TabulaRasa ERC

TabulaRasa ERC TabulaRasa. Clay, wax, and the impact of erasable writing technologies on manuscript cultures.

The ERC-funded project TabulaRasa studies the central role of "erasable" writing technologies: clay and wax tablets, from the ancient Near East to early modern Europe, integrating codicology, palaeography, materials analysis, and experimentation

๐Ÿค ๐Ÿ–Š๏ธ๐ŸงฎThis tablet comes from Jemdet Nasr, the remains of an ancient site in southern   (modern Iraq).Tablets such as this ...
01/06/2026

๐Ÿค ๐Ÿ–Š๏ธ๐ŸงฎThis tablet comes from Jemdet Nasr, the remains of an ancient site in southern (modern Iraq).
Tablets such as this list quantities of different commodities using an early form of the cuneiform script, and the circles and half circles that you can see across the document indicate numerals.
This tablet is known as the โ€˜field of the ENโ€™. It contains calculations for the areas of five fields.

The scribe added these figures together and divided the grand total into thirds. Two thirds were allocated to a person called the EN, which is Sumerian for 'lord', while the remaining third was divided unevenly among other individuals, including the wife of the EN. It clearly reflects a hierarchical society, with EN as a leading figure.

Nice to have the TabulaRasa/CSMC partnership for the ink analysis of Roman wax tablets at MANN by Olivier Bonnerot & Sam...
15/05/2026

Nice to have the TabulaRasa/CSMC partnership for the ink analysis of Roman wax tablets at MANN by Olivier Bonnerot & Samaneh Ehteram featured in this video realized by the the newpaper Il Mattino!๐Ÿ˜Š (From 3:10; for the research mission cf. our blog post https://tabularasa.hypotheses.org/4763 )

Il martedรฌ รจ il giorno di chiusura al pubblico, ma in realtร  quello in cui il MANN lavora di piรน. Il direttore, Francesco Sirano, accompagna Il Mattino tra l...

๐Ÿ“Œ๐Ÿ”ฌFrom ๐Ÿ๐ŸŽ to ๐Ÿ๐Ÿ’ ๐€๐ฉ๐ซ๐ข๐ฅ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, ๐ƒ๐ซ ๐Ž๐ฅ๐ข๐ฏ๐ข๐ž๐ซ ๐๐จ๐ง๐ง๐ž๐ซ๐จ๐ญ of the ๐‚๐ž๐ง๐ญ๐ซ๐ž ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐’๐ญ๐ฎ๐๐ฒ ๐จ๐Ÿ ๐Œ๐š๐ง๐ฎ๐ฌ๐œ๐ซ๐ข๐ฉ๐ญ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž๐ฌ (๐‚๐’๐Œ๐‚) ๐š๐ญ ๐‡๐š๐ฆ๐›๐ฎ๐ซ๐  ๐”๐ง๐ข...
20/04/2026

๐Ÿ“Œ๐Ÿ”ฌFrom ๐Ÿ๐ŸŽ to ๐Ÿ๐Ÿ’ ๐€๐ฉ๐ซ๐ข๐ฅ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, ๐ƒ๐ซ ๐Ž๐ฅ๐ข๐ฏ๐ข๐ž๐ซ ๐๐จ๐ง๐ง๐ž๐ซ๐จ๐ญ of the ๐‚๐ž๐ง๐ญ๐ซ๐ž ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐’๐ญ๐ฎ๐๐ฒ ๐จ๐Ÿ ๐Œ๐š๐ง๐ฎ๐ฌ๐œ๐ซ๐ข๐ฉ๐ญ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž๐ฌ (๐‚๐’๐Œ๐‚) ๐š๐ญ ๐‡๐š๐ฆ๐›๐ฎ๐ซ๐  ๐”๐ง๐ข๐ฏ๐ž๐ซ๐ฌ๐ข๐ญ๐ฒ will be in ๐๐š๐ฉ๐ฅ๐ž๐ฌ to conduct non-desctructive analyses of the ๐ข๐ง๐ค ๐ฐ๐ซ๐ข๐ญ๐ข๐ง๐  ๐จ๐ง ๐‘๐จ๐ฆ๐š๐ง ๐ฐ๐š๐ฑ ๐ญ๐š๐›๐ฅ๐ž๐ญ๐ฌ at the ๐๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐€๐ซ๐œ๐ก๐š๐ž๐จ๐ฅ๐จ๐ ๐ข๐œ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ ๐จ๐Ÿ ๐๐š๐ฉ๐ฅ๐ž๐ฌ (๐Œ๐€๐๐), in the frame of a research cooperation between the ๐‚๐’๐Œ๐‚ and the ๐“๐š๐›๐ฎ๐ฅ๐š๐‘๐š๐ฌ๐š ๐ฉ๐ซ๐จ๐ฃ๐ž๐œ๐ญ.
We are delighted to announce that in this framework Dr Bonnerot will give a public talk entitled: โ€œ๐“๐ก๐ž ๐‚๐’๐Œ๐‚ ๐Œ๐จ๐›๐ข๐ฅ๐ž ๐‹๐š๐› ๐š๐ง๐ ๐ญ๐ก๐ž ๐ง๐จ๐ง-๐๐ž๐ฌ๐ญ๐ซ๐ฎ๐œ๐ญ๐ข๐ฏ๐ž ๐š๐ง๐š๐ฅ๐ฒ๐ฌ๐ข๐ฌ ๐จ๐Ÿ ๐ฐ๐ซ๐ข๐ญ๐ญ๐ž๐ง ๐š๐ซ๐ญ๐ž๐Ÿ๐š๐œ๐ญ๐ฌ: ๐ข๐ง๐ฌ๐ข๐ ๐ก๐ญ๐ฌ ๐ข๐ง๐ญ๐จ ๐ข๐ง๐ค๐ฌ ๐š๐ง๐ ๐ฉ๐ข๐ ๐ฆ๐ž๐ง๐ญ๐ฌ ๐จ๐ง ๐š๐ง๐œ๐ข๐ž๐ง๐ญ ๐ฉ๐š๐ฉ๐ฒ๐ซ๐ขโ€

