Don't Blink Theatre Company

Don't Blink Theatre Company A theatre company based in Auckland making cool stuff for people to look at.

"I can honestly say that Andrew Parker's textured, rich and nuanced script and his and Rachael Longshaw-Park's damn good...
16/04/2016

"I can honestly say that Andrew Parker's textured, rich and nuanced script and his and Rachael Longshaw-Park's damn good production have keep me enthralled and on edge now for almost three days and that is a rare and wonderful thing, an experience I truly treasure."

In his excellent programme notes, playwright Andrew Parker thanks us for coming, thanks everyone who made this production possible – no, it's not an Oscar acceptance speech, there's no mention of God or his mother – and suggests that “maybe in another four years we can do this all over again.”

Still tickets available tonight. Come and have your say at the General Assembly...
15/04/2016

Still tickets available tonight. Come and have your say at the General Assembly...

One half of our directing team stopped by KickArts earlier in the week to talk about Occupy (and Eurovision). Hit the li...
14/04/2016

One half of our directing team stopped by KickArts earlier in the week to talk about Occupy (and Eurovision). Hit the link below to check it out!

In a one guest only episode of KickArts Andrew Parker tells us about the genesis of his upcoming show ‘Occupy: The Road to Joy’ on at Te Pou. Carolynn and Will join in to discuss cabaret on at The Classic and also the current offers on Netflix, the new way to watch TV. Enny talks about the upcoming Eurovision 2016 and we play a couple of entries of the spectacle. Hear it first on KickArts - http://www.planetaudio.org.nz/kickarts/sunday/player

Still a few tickets on the door! Come and see what all the hubbub is about tonight, 7:30pm start. Complimentary wine and...
13/04/2016

Still a few tickets on the door! Come and see what all the hubbub is about tonight, 7:30pm start. Complimentary wine and beers after our opening show :)

We have been able to release some extra tickets for the opening night of Occupy: The Road to Joy. Head on over to www.it...
12/04/2016

We have been able to release some extra tickets for the opening night of Occupy: The Road to Joy. Head on over to www.iticket.co.nz to get yours. Tonight it begins!

12/04/2016

12/04/2016

From the world of OCCUPY: THE ROAD TO JOY:

MAG CATCHES A BUS

Mag’s satchel was cutting into her shoulder. As she walked briskly down the steep footpath next to Albert Park she awkwardly tried to shift its weight, shrugging it into less painful positions, but it made no difference. She finally stopped and scooped the bag, engorged on textbooks, up under her arm.

She looked at her watch and started to jog. If she didn’t speed up she’d miss her bus. The past hour had been spent in the AV library, finally finishing Michael Heneke’s Code Unknown so she could hopefully write something smart about the film in her imminently due assignment. There wasn’t much time in the day left for that to happen. Her bag was hard to hold onto and eventually she let it go, leaving it to jolt up and down painfully as she began sprinting.

Everyone else in her tutorial today had said something about the film. Mag had said nothing. She kept meaning to speak up but every time she thought of a possible contribution the subject seemed to change and the discussion turned in another direction. She should just speak up sooner, she knew, or say her piece anyway no matter what others thought. But what she had to say always seemed too unimportant to interrupt with. At least with the assignment she could think more or less at her own pace, develop her thoughts until they were worth something.

She slowed, catching her breath, rubbing her aching shoulder. The bus stop was close. There was one some way down the street, approaching gradually in the thick, late afternoon traffic.

A voice nearby rang out brightly. A girl in an orange and black uniform with a charity’s logo printed on it was asking her if she had time to talk. She was blonde, beautiful, with big, intense eyes and a broad, toothy smile.

Mag stopped walking. This was not the only thing she did, obviously, since one of the defining factors of being awkward around people is adding at least five additional steps to any simple task. The first thing she did was to walk slightly past the girl and then, feeling rude at ignoring her, to swivel round to face her. Then she almost swiveled back all the way round again, the thought striking her that she had a bus to catch and legitimately didn’t really have time to speak. But she felt ridiculous now having already stopped and swiveled once and so the second swivel turned into a momentary wobble, a slightly mangled “Hi” escaping her lips as she tried to cover the disarray she was in.

The girl didn’t seem to notice. Or pretended not to. She had a job to do and in the end it didn’t matter what she thought of Mag or what Mag thought of her. She smiled perfectly, brushed her golden hair back and greeted Mag like she’d been waiting her entire life to meet her. Mag, who actually had been waiting her entire life for a girl like this to notice her, merely nodded dumbly and allowed her captor to run through the stages of her pitch, keenly aware the bus was drifting closer.

The girl asked Mag how her day was, her eyes flicking up and down to try and ferret out details that could be turned to her advantage. It wasn’t exactly hard to work out that Mag was a student and the girl briskly started quizzing her on what she was studying, empathizing emphatically when she mentioned she had exams approaching and offering assurances that very little of her time would be taken up by what she was about to say.

