TUP Fine Arts Department

TUP Fine Arts Department TUP Fine Arts Department provides art and design education grounded in studio practice, creative research, and visual communication.

We develop skilled, critical, and socially responsive artists and designers for the creative industries.

๐“๐ก๐ž ๐“๐”๐ ๐…๐ข๐ง๐ž ๐€๐ซ๐ญ๐ฌ ๐ƒ๐ž๐ฉ๐š๐ซ๐ญ๐ฆ๐ž๐ง๐ญ ๐ฉ๐ซ๐จ๐ฎ๐๐ฅ๐ฒ ๐ฅ๐š๐ฎ๐ง๐œ๐ก๐ž๐ฌ ๐๐ข๐ ๐ค๐ข๐ฌ: ๐’๐œ๐ก๐จ๐ฅ๐š๐ซ๐ฅ๐ฒ ๐‰๐จ๐ฎ๐ซ๐ง๐š๐ฅ ๐จ๐Ÿ ๐€๐ซ๐ญ ๐š๐ง๐ ๐ƒ๐ž๐ฌ๐ข๐ ๐ง!a peer-reviewed academic publi...
21/12/2025

๐“๐ก๐ž ๐“๐”๐ ๐…๐ข๐ง๐ž ๐€๐ซ๐ญ๐ฌ ๐ƒ๐ž๐ฉ๐š๐ซ๐ญ๐ฆ๐ž๐ง๐ญ ๐ฉ๐ซ๐จ๐ฎ๐๐ฅ๐ฒ ๐ฅ๐š๐ฎ๐ง๐œ๐ก๐ž๐ฌ ๐๐ข๐ ๐ค๐ข๐ฌ: ๐’๐œ๐ก๐จ๐ฅ๐š๐ซ๐ฅ๐ฒ ๐‰๐จ๐ฎ๐ซ๐ง๐š๐ฅ ๐จ๐Ÿ ๐€๐ซ๐ญ ๐š๐ง๐ ๐ƒ๐ž๐ฌ๐ข๐ ๐ง!

a peer-reviewed academic publication that brings together research, critical discourse, and creative scholarship in art and design.

This milestone marks a significant step in strengthening the departmentโ€™s research culture, offering faculty, researchers, and practitioners a dedicated platform to share ideas, advance knowledge, and contribute to the evolving conversation within the creative disciplines.

๐‘ฎ๐‘ฌ๐‘ป ๐’€๐‘ถ๐‘ผ๐‘น ๐‘ช๐‘ถ๐‘ท๐‘ฐ๐‘ฌ๐‘บ ๐‘ฏ๐‘ฌ๐‘น๐‘ฌ: https://drive.google.com/file/d/1OKdhTxnVegJHdbHNbT69A_10-KT7qkgm/view?usp=sharing

Bigkis: Scholarly Journal of Art and Design, a peer-reviewed publication of the Technological University of the Philippi...
21/12/2025

Bigkis: Scholarly Journal of Art and Design, a peer-reviewed publication of the Technological University of the Philippines (TUP) Fine Arts Department, has officially been granted an International Standard Serial Number (ISSN). This milestone formally recognizes Bigkis as an internationally identifiable scholarly journal and underscores its adherence to academic rigor, ethical review standards, and quality research dissemination.

The ISSN registration strengthens the journalโ€™s role as a credible platform for scholarly inquiry, critical discourse, and creative research in the fields of art and design, advancing the departmentโ€™s commitment to research excellence and knowledge production.

FEATURED PAPER: "The Photograph That Never Happened: AI and the Reimagining of Presence" By Jerrica Mendoza, MFA๐‘จ๐‘ฉ๐‘บ๐‘ป๐‘น๐‘จ๐‘ช๐‘ป...
17/12/2025

FEATURED PAPER: "The Photograph That Never Happened: AI and the Reimagining of Presence" By Jerrica Mendoza, MFA