The talk will take place on ๐Œ๐จ๐ง๐๐š๐ฒ, ๐Ÿ๐ŸŽ ๐€๐ฉ๐ซ๐ข๐ฅ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, at ๐š๐ญ ๐Ÿ’:๐Ÿ๐Ÿ“ ๐๐Œ, at ๐”๐ง๐ข๐ฏ๐ž๐ซ๐ฌ๐ข๐ญ๐ฒ ๐จ๐Ÿ ๐๐š๐ฉ๐ฅ๐ž๐ฌ โ€˜๐‹โ€™๐Ž๐ซ๐ข๐ž๐ง๐ญ๐š๐ฅ๐žโ€™, Palazzo Corigliano, Antisala degli Specchi (4th floor), Piazza San Domenico Maggiore 12, 80134 Naples.

The hybrid event, organized as part of the activities of the Centro per lo studio e lโ€™edizione dei testi (CESET) at โ€˜Lโ€™Orientaleโ€™, will be followed by a discussion chaired by Dr Silvia Pizzimenti, RTD-A in analytical chemistry for the environment and cultural heritage at the University of Naples โ€˜Federico IIโ€™.

๐Ÿ“Œ๐Ÿ”ฌFrom ๐Ÿ๐ŸŽ to ๐Ÿ๐Ÿ’ ๐€๐ฉ๐ซ๐ข๐ฅ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, ๐ƒ๐ซ ๐Ž๐ฅ๐ข๐ฏ๐ข๐ž๐ซ ๐๐จ๐ง๐ง๐ž๐ซ๐จ๐ญ of the ๐‚๐ž๐ง๐ญ๐ซ๐ž ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐’๐ญ๐ฎ๐๐ฒ ๐จ๐Ÿ ๐Œ๐š๐ง๐ฎ๐ฌ๐œ๐ซ๐ข๐ฉ๐ญ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž๐ฌ (๐‚๐’๐Œ๐‚) ๐š๐ญ ๐‡๐š๐ฆ๐›๐ฎ๐ซ๐  ๐”๐ง๐ข...
30/03/2026