The girl, who spoke with a clipped American accent, started talking about a child she’d been sponsoring who she’d gone to Cambodia to see last year, and how happy she’d been to find his village so much improved because of her. She had seen wells being dug and schoolhouses under construction. What she was saying must have been true. There were flickers of real emotion under the flat, feigned enthusiasm. But it had been repeated too often and, as the American told it, it felt second-hand. A real story recycled so often it now only slightly resembled a genuine experience.

Mag’s eyes flicked down the street, toward the bus stop. It was almost pulling up. This was stupid. She needed to get home. Was she listening out of politeness or because in some desperate, completely deluded part of her mind she imagined the girl’s phony friendliness would, Pinocchio-like, transform into something real?

She felt something inside her tighten as the time slipped by. There was nothing real about this. The girl wanted so much to be bubbly, friendly, lovely, but her words were too calculated, her smile too taut. If Mag could just have the guts to talk to someone, anyone… if she’d just say something in tutorials instead of sitting there, letting her own doubts crowd out the people she ought to be learning about and smiling at… then maybe she wouldn’t stop and miss her bus just because pretty girls pretended to want to know her.

There was even a flicker of antipathy towards the American. Everything about her was a lie. Why was she trying to manipulate Mag like this? Did this girl know how much she would have given to know her, really know her? Did she think she was fooling Mag? Why did everyone always think she was fooled?
Anger was building. She should just walk away. Right now. Just say sorry and go.

She realized she hadn’t been listening. The girl was asking her what she thought about the fact that some number of children couldn’t access clean drinking water. Or something. Mag hastily mumbled about it being bad. F**k. This was actually something important the girl was talking about. Mag sounded so stupid. Who was she to judge this person for being fake? Why was she getting so worried about catching a bus? About some stupid German film she hadn’t understood? No wonder the girl didn’t like Mag. Why would she?

The girl was asking if Mag wanted to get started, pulling a tablet out of her bag, telling her she could sign up to sponsor here and now. So easy!

Mag almost said yes. She really, really wanted to. She wanted that smile to be real, thought that if she entered her bank details now maybe it would become so.

Don’t be so stupid.

She declined, whinily apologetic. The American made a few more attempts to snare her, Mag’s refusals escalating in self-effacement each time, and finally wished her a hearty, bright goodbye.

Mag missed her bus.

As she stood at the roadside, mostly alone, she felt a sudden, unbidden urge to cry. She didn’t recognize the source of the feeling and a voice in her head told her to stop it, that there was nothing to complain about really. What was it that she had to be sad about? It was her fault she was like this. If she wanted to, she could be better. What excuse did she have for not being better?

Someone approached her. Blonde. Just like the American. She was proffering something. A flyer. Mag didn’t want to talk to anyone else, didn’t even want to meet her eye, didn’t want to be left holding some piece of paper. She turned away, pretending not to see.

Her bag strap broke.

It flopped down and tossed its contents over the asphalt. Her water bottle spilled, its lid rolling off into the gutter. She bent down, intensely aware that the woman with the flyers was still there, seeing all this. Why hadn’t she just walked past that girl, why-

The woman with the flyers bent down and started handing her the pens and papers that had spilled.

“Don’t worry. We’ve got it”. She put her flyers down next to her and snatched the water bottle lid. She touched Mag’s arm, briefly, in a manner which indicated she knew there was more a greater difficulties than this in Mag’s life right now.

The wind was starting to blow the flyers away. Mag made an attempt to grab them, muttering apologies.

“Leave them. They’re not hard to print” the woman said, gathering Mag’s stuff up in her arms.

Mag managed to catch one of the flyers before they vanished. She offered it to the woman.

“Keep it. Protest this Friday. You should come.”

She heaped the various materials into Mag’s open bag. Mag was staring. The woman caught her gaze and smiled in… recognition? Amusement? Mag didn’t know that smile.

“Thank you, um” Mag said, trying to return the mystery smile, but sure she wasn’t getting it right.

“Beth”. The woman took the flyer and wrote something on it. She handed it back, light blue eyes lingering on Mag for a moment.

“My name’s Mag” said Mag, basking in the linger.

“Come. Please. Otherwise I’ve just wasted a lot of trees”. She gestured to the last of the flyers, swirling in the wind. “You’ll be there, right?”

“Right. Yeah”. Maybe Mag was getting the smile right, because it was returned, even brighter. She looked down at the flyer. A date, a place, an image of a raised fist and… Was that a phone number she’d written down the bottom?

“Now catch your bus!” Beth laughed. “I’ll see you Friday. Text if you can’t find me, we’re expecting a big crowd!”

Mag nodded and jumped on board the one that had just pulled up, scrambling around in her mess of belongings for her HOP card, heart pounding.

