04/09/2026
The UP Baguio College of Arts and Communication congratulates Fine Arts Instructor Ides Macapanpan for her international exhibit!
โ๐๐ข ๐ฑ๐ฐ๐ณ๐ฎ๐ข ๐ฏ๐จ ๐ช๐ฏ๐ด๐ต๐ข๐ญ๐ญ๐ข๐ต๐ช๐ฐ๐ฏ ๐ข๐ณ๐ต ๐ข๐ต ๐ข๐ฏ๐จ ๐ฅ๐ช๐ฏ๐ข๐ฎ๐ช๐ฌ๐ฐ๐ฏ๐จ ๐ณ๐ฆ๐ญ๐ข๐ด๐บ๐ฐ๐ฏ ๐ฏ๐ช๐ต๐ฐ ๐ด๐ข ๐ฐ๐ฐ๐ฌ๐ถ๐ฑ๐ข๐ฉ๐ช๐ฏ๐จ ๐ฆ๐ด๐ฑ๐ข๐ด๐บ๐ฐ ๐ฏ๐จ ๐ฑ๐ข๐จ๐ต๐ข๐ต๐ข๐ฏ๐จ๐ฉ๐ข๐ญ, ๐ฎ๐ข๐จ๐ด๐ช๐ด๐ช๐ญ๐ฃ๐ช๐ฏ๐จ ๐ฑ๐ข๐จ๐ฉ๐ข๐ฉ๐ข๐ฏ๐ข๐ฑ ๐ด๐ข ๐ฏ๐ข๐จ๐ฑ๐ข๐ฑ๐ข๐ฑ๐ข๐ด๐ช๐ฌ๐ฐ๐ต-๐ด๐ช๐ฌ๐ฐ๐ต ๐ฏ๐ข ๐ฎ๐จ๐ข ๐ฅ๐ข๐ข๐ฏ๐ข๐ฏ ๐ฉ๐ข๐ฏ๐จ๐จ๐ข๐ฏ๐จ ๐ด๐ข ๐ฎ๐ข๐ต๐ถ๐ฏ๐ต๐ฐ๐ฏ ๐ด๐ข ๐ฅ๐ถ๐ญ๐ฐ ๐ข๐ฏ๐จ ๐ด๐ฆ๐ฏ๐ต๐ณ๐ฐ ๐ฏ๐จ ๐ฌ๐ข๐ฑ๐ข๐ฏ๐จ๐บ๐ข๐ณ๐ช๐ฉ๐ข๐ฏ๐จ ๐ฑ๐ข๐ฎ๐ฑ๐ถ๐ญ๐ช๐ต๐ช๐ฌ๐ข ๐ฏ๐จ ๐ฆ๐ด๐ต๐ข๐ฅ๐ฐ ๐ฏ๐ข ๐ฏ๐ข๐จ๐ต๐ข๐ต๐ข๐ฌ๐ฅ๐ข ๐ฏ๐จ ๐ด๐ข๐ด๐ข๐ฑ๐ช๐ต๐ช๐ฏ ๐ฏ๐ช๐ญ๐ข๐ฏ๐จ ๐ฎ๐จ๐ข ๐ธ๐ช๐ฏ๐ข๐ญ๐ข/๐ฏ๐ข๐ธ๐ข๐ธ๐ข๐ญ๐ข/๐ฏ๐ข๐ธ๐ข๐ญ๐ข๐ฏ ๐ข๐ฏ๐จ ๐ฌ๐ข๐ฃ๐ถ๐ถ๐ข๐ฏ๐จ ๐ญ๐ช๐ฌ๐ฉ๐ข๐ฏ๐จ-๐ด๐ช๐ฏ๐ช๐ฏ๐จ. ๐๐ข ๐ฑ๐ข๐จ๐ต๐ข๐ต๐ข๐ฑ๐ฐ๐ด, ๐ช๐ต๐ฐ ๐ข๐บ ๐ต๐ฆ๐ด๐ต๐ข๐ฎ๐ฆ๐ฏ๐ต๐ฐ ๐ฏ๐จ ๐ฑ๐ข๐ต๐ถ๐ญ๐ฐ๐บ ๐ข๐ฏ๐จ ๐ฑ๐ข๐จ๐ฉ๐ข๐ฉ๐ข๐ฏ๐ข๐ฑ ๐ข๐ต ๐ฑ๐ข๐จ๐ฑ๐ข๐ฑ๐ข๐ข๐ญ๐ข๐ญ๐ข ๐ด๐ข ๐ฌ๐ข๐ญ๐ข๐จ๐ข๐บ๐ข๐ฏ ๐ฏ๐ช๐ญ๐ข๐ฏ๐จ ๐ธ๐ช๐ฏ๐ข๐ญ๐ข/๐ฏ๐ข๐ธ๐ข๐ธ๐ข๐ญ๐ข/๐ฏ๐ข๐ธ๐ข๐ญ๐ข๐ฏ, ๐ฉ๐ข๐ฃ๐ข๐ฏ๐จ ๐ฏ๐ช๐ญ๐ช๐ญ๐ช๐ฌ๐ฉ๐ข ๐ข๐ฏ๐จ ๐ฎ๐ข๐ด ๐ฎ๐ข๐ณ๐ข๐ฎ๐ช๐ฏ๐จ ๐ฆ๐ด๐ฑ๐ข๐ด๐บ๐ฐ ๐ฌ๐ถ๐ฏ๐จ ๐ด๐ข๐ข๐ฏ ๐ธ๐ข๐ญ๐ข ๐ฏ๐ข๐ฏ๐จ ๐ฎ๐ข๐จ๐ช๐จ๐ช๐ฏ๐จ ๐ฃ๐ช๐ฌ๐ต๐ช๐ฎ๐ข ๐ฏ๐จ ๐ด๐ข๐ฑ๐ช๐ญ๐ช๐ต๐ข๐ฏ๐จ ๐ฑ๐ข๐จ๐ฌ๐ข๐ธ๐ข๐ญ๐ข.โ [1]
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STUDIES IN TIME: ๐ช๐๐ก๐๐๐, ๐ก๐๐ช๐๐ช๐๐๐, ๐ก๐๐ช๐๐๐๐ก (Disappeared, Missing, Lost) by Ides Macapanpan at the Philippine Pavilion of the 16th Gwangju Biennale โ๏ธ