๐Ÿ“Œ๐Ÿ”ฌFrom ๐Ÿ๐ŸŽ to ๐Ÿ๐Ÿ’ ๐€๐ฉ๐ซ๐ข๐ฅ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, ๐ƒ๐ซ ๐Ž๐ฅ๐ข๐ฏ๐ข๐ž๐ซ ๐๐จ๐ง๐ง๐ž๐ซ๐จ๐ญ of the ๐‚๐ž๐ง๐ญ๐ซ๐ž ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐’๐ญ๐ฎ๐๐ฒ ๐จ๐Ÿ ๐Œ๐š๐ง๐ฎ๐ฌ๐œ๐ซ๐ข๐ฉ๐ญ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž๐ฌ (๐‚๐’๐Œ๐‚) ๐š๐ญ ๐‡๐š๐ฆ๐›๐ฎ๐ซ๐  ๐”๐ง๐ข๐ฏ๐ž๐ซ๐ฌ๐ข๐ญ๐ฒ will be in ๐๐š๐ฉ๐ฅ๐ž๐ฌ to conduct non-desctructive analyses of the ๐ข๐ง๐ค ๐ฐ๐ซ๐ข๐ญ๐ข๐ง๐  ๐จ๐ง ๐‘๐จ๐ฆ๐š๐ง ๐ฐ๐š๐ฑ ๐ญ๐š๐›๐ฅ๐ž๐ญ๐ฌ at the ๐๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐€๐ซ๐œ๐ก๐š๐ž๐จ๐ฅ๐จ๐ ๐ข๐œ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ ๐จ๐Ÿ ๐๐š๐ฉ๐ฅ๐ž๐ฌ (๐Œ๐€๐๐), in the frame of a research cooperation between the ๐‚๐’๐Œ๐‚ and the ๐“๐š๐›๐ฎ๐ฅ๐š๐‘๐š๐ฌ๐š ๐ฉ๐ซ๐จ๐ฃ๐ž๐œ๐ญ.
We are delighted to announce that in this framework Dr Bonnerot will give a public talk entitled: โ€œ๐“๐ก๐ž ๐‚๐’๐Œ๐‚ ๐Œ๐จ๐›๐ข๐ฅ๐ž ๐‹๐š๐› ๐š๐ง๐ ๐ญ๐ก๐ž ๐ง๐จ๐ง-๐๐ž๐ฌ๐ญ๐ซ๐ฎ๐œ๐ญ๐ข๐ฏ๐ž ๐š๐ง๐š๐ฅ๐ฒ๐ฌ๐ข๐ฌ ๐จ๐Ÿ ๐ฐ๐ซ๐ข๐ญ๐ญ๐ž๐ง ๐š๐ซ๐ญ๐ž๐Ÿ๐š๐œ๐ญ๐ฌ: ๐ข๐ง๐ฌ๐ข๐ ๐ก๐ญ๐ฌ ๐ข๐ง๐ญ๐จ ๐ข๐ง๐ค๐ฌ ๐š๐ง๐ ๐ฉ๐ข๐ ๐ฆ๐ž๐ง๐ญ๐ฌ ๐จ๐ง ๐š๐ง๐œ๐ข๐ž๐ง๐ญ ๐ฉ๐š๐ฉ๐ฒ๐ซ๐ขโ€

The talk will take place on ๐Œ๐จ๐ง๐๐š๐ฒ, ๐Ÿ๐ŸŽ ๐€๐ฉ๐ซ๐ข๐ฅ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”, at ๐š๐ญ ๐Ÿ’:๐Ÿ๐Ÿ“ ๐๐Œ, at ๐”๐ง๐ข๐ฏ๐ž๐ซ๐ฌ๐ข๐ญ๐ฒ ๐จ๐Ÿ ๐๐š๐ฉ๐ฅ๐ž๐ฌ โ€˜๐‹โ€™๐Ž๐ซ๐ข๐ž๐ง๐ญ๐š๐ฅ๐žโ€™, Palazzo Corigliano, Antisala degli Specchi (4th floor), Piazza San Domenico Maggiore 12, 80134 Naples.

The hybrid event, organized as part of the activities of the Centro per lo studio e lโ€™edizione dei testi (CESET) at โ€˜Lโ€™Orientaleโ€™, will be followed by a discussion chaired by Dr Silvia Pizzimenti, RTD-A in analytical chemistry for the environment and cultural heritage at the University of Naples โ€˜Federico IIโ€™.

From 20 to 24 April 2026, Dr Olivier Bonnerot of the Centre for the Study of Manuscript Cultures (CSMC) at Hamburg University will be in Naples to conduct non-destructive analyses of the ink writing...

๐Ÿค The ๐“๐š๐›๐ฎ๐ฅ๐š๐‘๐š๐ฌ๐š team shares a bittersweet moment as we bid farewell to a valued colleague and welcome a new researcher t...
03/03/2026

๐Ÿค The ๐“๐š๐›๐ฎ๐ฅ๐š๐‘๐š๐ฌ๐š team shares a bittersweet moment as we bid farewell to a valued colleague and welcome a new researcher to our group. We extend our warmest arrivederci to ๐ƒ๐ซ. ๐‹๐ฎ๐œ๐ข๐š ๐‚๐จ๐ง๐ฌ๐ฎ๐ž๐ฅ๐จ ๐‚๐จ๐ฅ๐ž๐ฅ๐ฅ๐š, who is moving on to a new position at the University of Naples Federico II. We are equally delighted to welcome ๐ƒ๐ซ. ๐‹๐ฎ๐œ๐š ๐ƒ๐ž ๐‚๐ฎ๐ซ๐ญ๐ข๐ฌ, who joins TabulaRasa as a postdoctoral researcher.