“You’ll make it!” came one final call from her savior. Then the doors closed.

Mag caught a glimpse of Beth as it pulled away, that unknowable smile visible just a second more before the bus pulled away.

To find out what happens next get a ticket for OCCUPY: THE ROAD TO JOY at Te Pou 13 - 16 April at iTicket.co.nz

Oh, and what do we have here? It's the second half of our Directorial team Producer, Co-Director - Rachael Longshaw-Park...
11/04/2016

Oh, and what do we have here? It's the second half of our Directorial team Producer, Co-Director - Rachael Longshaw-Park.

Rachael is currently studying her MA at the University of Auckland - with a focus on the use of olfactory performance (watch this space for future projects). Her last directorial project was her sold out Honours production, "Do People Dance When They're Married". Rachael is also a Speech and Drama teacher, and an actor currently working on her fourth project with Au Revoir Shoshanna Productions.

So Rachael, what do you believe in?

Myself. Not so much in a narcissistic sense, but more of a 'reach for the stars' sort of ideal. At the end of the day the only certain company you keep is yourself so you may as well be on your own team.

What role do you think you’ll play in the coming revolution?

I'd want to be useful, but I'm ridiculously emotional, so I'd end up more or less in Beth's position (Spoilers). Take from that what you will.

Do you want to be, a ‘me’ or an ‘us’?

Growing up in an individualistic society, in a generation of kids who were molly coddled and told they are precious and special from day one, I've naturally always thought of myself as a me, as different, as worthy of note, and of course being an only child I was a 'me' (that becomes apparent when you teach yourself to play chess vs yourself - awkward child alert). However, I aspire to be an 'us', a collective, a union, because when I really look at the world, at what we have become, I can't see art, education, peace, or even the human goddamn race surviving any other way. Collective empathy and collective effort is our way forward, should we choose to take that responsibility.

Why should people join you for Occupy: The Road to Joy?

Because I lost my mind a little in the process so please come make that worth the while, then have a good old yarn with me about it after the show!
But seriously, the people involved across the board have put in so much work and effort to bring this to a professional season at Te Pou. Thank you to everyone who helped, soothed and sweated over this production, please come along and see the fruits of our labour!

Tickets available at:

BOOK NOW!

https://www.iticket.co.nz/events/2016/apr/occupy-the-road-to-joy

We suppose it's about time to introduce the people behind the play... First up - our wonderful Writer and Co-Director, A...
11/04/2016

We suppose it's about time to introduce the people behind the play...

First up - our wonderful Writer and Co-Director, Andrew Parker.

Andrew originally wrote Occupy: The Road to Joy for his MA at the University of Auckland, now he's bringing it back to the stage for a professional season! Andrew also graduated from The Actors' Program in 2014.

So Andrew, What do you believe in?
You. Yes, you reading this right now! And you should too, quite frankly.

What role do you think you'll play in the coming revolution?
Probably writing mildly scathing Facebook posts.

What do you want to be, a "me" or an "us"?
I don’t think we really get a choice. We’ve all got to be both somehow.

Why should people join you for Occupy: The Road to Joy?
It’s BIG. Love! Death! Gods! Revolutions! Mike Hosking! You will seriously wonder how we paid for it!

You heard the man - get booking!
https://www.iticket.co.nz/events/2016/apr/occupy-the-road-to-joy

Time for our final cast announcement, which means only one thing.... WE OPEN ON WEDNESDAY!Introducing Georgie Silk!Georg...
10/04/2016

Time for our final cast announcement, which means only one thing.... WE OPEN ON WEDNESDAY!

Introducing Georgie Silk!

Georgie is a graduate of Unitec Performing Arts class 2014 and recently performed in The Santa Claus Show for Tim Bray Productions at the end of 2015! Georgie will be taking on the role of Mag!

So Georgie, what do you believe in?

The more joy and positivity you give the more you get back in return.

What role do you think you’ll play in the coming revolution?

To be honest, I don’t really enjoy getting involved in politics so I would most likely want to bake bread, knit or provide support for those in need. This sums me up and I guess someone has to be ‘that’ person right…?

Do you want to be, a ‘me’ or an ‘us’?

I think I would have to say a me. Only through understanding and caring for yourself can you begin to support others in order to be an ‘us’.

Why should people join you for Occupy: The Road to Joy?

I think want the play has to say is extremely powerful especially due what is currently happening throughout the world. Occupy has opened my eyes and I think audiences members may be surprised at what they leave the theatre thinking about. Occupy has a great story, talented directors and a very hard-working cast. Please come and support!

And that's all our wonderful cast, they've been working incredibly hard and we hope you'll come along and join us on the Road to Joy!

Buy tickets now! https://www.iticket.co.nz/events/2016/apr/occupy-the-road-to-joy

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