Ramjas History Department, Delhi University

Ramjas History Department, Delhi University The History Society, Ramjas College, University of Delhi Faculty:

1. Mr. Sudhakar Singh, M.A. - Associate Professor (Teacher-in-charge)

2. Ms. Saguna P.

Dr Hari Sen, M.A., Ph.D. - Associate Professor

3. Shri Mukul Mangalik, M.A., M. Phil. – Associate Professor

4. Monika Saxena, M.A., M.Phil. – Associate Professor

5. Dr Vikas Kumar Verma, M.Phil. Ph.D., MTM - Assistant Professor

6. Singh, M.A., M.Phil. – Assistant Professor(On Leave)

7. Ms Ranjana Das M.A., M.Phil. – Assistant Professor(On Leave)

8. Anand Singh. M.A., M.Phil - Assistant Professor

Dear Sudhakar,Dear Hari,It has been a pleasure, on behalf of our Department, to put together the attached booklets in ho...
05/09/2020

Dear Sudhakar,

Dear Hari,

It has been a pleasure, on behalf of our Department, to put together the attached booklets in honour of you as people and of your inimitable contribution to the making of the Department of History, Ramjas College.

It is no exaggeration to say that an entire exciting ‘Naya Daur’ of teaching at Delhi University, stretching roughly from the late 1970s/early ‘80s to 2010/15 or so, came to be embodied in, and constituted by your ways of being and working at Ramjas. This is among the major reasons why your retirement, Sudhakar, in December 2019, and yours Hari, in August 2020, feel strikingly different to the retirement of many other valued colleagues in recent times. We are bidding farewell, it seems, to not just two stellar individuals who were incomparably good at their work, but equally to the precious values, rhythms, principles and educational practices of an entire world that is rapidly passing, if not being cruelly snatched from us.

It has taken a while for many of us in the department—partly because of the global derangement triggered, though not caused by the current pandemic—to even begin to acknowledge the enormity of the loss staring us in our faces with your retirement. I still do not know how we are actually going to come to terms with this, forget ever making our peace with it. Preparing these two little booklets, far from helping in this process, has in fact, ended up acutely intensifying the awareness of all that has already, and is likely to be further gone with the two of you leaving Ramjas, the abiding legacies of the time you spent here notwithstanding. Yet, in present conditions of enforced isolation, this was the least we could do to say our ‘salaams’ to you and to wish you both the very best for the years ahead.

You might like to know that Anurag, our student from the current Third Year batch eagerly proposed to digitally sketch the lovely cover portraits for the booklets, while the closing sketch is a picture taken of the original that had adorned the notice board on the wall of the Department Room since 2010, in which year it was made by our former student Rajesh. Old friend of the Department, Harsh Kapoor, volunteered to help with the layout, and the suggestion that we bid 'Farewell' to both of you preferably on Teachers’ Day, came from Ashutosh, currently also in his Third Year.

Among all those who have written for the booklets or taken the initiative to draw and contribute in other ways, as also among many others who might not have been able to do so at this moment, the hope is that Ramjas will stay with you, as you will, with us. We hope too, that these little e-gifts, together with the framed 2010 sketches for each of you and printed versions of these booklets--both to be presented to you as soon as possible--shall remain your ‘marvelous possessions’ for the rest of your lives. It would of course, be a dream come true if these warm expressions of farewell could in fact signal the beginning of efforts, individual and collective, towards archiving and writing a People's History of the Department of History, Ramjas College. This, for all you know, might also become a way of making up for the unavoidable weaknesses and inadequacies of this first bid to say 'good-bye', Sudhakar and Hari.

With love,
Mukul.

Please find attached the e-booklets bidding farewell to Sudhakar and Hari and wishing them for Teachers' Day. These little e-gifts could not have seen the light of day but for the positive ways in which students and teachers of the Department responded to the proposal to say 'good-bye' to Sudhakar and Hari in this form on this day in current conditions of enforced isolation. So thank you, good reading, fun viewing, and do circulate these booklets as widely as possible.