๐‘จ๐‘ฉ๐‘บ๐‘ป๐‘น๐‘จ๐‘ช๐‘ป: ๐‘จ๐’…๐’—๐’‚๐’๐’„๐’†๐’” ๐’Š๐’ ๐’‚๐’“๐’•๐’Š๐’‡๐’Š๐’„๐’Š๐’‚๐’ ๐’Š๐’๐’•๐’†๐’๐’๐’Š๐’ˆ๐’†๐’๐’„๐’† ๐’‰๐’‚๐’—๐’† ๐’“๐’‚๐’…๐’Š๐’„๐’‚๐’๐’๐’š ๐’•๐’“๐’‚๐’๐’”๐’‡๐’๐’“๐’Ž๐’†๐’… ๐’•๐’‰๐’† ๐’๐’‚๐’•๐’–๐’“๐’† ๐’‚๐’๐’… ๐’Ž๐’†๐’‚๐’๐’Š๐’๐’ˆ ๐’๐’‡ ๐’‘๐’‰๐’๐’•๐’๐’ˆ๐’“๐’‚๐’‘๐’‰๐’Š๐’„ ๐’Š๐’Ž๐’‚๐’ˆ๐’†๐’”. ๐‘ป๐’“๐’‚๐’…๐’Š๐’•๐’Š๐’๐’๐’‚๐’๐’๐’š, ๐’‘๐’‰๐’๐’•๐’๐’ˆ๐’“๐’‚๐’‘๐’‰๐’š ๐’‰๐’‚๐’” ๐’”๐’†๐’“๐’—๐’†๐’… ๐’‚๐’” ๐’‚๐’ ๐’Š๐’๐’…๐’†๐’™ ๐’๐’‡ ๐’“๐’†๐’‚๐’๐’Š๐’•๐’šโ€”๐’˜๐’‰๐’‚๐’• ๐‘น๐’๐’๐’‚๐’๐’… ๐‘ฉ๐’‚๐’“๐’•๐’‰๐’†๐’” ๐’…๐’†๐’”๐’„๐’“๐’Š๐’ƒ๐’†๐’” ๐’‚๐’” ๐’•๐’‰๐’† โ€œ๐’•๐’‰๐’‚๐’•-๐’‰๐’‚๐’”-๐’ƒ๐’†๐’†๐’โ€โ€”๐’‚๐’๐’„๐’‰๐’๐’“๐’Š๐’๐’ˆ ๐’Ž๐’๐’Ž๐’†๐’๐’•๐’”, ๐’ƒ๐’๐’…๐’Š๐’†๐’”, ๐’‚๐’๐’… ๐’‰๐’Š๐’”๐’•๐’๐’“๐’Š๐’†๐’” ๐’•๐’ ๐’Ž๐’‚๐’•๐’†๐’“๐’Š๐’‚๐’ ๐’†๐’™๐’Š๐’”๐’•๐’†๐’๐’„๐’†. ๐‘ฏ๐’๐’˜๐’†๐’—๐’†๐’“, ๐’•๐’‰๐’† ๐’“๐’Š๐’”๐’† ๐’๐’‡ ๐‘จ๐‘ฐ ๐’Š๐’Ž๐’‚๐’ˆ๐’†-๐’ˆ๐’†๐’๐’†๐’“๐’‚๐’•๐’Š๐’๐’ ๐’•๐’๐’๐’๐’” ๐’†๐’๐’‚๐’ƒ๐’๐’†๐’” ๐’•๐’‰๐’† ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’‰๐’š๐’‘๐’†๐’“-๐’“๐’†๐’‚๐’๐’Š๐’”๐’•๐’Š๐’„ ๐’Š๐’Ž๐’‚๐’ˆ๐’†๐’” ๐’•๐’‰๐’‚๐’• ๐’‘๐’๐’”๐’”๐’†๐’”๐’” ๐’•๐’‰๐’† ๐’—๐’Š๐’”๐’–๐’‚๐’ ๐’ˆ๐’“๐’‚๐’Ž๐’Ž๐’‚๐’“ ๐’๐’‡ ๐’‘๐’‰๐’๐’•๐’๐’ˆ๐’“๐’‚๐’‘๐’‰๐’š ๐’˜๐’Š๐’•๐’‰๐’๐’–๐’• ๐’‚๐’๐’š ๐’„๐’๐’“๐’“๐’†๐’”๐’‘๐’๐’๐’…๐’Š๐’๐’ˆ ๐’†๐’—๐’†๐’๐’• ๐’Š๐’ ๐’”๐’‘๐’‚๐’„๐’† ๐’‚๐’๐’… ๐’•๐’Š๐’Ž๐’†. ๐‘ป๐’‰๐’†๐’”๐’† ๐’”๐’š๐’๐’•๐’‰๐’†๐’•๐’Š๐’„ ๐’Š๐’Ž๐’‚๐’ˆ๐’†๐’” ๐’ƒ๐’๐’–๐’“ ๐’•๐’‰๐’† ๐’ƒ๐’๐’–๐’๐’…๐’‚๐’“๐’Š๐’†๐’” ๐’ƒ๐’†๐’•๐’˜๐’†๐’†๐’ ๐’Ž๐’†๐’Ž๐’๐’“๐’š ๐’‚๐’๐’… ๐’Š๐’Ž๐’‚๐’ˆ๐’Š๐’๐’‚๐’•๐’Š๐’๐’, ๐’‘๐’“๐’†๐’”๐’†๐’๐’„๐’† ๐’‚๐’๐’… ๐’”๐’Š๐’Ž๐’–๐’๐’‚๐’•๐’Š๐’๐’, ๐’…๐’๐’„๐’–๐’Ž๐’†๐’๐’•๐’‚๐’•๐’Š๐’๐’ ๐’‚๐’๐’… ๐’…๐’†๐’”๐’Š๐’“๐’†. ๐‘ป๐’‰๐’Š๐’” ๐’”๐’•๐’–๐’…๐’š ๐’†๐’™๐’‚๐’Ž๐’Š๐’๐’†๐’” ๐’•๐’‰๐’† ๐’‘๐’‰๐’Š๐’๐’๐’”๐’๐’‘๐’‰๐’Š๐’„๐’‚๐’ ๐’Š๐’Ž๐’‘๐’๐’Š๐’„๐’‚๐’•๐’Š๐’๐’๐’” ๐’๐’‡ ๐‘จ๐‘ฐ-๐’ˆ๐’†๐’๐’†๐’“๐’‚๐’•๐’†๐’… ๐’‘๐’‰๐’๐’•๐’๐’ˆ๐’“๐’‚๐’‘๐’‰๐’š ๐’•๐’‰๐’“๐’๐’–๐’ˆ๐’‰ ๐’•๐’‰๐’† ๐’•๐’‰๐’†๐’๐’“๐’Š๐’†๐’” ๐’๐’‡ ๐‘ฉ๐’‚๐’“๐’•๐’‰๐’†๐’”, ๐‘พ๐’‚๐’๐’•๐’†๐’“ ๐‘ฉ๐’†๐’๐’‹๐’‚๐’Ž๐’Š๐’, ๐‘บ๐’–๐’”๐’‚๐’ ๐‘บ๐’๐’๐’•๐’‚๐’ˆ, ๐‘ฑ๐’†๐’‚๐’ ๐‘ฉ๐’‚๐’–๐’…๐’“๐’Š๐’๐’๐’‚๐’“๐’…, ๐’‚๐’๐’… ๐‘ฝ๐’Š๐’รฉ๐’Ž ๐‘ญ๐’๐’–๐’”๐’”๐’†๐’“. ๐‘ฐ๐’• ๐’‚๐’“๐’ˆ๐’–๐’†๐’” ๐’•๐’‰๐’‚๐’• ๐‘จ๐‘ฐ ๐’Š๐’๐’•๐’“๐’๐’…๐’–๐’„๐’†๐’” ๐’‚ ๐’๐’†๐’˜ ๐’‘๐’‰๐’๐’•๐’๐’ˆ๐’“๐’‚๐’‘๐’‰๐’Š๐’„ ๐’๐’๐’•๐’๐’๐’๐’ˆ๐’š: ๐’•๐’‰๐’† โ€œ๐’•๐’‰๐’‚๐’•-๐’„๐’๐’–๐’๐’…-๐’‰๐’‚๐’—๐’†-๐’ƒ๐’†๐’†๐’.โ€ ๐‘ฐ๐’ ๐’•๐’‰๐’Š๐’” ๐’†๐’Ž๐’†๐’“๐’ˆ๐’Š๐’๐’ˆ ๐’๐’‚๐’๐’…๐’”๐’„๐’‚๐’‘๐’†, ๐’‚๐’–๐’“๐’‚ ๐’ƒ๐’†๐’„๐’๐’Ž๐’†๐’” ๐’‘๐’“๐’๐’ˆ๐’“๐’‚๐’Ž๐’Ž๐’‚๐’ƒ๐’๐’†, ๐’‚๐’–๐’•๐’‰๐’†๐’๐’•๐’Š๐’„๐’Š๐’•๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’†๐’” ๐’‚๐’‡๐’‡๐’†๐’„๐’•๐’Š๐’—๐’† ๐’“๐’‚๐’•๐’‰๐’†๐’“ ๐’•๐’‰๐’‚๐’ ๐’‡๐’‚๐’„๐’•๐’–๐’‚๐’, ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’‘๐’‰๐’๐’•๐’๐’ˆ๐’“๐’‚๐’‘๐’‰ ๐’†๐’—๐’๐’๐’—๐’†๐’” ๐’‡๐’“๐’๐’Ž ๐’‚ ๐’“๐’†๐’„๐’๐’“๐’… ๐’๐’‡ ๐’“๐’†๐’‚๐’๐’Š๐’•๐’š ๐’•๐’ ๐’‚๐’ ๐’Š๐’๐’”๐’•๐’“๐’–๐’Ž๐’†๐’๐’• ๐’‡๐’๐’“ ๐’“๐’†๐’Š๐’Ž๐’‚๐’ˆ๐’Š๐’๐’Š๐’๐’ˆ ๐’Š๐’•. ๐‘ป๐’‰๐’“๐’๐’–๐’ˆ๐’‰ ๐’•๐’‰๐’Š๐’” ๐’„๐’๐’๐’„๐’†๐’‘๐’•๐’–๐’‚๐’ ๐’๐’†๐’๐’”, ๐’•๐’‰๐’† ๐’“๐’†๐’”๐’†๐’‚๐’“๐’„๐’‰ ๐’†๐’™๐’‘๐’๐’๐’“๐’†๐’” ๐’‰๐’๐’˜ ๐‘จ๐‘ฐ ๐’Š๐’Ž๐’‚๐’ˆ๐’†๐’” ๐’„๐’‰๐’‚๐’๐’๐’†๐’๐’ˆ๐’† ๐’†๐’”๐’•๐’‚๐’ƒ๐’๐’Š๐’”๐’‰๐’†๐’… ๐’๐’๐’•๐’Š๐’๐’๐’” ๐’๐’‡ ๐’•๐’“๐’–๐’•๐’‰, ๐’Ž๐’๐’–๐’“๐’๐’Š๐’๐’ˆ, ๐’‚๐’–๐’•๐’‰๐’๐’“๐’”๐’‰๐’Š๐’‘, ๐’‚๐’๐’… ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’•๐’‚๐’•๐’Š๐’๐’, ๐’“๐’†๐’—๐’†๐’‚๐’๐’Š๐’๐’ˆ ๐’‚ ๐’„๐’๐’๐’•๐’†๐’Ž๐’‘๐’๐’“๐’‚๐’“๐’š ๐’—๐’Š๐’”๐’–๐’‚๐’ ๐’„๐’–๐’๐’•๐’–๐’“๐’† ๐’…๐’“๐’Š๐’—๐’†๐’ ๐’๐’๐’• ๐’ƒ๐’š ๐’•๐’‰๐’† ๐’…๐’†๐’”๐’Š๐’“๐’† ๐’•๐’ ๐’„๐’‚๐’‘๐’•๐’–๐’“๐’† ๐’•๐’‰๐’† ๐’˜๐’๐’“๐’๐’… ๐’‚๐’” ๐’Š๐’• ๐’Š๐’”, ๐’ƒ๐’–๐’• ๐’•๐’ ๐’‡๐’‚๐’ƒ๐’“๐’Š๐’„๐’‚๐’•๐’† ๐’•๐’‰๐’† ๐’˜๐’๐’“๐’๐’…๐’” ๐’˜๐’† ๐’๐’๐’๐’ˆ ๐’‡๐’๐’“.