๐Ž๐ฎ๐ซ ๐๐ž๐ž๐ฉ๐ž๐ฌ๐ญ ๐ ๐ซ๐š๐ญ๐ข๐ญ๐ฎ๐๐ž ๐ญ๐จ ๐‹๐ฎ๐œ๐ข๐š ๐Ÿ๐จ๐ซ ๐ž๐ฏ๐ž๐ซ๐ฒ๐ญ๐ก๐ข๐ง๐  ๐ฌ๐ก๐ž ๐ก๐š๐ฌ ๐ ๐ข๐ฏ๐ž๐ง ๐ฎ๐ฌ, ๐š๐ง๐ ๐š ๐ฏ๐ž๐ซ๐ฒ ๐ฐ๐š๐ซ๐ฆ ๐ฐ๐ž๐ฅ๐œ๐จ๐ฆ๐ž ๐ญ๐จ ๐‹๐ฎ๐œ๐š ๐š๐ฌ ๐ฐ๐ž ๐œ๐จ๐ง๐ญ๐ข๐ง๐ฎ๐ž ๐ญ๐ก๐ข๐ฌ ๐ฃ๐จ๐ฎ๐ซ๐ง๐ž๐ฒ ๐จ๐Ÿ ๐๐ข๐ฌ๐œ๐จ๐ฏ๐ž๐ซ๐ฒ ๐š๐ง๐ ๐ฌ๐ก๐š๐ซ๐ž๐ ๐ ๐ซ๐จ๐ฐ๐ญ๐ก!

A Heartfelt Thank You to Lucia The TabulaRasa team shares a bittersweet moment as we bid farewell to a valued colleague and welcome a new researcher to our group. We extend our warmest arrivederci...

๐Ÿ“Œ๐…๐ซ๐จ๐ฆ ๐‡๐š๐ง๐ ๐ญ๐จ ๐‡๐š๐ง๐: ๐–๐š๐ฑ ๐“๐š๐›๐ฅ๐ž๐ญ๐ฌ, ๐Œ๐จ๐ฏ๐ž๐ฆ๐ž๐ง๐ญ, ๐š๐ง๐ ๐„๐ฏ๐ž๐ซ๐ฒ๐๐š๐ฒ ๐๐ซ๐š๐œ๐ญ๐ข๐œ๐ž๐ฌ ๐ข๐ง ๐‹๐š๐ญ๐ž ๐Œ๐ž๐๐ข๐ž๐ฏ๐š๐ฅ ๐…๐ซ๐š๐ง๐œ๐จ๐ง๐ข๐šBetween 19 and 23 January 20...
23/02/2026

๐Ÿ“Œ๐…๐ซ๐จ๐ฆ ๐‡๐š๐ง๐ ๐ญ๐จ ๐‡๐š๐ง๐: ๐–๐š๐ฑ ๐“๐š๐›๐ฅ๐ž๐ญ๐ฌ, ๐Œ๐จ๐ฏ๐ž๐ฆ๐ž๐ง๐ญ, ๐š๐ง๐ ๐„๐ฏ๐ž๐ซ๐ฒ๐๐š๐ฒ ๐๐ซ๐š๐œ๐ญ๐ข๐œ๐ž๐ฌ ๐ข๐ง ๐‹๐š๐ญ๐ž ๐Œ๐ž๐๐ข๐ž๐ฏ๐š๐ฅ ๐…๐ซ๐š๐ง๐œ๐จ๐ง๐ข๐š

Between 19 and 23 January 2026, a research mission was conducted in ๐…๐ซ๐š๐ง๐œ๐จ๐ง๐ข๐š (๐†๐ž๐ซ๐ฆ๐š๐ง๐ฒ), marking a turning point in the projectโ€™s development. Moving beyond preliminary mapping, the focus shifted to the interpretation of practices, gestures, and material behaviours embedded in erasable writing devices.

๐…๐ซ๐š๐ง๐œ๐จ๐ง๐ข๐š proved to be an exceptional terrain, preserving a dense assemblage of tablets from the ๐ฅ๐š๐ญ๐ž ๐Œ๐ข๐๐๐ฅ๐ž ๐€๐ ๐ž๐ฌ ๐š๐ง๐ ๐ญ๐ก๐ž ๐ž๐š๐ซ๐ฅ๐ฒ ๐Œ๐จ๐๐ž๐ซ๐ง ๐ฉ๐ž๐ซ๐ข๐จ๐.