Hari sir- https://drive.google.com/file/d/1-PkXrb-8aCCq9S2w9P6O_7IVQsf0hr3-/view?usp=drivesdk

Sudhakar sir- https://drive.google.com/file/d/1-4M051fY4xNSFQSnbVWrB8aDni0o5d04/view?usp=drivesdk

Portrait Credit- Anurag Singh Kushwah

The History Society, Ramjas college invites all to a Lecture by V. Geetha on Friday, 6th March 2020 at 1:00 pm, in the S...
03/03/2020

The History Society, Ramjas college invites all to a Lecture by V. Geetha on Friday, 6th March 2020 at 1:00 pm, in the Seminar Room, Ramjas College titled "My Himalaya is here" coming to terms with Gandhi.

Aaj dil ki ranjishein mita ke aa….Jaise sur se sur milein hon raag ke…Jis tarah chiraag se jale chiraag,Let us come toge...
15/02/2020

Aaj dil ki ranjishein mita ke aa….

Jaise sur se sur milein hon raag ke…

Jis tarah chiraag se jale chiraag,

Let us come together on Tuesday, February 18, 2020, at 3.30 pm, in the Conference Hall, Ramjas, to watch, and say to each other JAANE BHI DO YAARON!

This might be a fitting prelude to bringing the curtains down on the History Society Festival 2020, with the concert by Chaar Yaar, organised by the History Society in association with the Department of English and the Mathematics Society, Ramjas, at 5:30 pm at the Amphitheatre.

कुछ कलियाँ अधखिली यहाँ इसलिए चढ़ाना, कर के उनकी याद अश्रु के ओस बहाना। तड़प तड़प कर वृद्ध मरे हैं गोली खा कर, शुष्क पुष्...
11/02/2020

कुछ कलियाँ अधखिली यहाँ इसलिए चढ़ाना,
कर के उनकी याद अश्रु के ओस बहाना।

तड़प तड़प कर वृद्ध मरे हैं गोली खा कर,
शुष्क पुष्प कुछ वहाँ गिरा देना तुम जा कर।

यह सब करना, किन्तु यहाँ मत शोर मचाना,
यह है शोक-स्थान बहुत धीरे से आना।

-सुभद्राकुमारी चौहान

The History Society invites all for a Dastaan on the 12th February, at 5:30 pm, at the Amphitheater.

Dastan-e-Jallian recounts the story of one of the most brutal acts of colonialism in modern history. It draws from various writings across difference genres – protest poetry in Urdu and Punjabi; writings of Urdu stalwarts such as Manto and Krishan Chander; speeches of Gandhi and Tagore; and official reports such as the Hunter Commission Report to tell a story that speak not just of the past, but also of the present.

Performed by Nusrat Ansari and Ainee Farooqui.

Jallianwala Bagh: Repression and Retribution, Amrita and Rabindra Singh, Manchester Museum

The Ramjas History Society invites all for the screening of the movie Touch of Sin, on the 13th February at 5 pm. About ...
11/02/2020

The Ramjas History Society invites all for the screening of the movie Touch of Sin, on the 13th February at 5 pm.

About the movie:

"Inspired by true-life tales culled from the Chinese social media website Weibo, Jia Zhangke's attention-grabbing epic (which won the Cannes screenplay prize this time last year) teases together four disparate stories of people driven to violence by the purgatorial pain of their modern existence. Inflected by genre (the martial arts films of King Hu are evidently an influence), the film counterbalances its social-realist reflections on life under creeping neo-capitalism with depictions of cinematic splatter;...

(The film) paints a poisonous picture of people pushed beyond the boundaries of civilised behaviour by the sickness of the circumstances in which they live. This is a world of corruption, violence and despair depicted in a manner that not only flirts with, but positively embraces, the cathartic pleasures of exploitation cinema."

