UP Center for International Studies

UP Center for International Studies Our mandate is to become a premiere center of scholarship on Asia, Europe, and the Americas in the university and the country as a whole.

INTRODUCTION

Established in October 2000, The UP Center for International Studies (UPCIS) strives towards becoming a venue for interdisciplinary academic and artistic collaboration. Guided by its mandate to become a premiere center of scholarship in the country, the UPCIS endeavors to strengthen the body of knowledge on the cultural, ecological, sociopolitical, economic and ideological systems of

Asia, Europe, and the Americas. MAIN THRUSTS

In accordance with its mandate, the UPCIS:

1. Arranges the coming together of scholars from various fields for multi-disciplinary and cross-cultural collaborative research on Asia, the Americas, and Europe through grants, scholarships, fellowships, and other programs;

2. Offers courses on special topics on a variety of global issues;

3. Facilitates the training and development of a pool of specialists locally and abroad whose expertise can assist in understanding and responding to the needs of communities in the immediate region and beyond;

4. Publishes, organizes, and disseminates information on Asia, Europe, and the Americas through resource collection, cultural presentations and exhibitions, lectures, and fora. LINKAGES

The UPCIS works together with different schools and institutions in the Philippines and overseas in order to develop its pool of resources and strengthen its practices towards fulfilling its mandate to the university and the country. Linkages have been established with organizations such as the Japan Foundation, Agencia Espaรฑola de Cooperacion Internacional, the European Union Office in Manila, various Embassies to the Philippines, among many others. ORGANIZATIONAL STRUCTURE

The UPCIS works directly under the Office of the Chancellor of the University of the Philippines โ€“ Diliman (UP-D) and is headed by a Director. Currently, the duties and activities of the UPCIS are grouped into three divisions according to the existing pool of expertise of its staff and affiliates, each headed by a Coordinator: East and Southeast Asian Studies, European Studies, and American Studies. Its overall policy is provided by a Coordinating Council chaired by the Chancellor of UP-D, consisting of deans from the following units whose composition ensures the multi-disciplinal nature of the UPCIS: the Asian Center, the College of Architecture, the College of Arts and Letters, the College of Fine Arts, the College of Law, the College of Music, the College of Science, the College of Social Sciences and Philosophy, the School of Economics, and the School of labor and Industrial Relations.

๐“๐ก๐ž ๐€๐ซ๐ญ ๐จ๐Ÿ ๐๐ฎ๐ง๐ซ๐š๐ค๐ฎ ๐๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐ž๐ ๐›๐ฒ ๐†๐’ ๐Ÿ๐Ÿ—๐Ÿ• ๐’๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ ๐ŸŽญOn Monday, May 25, 2026, undergraduate students of ๐—š๐—ฆ ๐Ÿญ๐Ÿต๐Ÿณ: ๐—๐—ฎ๐—ฝ๐—ฎ๐—ป๐—ฒ๐˜€๐—ฒ ๐—ง๐—ฟ๐—ฎ...
28/05/2026

๐“๐ก๐ž ๐€๐ซ๐ญ ๐จ๐Ÿ ๐๐ฎ๐ง๐ซ๐š๐ค๐ฎ ๐๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐ž๐ ๐›๐ฒ ๐†๐’ ๐Ÿ๐Ÿ—๐Ÿ• ๐’๐ญ๐ฎ๐๐ž๐ง๐ญ๐ฌ ๐ŸŽญ

On Monday, May 25, 2026, undergraduate students of ๐—š๐—ฆ ๐Ÿญ๐Ÿต๐Ÿณ: ๐—๐—ฎ๐—ฝ๐—ฎ๐—ป๐—ฒ๐˜€๐—ฒ ๐—ง๐—ฟ๐—ฎ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ presented their culminating performance for the Second Semester AY 2025โ€“2026 titled โ€œ๐™€๐™ญ๐™ฅ๐™š๐™ง๐™ž๐™š๐™ฃ๐™˜๐™š ๐™ฉ๐™๐™š ๐˜ผ๐™ง๐™ฉ ๐™ค๐™› ๐˜ฝ๐™ช๐™ฃ๐™ง๐™–๐™ ๐™ช.โ€ The showcase highlighted the discipline, coordination, and artistry of Bunraku, Japanโ€™s traditional puppet theater, in which three ๐˜ฏ๐˜ช๐˜ฏ๐˜จ๐˜บ๐˜ฐ ๐˜ต๐˜ด๐˜ถ๐˜ฌ๐˜ข๐˜ช or puppeteers โ€” the head and right-hand puppeteer, left-hand puppeteer, and foot puppeteer โ€” move in complete synchronization to bring a single puppet to life.

The performance was attended by distinguished guests led by former UP College of Arts and Letters Dean and UP Department of Speech Communication and Theater Arts (DSCTA) faculty Prof. Amihan Ramolete, a pioneering member of the UPCIS Bunraku Ensemble in 2013, who came together with performing arts student interns from Bulacan State University. Also present was Khen del Prado, an alumnus of the BA Philippine Studies program and a member of the Bunraku Ensemble since 2018, as well as UP alumni Stella Herras Lundqvist and Elvira Lorenzo. Joining them in the audience were UPCIS Korean Dance lecturer Ms. Jo Jangeun, UPCIS Director Ramon Guillermo, former UPCIS Director Cynthia Neri Zayas, and the parents, siblings, and friends of the GS 197 students.

