BritGrad An international conference in Shakespeare and Renaissance Drama for graduate students. britgrad.com

The Twenty-Seventh Annual British Graduate Shakespeare Conference
17-19 June, 2025

Our penultimate plenary speaker announcement is the fantastic Dr. Kelsey Ridge. An alumni of the Shakespeare Institute, ...
29/05/2026

Our penultimate plenary speaker announcement is the fantastic Dr. Kelsey Ridge. An alumni of the Shakespeare Institute, we’re so excited to be welcoming her back for BritGrad 2026!

Kelsey Ridge is an adjunct at Alvernia University. She earned her PhD in Shakespeare Studies at the Shakespeare Institute, University of Birmingham. She is the author of Shakespeare’s Military Spouses and Twenty-First-Century Warfare (Routledge 2021), Post-Traumatic Stress Disorder in Shakespeare (Routledge 2025), and Shakespeare and Trauma Theory (Arden 2026).

Dr Ridge will be presenting a paper titled, “take no note of him, but let him go”: Unequal surveillance in Much Ado About Nothing 
 
It is frequently observed that Much Ado is a play about noting. Characters are observed, remarked, and gossiped about. This noting acts as a form of surveillance. However, the whos and hows of this noting are not equally distributed. Don John, Borachio, and Conrade, despite their recent antagonism to the regime, are not to surveillance. Indeed, although Don John complains of curtailments on his liberty, he has remarkable ability to control if and how he is noted. In contrast, Beatrice and especially Hero are much marked by others. When Hero is accused of sexual infidelity, the status of the surveillance on her is repeatedly invoked by accusers and defenders. Adaptations have often steered into this noting/surveillance element in the text. How these characters are surveilled speaks to the nature of Messinan civil society and our society as readers and adapters.

Coming to BritGrad? Beyond the panels, throughout the conference we host a range of in-person and online social events -...
28/05/2026

Coming to BritGrad? Beyond the panels, throughout the conference we host a range of in-person and online social events - from informal socials and networking opportunities, to online quizzes and group activities around Stratford-Upon-Avon.

Keep your eyes peeled this week for the full social events schedule…

What do you hope to see on there this year?

The next announcement for our 2026 plenary speakers is here… We’re so pleased to be welcoming Dr Rebecca Yearling to Bri...
25/05/2026

The next announcement for our 2026 plenary speakers is here…

We’re so pleased to be welcoming Dr Rebecca Yearling to BritGrad!

Dr Rebecca Yearling is Senior Lecturer in English at Keele University. Her research focuses upon audience response to Renaissance drama: her first monograph, ‘Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience’ was published by Palgrave in 2016, and her most recent book, ‘Shakespeare’s Violence and the Early Modern Spectator’ came out with Bloomsbury Arden in 2026. She is currently working on a new project on what it means to modernise Shakespeare in performance.How did Shakespeare’s original audiences respond to the violence of his plays? What attraction or interest might scenes of violence have had for early modern spectators, and how might such scenes continue to resonate for us today? This paper explores both the challenges and the possibilities of
reconstructing early audience responses, via a mixed methodology that explores the role played by contemporary discourses surrounding violence, morality, empathy and judgement, as well as the theatrical conventions of the time and modern psychological theories about the origin and practical operation of the emotions. It also brings this issue into the 21st century, looking at the extent to which the English Renaissance debates surrounding theatrical violence and its value have continued into our own time. It ultimately makes the case that fictional violence is valuable to audiences because it tells us about ourselves: what kinds of suffering we can bear (or even enjoy) watching, what kinds we cannot, and the grounds on which we make such distinctions.

Less than a month to go till BritGrad 2026… Delegates - the deadline to register for the conference is today! If you hav...
21/05/2026

Less than a month to go till BritGrad 2026…

Delegates - the deadline to register for the conference is today! If you haven’t already purchased your tickets, please head to our website now or get in touch with any issues or extenuating circumstances. We can’t wait to hear your research!

Not presenting? Don’t worry, you’ve still got another week to purchase your tickets! This year’s programme is shaping up to be a fantastic year - from our renowned plenary speakers, to our burgeoning delegates. Will you be joining us?

We’re so excited to announce our next Plenary Speaker!The brilliant Dr. Matthieu Chapman is an Associate Professor of Th...
19/05/2026

We’re so excited to announce our next Plenary Speaker!

The brilliant Dr. Matthieu Chapman is an Associate Professor of Theatre at the State University of New York at New Paltz and the Literary Director of NY Classical Theatre.

His creative writing and essays have appeared in Callaloo, Pithead Chapel, Prose Online, Beyond Words, and the Huffington Post. His research focuses on ontological structures of blackness in the Early Modern World and how they exist in a continuum with today. He is the author of three books: Shattered: Fragments of a Black Life (WVU Press 2023); Antiblack Racism in Early Modern English Drama: “The Other Other” (Routledge 2016); and most recently, Shakespeare and Antiblack World-Making (Palgrave MacMillan, 2025). He is the co-editor along with Anna Wainwright of Teaching Race in the Early Modern World: A Classroom Guide (ACMRS Press, 2023).

Dr. Chapman’s in-conversation session will explore questions of form, voice, authority, and belonging within Shakespeare and Early Modern Studies. Moving through his career trajectory - from Chapman’s first experiences of Shakespeare to his current work
across academic scholarship, memoir, theatre, and literary prose - the discussion will consider how traditional academic structures shape not only what kinds of knowledge are valued, but also who is permitted to produce it, and in what forms.