- Mark Kermode

|A Touch of Sin | China-Underground

Environment and HistoryGive back the wilderness, take away the cityEmbrace if you will your steel, brick and stone walls...
10/02/2020

Environment and History

Give back the wilderness, take away the city
Embrace if you will your steel, brick and stone walls
O newfangled civilization!
Cruel all-consuming one,
Return all sylvan, secluded, shaded and sacred spots......
No more stone-hearted security or food fit for kings -
We’d rather breathe freely and discourse openly!

-Rabindranath Tagore, Sabhyatar-Prati, from Chaitali, Translated by Fakrul Alam, late 19th century

In what ways has the historical study of the environment evolved? How does the interplay of ideas, material interests and political imperatives shape the environment? How do geographies impact lives, cultures, economies and societies?

The History Society, Ramjas invites all for a discussion on Environment and History at 1:30 pm, Conference Room, with Arupjyoti Saikia, Mahesh Rangarajan, Vasant Saberwal, Vasudha Pande

Coloured ink on paper by Rabindranath Tagore, c. 1934, © Rabindra Bhavana

Halla Bol: The Death and Life of Safdar HashmiI was very fond of Safdar, but who wasn’t? We liked him for his charming p...
09/02/2020

Halla Bol: The Death and Life of Safdar Hashmi

I was very fond of Safdar, but who wasn’t? We liked him for his charming personality, his easy laughter, sophisticated manners, effortless articulation, clear-cut views and tender human values.’
– Habib Tanvir

The Ramjas History Society invites all for a discussion on the “luminous life of Safdar Hashmi, extraordinary in all its ordinariness” with Sudhanva Deshpande. Followed by the play, Machine, by the Jana Natya Manch.

Machine is an abstract play, in a way. The machine, created very simply by human figures, is the symbolic representation of capitalism. The worker, the capitalist and the security officer are all parts of the machine; they are complementary parts of a system founded upon the exploitation of one by the other; their co-existence, then, is unequal.

The play encapsulates the basic framework of Janam’s street theatre: it is a theatre allied with the people, the revolutionary classes in particular, and it involves the audiences in the creative process (the idea for Machine came from a trade unionist.) Janam put stress on theatrical innovation; and it inspired several others to take up street theatre.

13th February, 3 pm, Amphitheatre, Ramjas

Photo from: Sahmat Archive

Resistance, Rebellion and the ArtsAesthetic cannot be fixed, immutable. It has to change as the occasion demands because...
09/02/2020

Resistance, Rebellion and the Arts

Aesthetic cannot be fixed, immutable. It has to change as the occasion demands because in our understanding, art is made by man for man, and, therefore, according to the needs of man, his qualities of excellence. What he looks for in art will also change… We are not simply receivers of aesthetics … we are makers of aesthetics.

- Chinua Achebe

The poet is produced by the people because the people need him.

- James Baldwin

The Ramjas History Society invites all for an exploration of the “long, erotic, unended wrestling” between art and resistance.

Speakers: Sumangala Damodaran, Radhika Goswami
12th February, 2:30 pm, Conference room , Ramjas College

Nilima Sheikh, Hunarmand, detail, 2014. 'Each night put Kashmir in your dreams' series. Scroll painted on both sides, 305 x 183cm, casein tempera on canvas.

Gandhi in His Times and Oursदर्द-ओ-ग़म-ए-हयात का दरमाँ चला गयावो ख़िज़्र-ए-अस्र-ओ-ईसा-ए-दौराँ चला गयाहिन्दू चला गया न मु...
09/02/2020

Gandhi in His Times and Ours

दर्द-ओ-ग़म-ए-हयात का दरमाँ चला गया

वो ख़िज़्र-ए-अस्र-ओ-ईसा-ए-दौराँ चला गया

हिन्दू चला गया न मुसलमाँ चला गया

इंसाँ की जुस्तुजू में इक इंसाँ चला गया

: Excerpt from Saneha, Majaz writing on Gandhi’s assassination.

