Departamento ng Kultura at Sining ng Letran Calamba

18/10/2021

03/04/2021

27/03/2021

MARCH 27 is WORLD THEATRE DAY!

Mabuhay ka, alagad ng entabladong nagtataguyod ng sining na malaya at mapagpalaya! ✊🏽✊🏽✊🏽

25/03/2021

SPARK
Sing with Passion And Right Knowledge
with LORENZO GEALOGO

Presents…

BOSESAN WEBINAR Series(BWS)…

A 2-hour lecture and demo on
EFFECTIVE singing for solo and choral performers ages 7-77…

April 10, 2021 Saturday 5-7pm
Registration Ongoing. Message for inquiries.
ENROLL NOW!

18/02/2021

07/02/2021

Maligayang ika-19 Taon ng Pagkakatatag, Samu’t Sari.

22/10/2020

Here are 5 basic museum types you have to know.




Learn more about the celebration:
https://ncca.gov.ph/2020/09/15/museums-and-galleries-month-2020-engaging-exhibitions-for-future-generations/

13/10/2020

Pagbati sa ika-71 kaarawan ni Gawad sa Manlilikha ng Bayan Eduardo Mutuc

Metalsmith
Kapampangan
Apalit Pampanga
2004

(Read more: https://ncca.gov.ph/about-culture-and-arts/culture-profile/gamaba/national-living-treasures-eduardo-mutuc/)

04/10/2020

Celebrating National Artist for Cinema Kidlat Tahimik's 78th birthday!

Kidlat Tahimik has continually invented himself through his cinema, and so his cinema is as singular as the man. His debut film, Mababangong Bangungot (1977), was praised by critics and filmmakers from Europe, North America, Asia, and Africa and is still considered by many as a pioneering postcolonial essay film. Tahimik’s intense independence as an artist and, at the same time, the film itself called for Filipinos to actively live out their independence and not allow their culture to be imperialized by the west. Kidlat’s “imperfect” film is an exemplar of what is worldwide known as “Third Cinema,” a cinema that is critical of neocolonial exploitation and state oppression. But, unlike other Third Cinema films, Kidlat’s work does not glory in ugliness. His films, even those that lament injustice and violence, are premised on the hope of possible, though yet unrealized, triumph. His constant claim is that whatever “progress” has relegated to the realm of sadness and poverty should never remain self-referentially sad or poor.

Read more: https://ncca.gov.ph/about-culture-and-arts/culture-profile/national-artists-of-the-philippines/kidlat-tahimik/