, exhibition view. Courtesy the artist. Photo: Anna Luisa Richter ().

Last two weeks to see MICHAEL RAY-VON’s solo exhibition “Interference Pattern”.Bringing together works in the register o...
15/09/2026

Last two weeks to see MICHAEL RAY-VON’s solo exhibition “Interference Pattern”.

Bringing together works in the register of sculpture and photography, the exhibition explores shifting perspectives and systems of reference through which perception takes shape.

On view through September 27. We look forward to seeing you.

Credit: Michael Ray-Von, Interference Pattern, exhibition views. Courtesy the artist. Photo: Frank Sperling.

Last two weeks to see MICHAEL RAY-VON’s solo exhibition “Interference Pattern”.Bringing together works in the register o...
15/09/2026

Last two weeks to see MICHAEL RAY-VON’s solo exhibition “Interference Pattern”.

Bringing together works in the register of sculpture and photography, the exhibition explores shifting perspectives and systems of reference through which perception takes shape.

On view through September 27. We look forward to seeing you.



Credit: Michael Ray-Von, Interference Pattern, exhibition views. Courtesy the artist. Photo: Frank Sperling.

The works of ANNETTE SENNEBY () dwell on boundaries and their displacement. There is an ambition to dissolve the distinc...
10/09/2026

The works of ANNETTE SENNEBY () dwell on boundaries and their displacement. There is an ambition to dissolve the distinction between works and space, and to push the object-like toward the immaterial. With a background in ballet, Senneby has continually returned to dance’s most fundamental contradiction as a point of departure for her own practice: attempting, through a bound form, to defy gravity through movement. It parallels the inescapable conditions of life itself, while also making room for uncertainty and longing.

Chinatown, 1987
Cold blued steel
80 × 99 x 0,5 cm

Curtain drawn, 2023
Earth pigments, binders, canvas
169 x 136 x 3,5 cm

Credit: Annette Senneby, Attic, exhibition view. Courtesy the artist. Photo: Frank Sperling.
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The small works made of glass float through "Attic" by ANNETTE SENNEBY (), curated by Emily Fahlén (), in a composition ...
08/09/2026

The small works made of glass float through "Attic" by ANNETTE SENNEBY (), curated by Emily Fahlén (), in a composition inspired by birdsong. The prisms are produced through a lamination process that uses UV light to bond the layers of glass together. Between the layers, small paintings appear, created with an airbrushing technique using thin tubes connected to paint reservoirs. The prisms reflect the shifting light throughout the day. Senneby’s wall-mounted works of glass, steel, and canvas engage the viewer’s bodily awareness of the space and its shifting orientations in the room: What is in front? What is below?

Sues Eye (Series of 10), 2006 – 2016
Waterjet-cut, UV-laminated glass with pigment between layers
Variable dimensions

Aura, 1989
Cold blued steel
18 x 17 x 2 cm

Marcel, 2008
Waterjet-cut, UV-laminated glass with pigment between layers
19 x 19 cm

Attic, 1992
Cold blued steel
28 x 20 x 0,2 cm

Flame, 2013 – 2022
Pigment, canvas
54 x 56 x 4,5 cm

Waterjet-cut, UV-laminated glass with pigment between layers
20 x 20 cm

"Attic" is curated by Emily Fahlén () in dialogue with Cathrin Mayer ().

Credit: (1–5, 8–10) Annette Senneby, Attic, exhibition view. Courtesy the artist. Photos: Frank Sperling. (6–7) Annette Senneby, Attic, exhibition view. Courtesy the artist. Photos: Gloria May Berthold ().
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Adresse

Lessingplatz 12
Braunschweig
38100

Öffnungszeiten

Dienstag 12:00 - 18:00
Mittwoch 12:00 - 18:00
Donnerstag 12:00 - 20:00
Freitag 12:00 - 18:00
Samstag 11:00 - 18:00
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0531-49556

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