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The UP Fine Arts Gallery observes the Month of Remembrance this September, and we belatedly commemorate the International Day of the Victims of Enforced Disappearances last August 30 through Ides Macapanpanโs work, ๐ช๐ถ๐ป๐ฎ๐น๐ฎ, ๐ก๐ฎ๐๐ฎ๐๐ฎ๐น๐ฎ, ๐ก๐ฎ๐๐ฎ๐น๐ฎ๐ป (Disappeared, Missing, Lost).
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This work was originally mounted at the UP Fine Arts Gallery in May 2025 as part of the artistโs masterโs thesis. Its first iteration constructs a maze with walls of clothes, giving tangible form to the bodies, memories, and the very act of finding desaparecidosโcivilians and activists forcibly disappeared under state power, from the Martial Law of Marcos Sr., to the Duterte Regime, and to the present Marcos administration. The installation evokes the labyrinth of uncertainty endured by the families left behind.
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Featured in ๐ฆ๐๐๐ฑ๐ถ๐ฒ๐ ๐ถ๐ป ๐ง๐ถ๐บ๐ฒ, the Philippine Pavilion of the 16th Gwangju Biennale, Ides Macapanpan's installation pursues the exploration of the phenomenon of enforced disappearances through the addition of acrylic sheets and audio recordings. The 2ร2 ft acrylic sheets feature the engraved names and abduction dates of the Desaparecidos, tracing back to the 1972 declaration of martial law up to the present. Twenty-nine of the 55 sheets are on display in Korea, with the rest scheduled for exhibition in the Philippines. The audio features a solemn litany listing 1,908 Desaparecidos, reciting each individual's name alongside the date of their abduction.