Weaving questions and conversation with extracts from Chapman’s work, the discussion will examine his exploration of ontological structures of blackness, Afropessimism and his critique of the “universal” human in Shakespeare. The session will also consider his movement away from conventional academic forms toward writing which blends memoir, theory, performance, film scripts, and literary criticism. It will ask that possibilities are opened when autobiography, lived experience, and creative practices are brought into ‘academic’ work.

Ultimately, the conversation asks what it means to create space for new voices and methodologies within a field historically shaped by exclusionary traditions.

Presenting at BritGrad 2026?Don’t forget to secure your place by purchasing your ticket and registering for the conferen...
17/05/2026

Presenting at BritGrad 2026?

Don’t forget to secure your place by purchasing your ticket and registering for the conference.

We can’t wait to hear your work and welcome you this June!

As a reminder, registration for delegates closes on Thursday 21st May at 5pm. (Don’t worry if you’re just planning to attend the conference - you’ve got a little longer to get your tickets!).

The second announcement of our plenary speakers for BritGrad 2026 is here! Dr. Valentina Finger is a postdoctoral resear...
14/05/2026

The second announcement of our plenary speakers for BritGrad 2026 is here!

Dr. Valentina Finger is a postdoctoral researcher and lecturer in English literature at Ludwig Maximilians-Universität (LMU) Munich. She first studied Fashion Journalism and Communication, followed by Comparative Literature in Munich and at King’s College London. Her doctoral dissertation, ‘Mirrors in Shakespeare and Early Modern English Drama: Power, Gender and the Magic of the Theatre’, was published with Bloomsbury Arden Shakespeare (Arden Studies in Early Modern Drama) in February 2026. In her current postdoctoral project, she explores the role of dress in the ideal world designs suggested in utopian prose fiction, from its early modern genrefication beginning with Thomas More through literary history. Among her further research interests are sartorial and cosmetic cultures in literature and beyond.

Shakespeare Through the Telescope: Monarchs, Magi, and What They See in Mirrors:

Mirrors changed the scopic regime of early modernity. Like the rise of the playhouse, the increasing availability of specular tools of variable materials and quality produced a new medium for viewing oneself and the world. More than thirty plays staged in England in the decades around 1600 feature mirrors as stage props, while the language of virtually every other play staged in that era makes use of some kind of mirror imagery. This keynote first explores the mirrors employed in the power struggle surrounding Shakespeare’s monarchs Richard II and Macbeth in the plays of their names. It illustrates how the narrative tradition of ‘imperial mirrors’ (prognostic or telescopic glasses legendarily relied on by rulers since antiquity) found its way onto the stage, where the mirrors’ effects are twisted to challenge ideas of sovereign omnipotence. Further discussing two non-Shakespearean comedies, Ben Jonson’s ‘The Alchemist’ and Thomas Middleton’s ‘A Game at Chess’, it demonstrates how changing perspectives on (natural) magic in the early seventeenth century affected the presence of ‘magic’ mirrors on stage. It closes by suggesting a congeneric relationship between the early modern mirror and the theatre.

Coming to Stratford-upon-Avon for BritGrad?Stratford is a small but busy town, especially in summer, so we recommend boo...
12/05/2026

Coming to Stratford-upon-Avon for BritGrad?

Stratford is a small but busy town, especially in summer, so we recommend booking accommodation as soon as possible!

We’re put together a blog of various places to stay in Stratford, along with a few helpful hints and tips.

Head to link in bio to read all about it 👉

The first announcement for BritGrad 2026’s plenary speakers is here…We are delighted to welcome Dr Erin Sullivan on Thur...
10/05/2026

The first announcement for BritGrad 2026’s plenary speakers is here…

We are delighted to welcome Dr Erin Sullivan on Thursday 18th June!

Dr Erin Sullivan is Reader in Shakespeare at the Shakespeare Institute, University of Birmingham. Her recent work has focused on Shakespeare, digital culture, and adaptation. She was the chair of BritGrad in 2005.

In this short talk, titled ‘Welcome’, Dr Sullivan will welcome delegates to the Shakespeare Institute and provide a short history of BritGrad. She will then offer some opening thoughts on the conference theme, linking them to what she calls ‘The Microscopic Gaze’ in her book Shakespeare and Digital Performance in Practice (Palgrave, 2022).

In Hamlet, performance becomes surveillance.Shakespeare’s drama is profoundly meta-theatrical, continually asking: who i...
30/04/2026

In Hamlet, performance becomes surveillance.

Shakespeare’s drama is profoundly meta-theatrical, continually asking: who is watching, who is being watched, and who controls the gaze?

We really can’t wait to dive into the many ways Shakespeare plays with surveillance at BritGrad 2026! Have you secured your ticket yet?

Have you got your ticket yet for BritGrad 2026? Whether you attend one day or all three, online or in-person here at the...
19/04/2026

Have you got your ticket yet for BritGrad 2026?

Whether you attend one day or all three, online or in-person here at the Shakespeare Institute in Stratford-Upon-Avon, this year promises to be an incredible event.

We’re so excited about the program - from our renowned, field-leading plenary speaks, to our jam-packed schedule of early career researchers, and of course our brilliant events and networking opportunities.

Head to our website to grab your tickets! 🎟️

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Mason Croft, Church Street
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