Gandhi has been extensively chronicled, and yet a systemic analysis of his thought remains elusive. Can a core philosophy in Gandhi’s ideas and practices relating to caste, patriarchy, social conflict, and politics be identified? What is Gandhi’s relevance to 21st Century? How has Gandhi’s idea of non-violence evolved in the South Asian body politic? How does one begin to understand Gandhi at a time when different ideological and theological bodies seek to appropriate his legacy?

Speakers: Kumar Prashant, Dilip Simeon and Nishikant Kolge

Hadd-Anhad seeks to explore these, and many more questions.

12th February, 2020, 10:30 am, Conference Room, Ramjas.

Oil on canvas | Haku Shah | Gandhi

4th AK Ramanujan Lecture"The Coming Storm: Storytelling and the Planetary Crisis"By Amitav Ghosh“We are in an era when t...
15/01/2020

4th AK Ramanujan Lecture

"The Coming Storm: Storytelling and the Planetary Crisis"
By Amitav Ghosh

“We are in an era when the body of the nation can no longer be conceived of as consisting only of a territorialized human population: its very sinews are now revealed to be intertwined with forces that cannot be confined by boundaries.”
Excerpt from: The Great Derangement

Amitav Ghosh was born in Calcutta and grew up in India, Bangladesh and Sri Lanka. He studied in Delhi, Oxford and Alexandria and is the author of The Circle of Reason, The Shadow Lines, In An Antique Land, Dancing in Cambodia, The Calcutta Chromosome, The Glass Palace, The Hungry Tide, The Ibis Trilogy, consisting of Sea of Poppies, River of Smoke, and Flood of Fire, and The Great Derangement; Climate Change and the Unthinkable.

His most recent book Gun Island was published in 2019. The Circle of Reason was awarded France’s Prix Médicis in 1990, and The Shadow Lines won two prestigious Indian prizes the same year, the Sahitya Akademi Award and the Ananda Puraskar. The Calcutta Chromosome won the Arthur C. Clarke award for 1997 and The Glass Palace won the International e-Book Award at the Frankfurt book fair in 2001.

In January 2005, The Hungry Tide was awarded the Crossword Book Prize, a major Indian award. His novel, Sea of Poppies (2008) was shortlisted for the Man Booker Prize, 2008 and was awarded the Crossword Book Prize and the India Plaza Golden Quill Award. Amitav Ghosh's work has been translated into more than thirty languages and he has served on the juries of the Locarno and Venice film festivals. His essays have appeared in The New Yorker, The New Republic and The New York Times. They have been anthologized under the titles The Imam and the Indian (Penguin Random House India) and Incendiary Circumstances (Houghton Mifflin, USA).
The Great Derangement: Climate Change and the Unthinkable, a workof non-fiction, was published by the University of Chicago Press in 2016 and was given the inaugural Utah Award for the Environmental Humanities in 2018.

Amitav Ghosh holds two Lifetime Achievement awards and four honorary doctorates. In 2007 he was awarded the Padma Shri, one of India's highest honors, by the President of India. In 2010 he was a joint winner, along with Margaret Atwood of a Dan David prize, and 2011 he was awarded the Grand Prix of the Blue Metropolis festival in Montreal. In 2018 the Jnanpith Award, India’s highest literary honor, was conferred on Amitav Ghosh.
He was the first English- language writer to receive the award. In 2019 Foreign Policy magazine named him one of the most important global thinkers of the preceding decade.

“The literary works of Amitav Ghosh ramify across different geographical, historical and cultural spaces. In his novels Ghosh has charted a vast range of human experience, the aspirations and emotion, the victories and failures, struggles, self-preservation and the modes of survival by constantly redefining the self. The iconic ‘argumentative Indian’ in his nonfiction, Ghosh is one of the modern-day global thinkers with universal message of humanity.”
Excerpt from the Citation, for the recipient of the Jnanpith Award,
Amitav Ghosh

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Ramjas College, Maurice Nagar
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