๐™†๐™š๐™ฎ๐™ฌ๐™ค๐™ง๐™™๐™จ: ๐˜ผ๐™ง๐™ฉ๐™ž๐™›๐™ž๐™˜๐™ž๐™–๐™ก ๐™„๐™ฃ๐™ฉ๐™š๐™ก๐™ก๐™ž๐™œ๐™š๐™ฃ๐™˜๐™š; ๐˜ผ๐™„-๐™‚๐™š๐™ฃ๐™š๐™ง๐™–๐™ฉ๐™š๐™™ ๐™„๐™ข๐™–๐™œ๐™š๐™จ; ๐™‹๐™๐™ž๐™ก๐™ค๐™จ๐™ค๐™ฅ๐™๐™ฎ ๐™ค๐™› ๐™‹๐™๐™ค๐™ฉ๐™ค๐™œ๐™ง๐™–๐™ฅ๐™๐™ฎ; ๐™Š๐™ฃ๐™ฉ๐™ค๐™ก๐™ค๐™œ๐™ฎ; ๐™ƒ๐™ฎ๐™ฅ๐™š๐™ง๐™ง๐™š๐™–๐™ก๐™ž๐™ฉ๐™ฎ; ๐™Ž๐™ž๐™ข๐™ช๐™ก๐™–๐™ฉ๐™ž๐™ค๐™ฃ