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The installation converses with the Pavilionโs venue, 5.18 Archives, and a section of its permanent exhibition titled ๐๐ฉ๐ฆ ๐๐ฆ๐ข๐ฅ/๐๐ฉ๐ฆ ๐๐ฏ๐ซ๐ถ๐ณ๐ฆ๐ฅ/๐๐ฉ๐ฆ ๐๐ฆ๐ต๐ข๐ช๐ฏ๐ฆ๐ฅ/๐๐ฉ๐ฆ ๐๐ช๐ด๐ด๐ช๐ฏ๐จ, which houses archival records and objects of the historic May 18 Uprising, Gwangjuโs democratization movement against Martial Law that resulted in the death, detention, and ex*****on of 5,000 people. Parola stands in solidarity and asserts the call to surface all victims of enforced disappearances and make the Marcos-Duterte regime accountable.
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๐ฆ๐๐๐ฑ๐ถ๐ฒ๐ ๐ถ๐ป ๐ง๐ถ๐บ๐ฒ is an exhibition of the Philippine Pavilion at the 16th Gwangju Biennale, curated by Lisa Ito-Tapang, presented by the UP College of Fine Arts, UP Fine Arts Gallery, and the UP Presidentโs Committee on Culture and the Arts. The exhibition will be on view at the 5.18 Archives, Jeonnam-Gwangju Special Metropolitan City, Dong-gu, Geumnam-ro 221, South Korea, from September 5, 2026, to November 1, 2026.
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[1] Excerpt from the abstract of Ides Macapanpanโs masterโs thesis titled WINALA: Ang Dialektiko ng Espasyong Inokupa, Inookupa, Ookupahin ng mga Winala, Nawawala, Nawalan (Isang Pag-aaral at Installation Art).
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๐๐๐๐ฆ ๐ ๐๐๐๐ฃ๐๐ก๐ฃ๐๐ก is a cultural worker and Instructor at the University of the Philippines Baguio. She finished her Bachelor of Fine Arts, major in Industrial Design, and Master of Fine Arts at the CFA, UP Diliman. She is a member of the UP Artists Circle Sorority, Ugnayan at Galian ng mga Tanod ng Lahi (UGATLahi), Dap-ayan ti Kultura iti Kordilyera (DKK), and the All UP Academic Employees Union. Her art practice is immersed in the context of collective production of progressive art practices, such as effigies and murals. Her thesis exhibition, Winala, Nawawala, Nawalan (Disappeared, Missing, Lost) is an installation dedicated to the victims of enforced disappearances in the Philippines.
์ด๋ฐ์ค ๋ง์นดํํ ๐๐ฑ๐ฒ๐ ๐ ๐ฎ๐ฐ๐ฎ๐ฝ๐ฎ๐ป๐ฝ๐ฎ๐ป์ ๋ฌธํ์์ ์ธ์ด์ ์ ํผ ๋ฐ๊ธฐ์ค ์บ ํผ์ค์ ๊ต์ก์์ด๋ค. ์ ํผ ๋ฏธ์ ๋ํ์์ ์ฐ์
๋์ ์ธ์ ์ ๊ณตํ์ฌ ๋ฏธ์ ํ์ฌ์ ์์ฌ๋ฅผ ์ทจ๋ํ๋ค. ์ ํผ ์ํฐ์คํธ ์ ํด ์๋ก๋ฆฌํฐ, UGATLahi ๋ฏผ์กฑ๋ฌธํ ์ํธ ์์ ๊ฐ ์ฐ๋, DKK ์ฝ ๋ฅด๋๋ฆฌ์๋ผ ํ ์ฐฉ๋ฌธํ์์ ๊ณต๋์ฒด, ์ ๊ตญ์ ํผ๊ต์ง์๋
ธ๋์กฐํฉ์ ์์์ผ๋ก ํ๋ํ๊ณ ์๋ค. ๊ทธ๋
๋ ์ธํ์(effigy)๊ณผ ๋ฒฝํ ๋ฑ ์ฌ ํ์ ยท์ ์น์ ๋ฉ์์ง๋ฅผ ๋ด์ ์ํ์ ๊ณต๋ ์ ์ํ๋ ์์
ํ๋์ ์ด์ด์ค๊ณ ์๋ค. ์กธ์
์ํ์ธ ์ ํ๋ฆฌํ์ ๊ฐ์ ์ค์ข
ํผํด์ ๋ค์ ๊ธฐ๋ฆฌ๋ ์ค์น์์
์ด๋ค.
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UPB OPA Office of Public Affairs
University of the Philippines Baguio