These materials range from tools for intensive everyday use to complex administrative devices and items that eventually acquired symbolic or ritual functions.

The mission, carried out by Michele Cammarosano, Daniele Ferraiuolo, and Doris Oltrogge, was made possible through close cooperation with a network of prestigious institutions: the ๐ƒ๐ž๐ฎ๐ญ๐ฌ๐œ๐ก๐ž๐ฌ ๐ฅ๐ž๐๐ž๐ซ๐ฆ๐ฎ๐ฌ๐ž๐ฎ๐ฆ, the ๐”๐ง๐ข๐ฏ๐ž๐ซ๐ฌ๐ข๐ญ๐šฬˆ๐ญ๐ฌ๐›๐ข๐›๐ฅ๐ข๐จ๐ญ๐ก๐ž๐ค ๐…๐ซ๐š๐ง๐ค๐Ÿ๐ฎ๐ซ๐ญ, ๐’๐ญ๐š๐š๐ญ๐ฌ๐›๐ข๐›๐ฅ๐ข๐จ๐ญ๐ก๐ž๐ค ๐๐š๐ฆ๐›๐ž๐ซ๐ , the ๐’๐ญ๐š๐š๐ญ๐ฌ๐š๐ซ๐œ๐ก๐ข๐ฏ and ๐†๐ž๐ซ๐ฆ๐š๐ง๐ข๐ฌ๐œ๐ก๐ž๐ฌ ๐๐š๐ญ๐ข๐จ๐ง๐š๐ฅ๐ฆ๐ฎ๐ฌ๐ž๐ฎ๐ฆ ๐ข๐ง ๐๐ฎ๐ซ๐ž๐ฆ๐›๐ž๐ซ๐ , and the ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ ๐Ÿ๐ฎฬˆ๐ซ ๐…๐ซ๐š๐ง๐ค๐ž๐ง, ๐–๐ฎฬˆ๐ซ๐ณ๐›๐ฎ๐ซ๐ 

Together, these supports offer a privileged observatory for studying how writing tablets were handled, maintained, and circulated through history.

๐Ÿ”ฌ๐Ÿ“–From a methodological perspective, the mission was an autoptic and materially grounded investigation. Using advanced equipment - including macro lenses, controlled LED lighting, and precision calipers - the team performed a systematic documentation of toolmarks, wax stratigraphy, and binding structures. Specifically, raking light photography proved crucial for revealing hidden incisions and traces of erasure invisible to the naked eye.

This technical refinement supported a broader shift: treating tablets not as static carriers of text, but as โ€œprocessual objects.โ€ Their surfaces record repeated cycles of writing, erasing, re-preparing, and abandonment. In this view, losses and damage are not failures of preservation, but precious evidence of actual use and historical handling.

Read more: https://tabularasa.hypotheses.org/4034 ๐Ÿ“Œ

Celebrating Umberto Eco: a โ€œConversation in Babylonโ€To worthily celebrate the tenth anniversary of Umberto Ecoโ€™s passing...
20/02/2026

Celebrating Umberto Eco: a โ€œConversation in Babylonโ€

To worthily celebrate the tenth anniversary of Umberto Ecoโ€™s passing, TabulaRasa presents the marvelous Conversation in Babylon (1991), a short dialogue of irresistible and irreverent irony and prophetic wit, so timely in these times of digital writing and AI. It has much to do with writing on clay, but also with pyramids, hieroglyphics, and the alphabetโ€ฆ Alongside the Italian original, we provide an English translation, naturally crafted by one of Ecoโ€™s own servoscrittoriโ€ฆ Enjoy!
https://tabularasa.hypotheses.org/4568

...whoever will explain to me why the calamus' shadow is detached from it, will get three sfogliatelle frolle from me! :...
17/02/2026

...whoever will explain to me why the calamus' shadow is detached from it, will get three sfogliatelle frolle from me! :D (image: a mural painting from beautiful Villa Arianna in Stabiae, with wax tablet, inkwell and calamus) Giorgos Boudalis what do you think? Museo Archeologico di Napoli , Michele Stefanile any thoughts?

Indirizzo

Naples

Sito Web

https://cordis.europa.eu/project/id/101170566

Notifiche

Lasciando la tua email puoi essere il primo a sapere quando TabulaRasa ERC pubblica notizie e promozioni. Il tuo indirizzo email non verrร  utilizzato per nessun altro scopo e potrai annullare l'iscrizione in qualsiasi momento.

Contatta L'universitร 

Invia un messaggio a TabulaRasa ERC:

Condividi