Faculty Artwork Feature | Ferdinand DoctoleroThis feature revisits the thesis exhibition of Ferdinand Doctolero, present...
17/12/2025

Faculty Artwork Feature | Ferdinand Doctolero

This feature revisits the thesis exhibition of Ferdinand Doctolero, presented at the University of the Philippines Diliman in 1989, a significant moment in his artistic formation. The works from this period are characterized by a strong focus on anatomical figures, demonstrating disciplines from the traditional art training, composition accuracy, and an academic grounding in the human form. These figurative explorations reflect the rigorous studio training and critical environment of UP Diliman during that time.

Over the years, Doctoleroโ€™s practice has undergone a clear and deliberate transition from figurative representation to abstraction. While his later works move away from literal anatomy, they retain the underlying discipline, structure, and compositional logic rooted in his early studies of the human body. His abstract works articulate themes drawn from the discipline of human daily life and the pursuit of higher consciousness, translated into dynamic forms and relationships.

Visually, this shift is reinforced through the expressive use of bright and assertive colors, which function not merely as aesthetic choices but as carriers of energy, rhythm, and psychological depth. These chromatic decisions amplify the experiential quality of the work, allowing abstraction to serve as both a reflective and intuitive mode of expression.

Taken as a whole, Ferdinand Doctoleroโ€™s artistic evolution underscores a practice grounded in discipline yet open to transcendence. His works exemplify how rigorous training can evolve into a mature visual languageโ€”one that bridges structure and intuition, the tangible and the contemplativeโ€”offering lasting insight into his role as both artist and educator.

๐๐ข๐ง๐ ๐ค๐ข๐ญ ๐Œ๐š๐ญ๐š, ๐๐ข๐ญ๐ข๐ค ๐Œ๐ฎ๐ฅ๐š๐ญ: ๐‚๐ซ๐ข๐ญ๐ข๐œ๐š๐ฅ ๐๐ก๐จ๐ญ๐จ๐ฐ๐š๐ฅ๐ค ๐“๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐”๐ซ๐›๐š๐ง ๐‘๐ž๐š๐ฅ๐ข๐ญ๐ข๐ž๐ฌ.Join the BFA Second Year students as they unveil c...
03/12/2025

๐๐ข๐ง๐ ๐ค๐ข๐ญ ๐Œ๐š๐ญ๐š, ๐๐ข๐ญ๐ข๐ค ๐Œ๐ฎ๐ฅ๐š๐ญ: ๐‚๐ซ๐ข๐ญ๐ข๐œ๐š๐ฅ ๐๐ก๐จ๐ญ๐จ๐ฐ๐š๐ฅ๐ค ๐“๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐”๐ซ๐›๐š๐ง ๐‘๐ž๐š๐ฅ๐ข๐ญ๐ข๐ž๐ฌ.

Join the BFA Second Year students as they unveil compelling narratives from their photowalk explorations of the city. Through sharp observation and heartfelt storytelling, the exhibit brings forward the often unseen truths of urban lifeโ€”its struggles, its resilience, and its human stories.

09 December 2025
10:00 AM
CAFA Room 110

06/10/2025

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๐Ÿ—“๏ธ October 11, 1-6 PM
๐Ÿ“ F1 City Center, BGC, Taguig

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06/10/2025

The Manila Artsihan fair took place on October 4-5, 2025, at Plaza Mexico, Intramuros, Manila, from 2:00 PM to 10:00 PM, celebrating the city's creative spirit with art and culture. The event featured local artists, makers, and storytellers by the Pasig River Esplanade, marking the launch of this new community event.
Event Details
What: Manila Artsihan - an art fair by the Pasig River Esplanade.
When: October 4-5, 2025 (Saturday-Sunday).
Time: 2:00 PM - 10:00 PM.
Where: Plaza Mexico, Intramuros, Manila.
About Manila Artsihan
The fair is described as the first chapter of Manila Artsihan, aiming to showcase Manila's creative spirit.
It brings together artists, makers, and storytellers. The fair features a variety of artistic creations and unique finds by local artists. Located by the Pasig River, it showcases the city's rich culture and community spirit.
The event is part of Manila Tourism Creative Industries Month 2025 (MTCIM2025), indicated by the hashtags in the announcement.
https://www.facebook.com/share/p/1FsujpvK3J/
https://www.facebook.com/share/v/19zk3A3d5x/

Bold. Bright. Unapologetically expressive. ๐Ÿ”ฅ Check out this stunning maximalist design by our 4th year students! ๐ŸŽจโœจFrom ...
04/10/2025

Bold. Bright. Unapologetically expressive. ๐Ÿ”ฅ

Check out this stunning maximalist design by our 4th year students! ๐ŸŽจโœจ

From vibrant colors to layered textures, true embodiment of creativity, expression, and individuality.

Maximalism proves that sometimes; more really is more. ๐Ÿ’ฅ

We extend our warmest congratulations to Mr. Jao Pelaez, a proud alumnus of the Technological University of the Philippi...
25/09/2025

We extend our warmest congratulations to Mr. Jao Pelaez, a proud alumnus of the Technological University of the Philippines โ€“ College of Fine Arts and Design, for being named the Grand Awardee in the Mixed Media Category at the Metrobank Art and Design Excellence (MADE).

The entire TUP FAD community celebrates this milestone with you, and we take pride in seeing our former student excel and gain well-deserved recognition in the national art scene.

Mabuhay ka, Jao! May this be just the beginning of even greater accomplishments in your artistic journey.

Congratulations to our BFA alumnus, Eugene Pelaez for winning the Competition ๐Ÿ‘๐Ÿ‘๐Ÿ‘
23/09/2025

Congratulations to our BFA alumnus, Eugene Pelaez for winning the Competition ๐Ÿ‘๐Ÿ‘๐Ÿ‘

14/08/2025

FINE-NOMENON: Painting the Start of Your Journey ๐Ÿ–Œ๏ธ

TUP IVC proudly presents the official BFA Freshmen Orientation: FINE-NOMENON. ๐Ÿคฉ Join us as we welcome our freshies the first step towards the colorful world of our program. ๐ŸŒˆ

๐Ÿ“… August 15, 2025 | Friday
๐Ÿ•’ 7:30 โ€“ 11:30 AM
๐Ÿ“ CAFA AVR, CAFA Bldg. 4th Floor

Expect a deep dive into the creative chaos that makes our Fine Arts fam FINE-tastic and one of a kind. ๐Ÿ’ฅ

Kita-kits, future artists! ๐Ÿ”ฅ





This orientation is exclusive to BFA students ONLY. For concerns and inquiries, you may reach out to our FB page. Thank you!

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