The program featured three performances:
๐ŸŒŠ ๐™€๐™—๐™ž๐™จ๐™ช ๐™ˆ๐™–๐™ž (๐™๐™๐™š ๐˜ฟ๐™–๐™ฃ๐™˜๐™š ๐™ค๐™› ๐™€๐™—๐™ž๐™จ๐™ช) โ€“ a lively opening piece dedicated to the god of prosperity and fishermen. It featured puppeteers: ๐—ฅ๐—ฎ๐˜ƒ๐—ฒ๐—น ๐—ฉ๐—ถ๐—ป๐—ฐ๐—ฒ๐—ป๐˜ ๐—•๐—ฎ๐—ฟ๐˜๐—ผ๐—น๐—ผ๐—บ๐—ฒ (Head and Right Hand Puppeteer), ๐—”๐—ป๐—ท๐—ผ๐—ฟ๐˜†๐—ถ๐—ป ๐—ž๐—ฒ๐—ฒ๐˜‡๐—ต๐—ถ๐—ฎ ๐—–๐—ฎ๐—ผ๐—ถ๐—น๐—ฒ (Left Hand Puppeteer), and ๐—Ÿ๐˜†๐—ฑ๐—ถ๐—ฎ ๐—ฉ๐—ถ๐˜๐˜๐—ผ๐—ฟ๐—ถ๐—ฎ ๐—–๐—ฎ๐—ฏ๐—ฎ๐—ป๐—น๐—ถ๐—ด (Foot Puppeteer), accompanied by five ๐˜ต๐˜ข๐˜บ๐˜ถฬ„ or chanters โ€” ๐—™๐—ถ๐—ผ๐—ป๐—ป๐—ฎ ๐— ๐—ฎ๐—ฒ ๐—”๐—ป๐—ฑ๐—ฟ๐—ฎ๐—ฑ๐—ฎ, ๐—ž๐˜†๐—น๐—ฒ ๐—˜๐—ฟ๐—ถ๐˜€ ๐—š๐—ฎ๐—ฐ๐—ถ๐—ฎ๐˜€, ๐—Ÿ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฅ๐—ฎ๐—ณ๐—ฎ๐—ฒ๐—น ๐—˜๐˜€๐—ฝ๐—ถ๐—ฟ๐—ถ๐˜๐˜‚, ๐—๐—ผ๐—ฎ๐—ป๐—ป๐—ฎ ๐—”๐—ป๐˜๐—ผ๐—ป๐—ฒ๐˜๐˜๐—ฒ ๐— ๐—ฎ๐—ฟ๐—ฎ๐—ฏ๐˜‚๐˜, and ๐—๐—ผ๐—ฎ๐—พ๐˜‚๐—ถ๐—ป ๐—ฉ๐—ฎ๐—น๐—ผ๐˜‚๐—ฟ ๐—ฉ๐—ถ๐—น๐—น๐—ฎ๐—ฟ๐˜๐—ฎ โ€” who performed the original chant in Japanese despite many of them having no prior background in the language. Assisting the performance were stage hands ๐—๐—ฒ๐—ฎ๐—ป๐—ฒ๐—น๐—น๐—ฎ ๐—™๐—ฎ๐˜†๐—ฒ ๐—š๐—ฟ๐—ฎ๐—ฐ๐—ฒ ๐—•๐—ฎ๐˜€๐—ฏ๐—ฎ๐˜€ and ๐—ก๐—ถ๐—ธ๐—ผ๐—น๐—ฎ๐˜€ ๐—–๐—ต๐—ฟ๐—ถ๐˜€๐˜๐—ถ๐—ฎ๐—ป ๐—ฆ๐—ฒ๐—ฏ๐—ฎ๐˜€๐˜๐—ถ๐—ฎ๐—ป ๐—Ÿ๐—ฎ๐—ฐ๐˜€๐—ผ๐—ป.

โœŠ ๐™‹๐™–๐™œ-๐™ž๐™—๐™ž๐™œ ๐™จ๐™– ๐™๐™ž๐™ฃ๐™ช๐™—๐™ช๐™–๐™ฃ๐™œ ๐™‡๐™ช๐™ฅ๐™– โ€“ a restaging of the 2016 UPCIS Bunraku adaptation of the poem and song by Andres Bonifacio portraying the enduring love and shared struggle of Bonifacio and his wife, Gregoria de Jesus. The Gregoria de Jesus Puppet team was composed of ๐—ž๐˜†๐—น๐—ฒ ๐—˜๐—ฟ๐—ถ๐˜€ ๐—š๐—ฎ๐—ฐ๐—ถ๐—ฎ๐˜€ (Head and Right Hand Puppeteer), ๐—ก๐—ถ๐—ธ๐—ผ๐—น๐—ฎ๐˜€ ๐—–๐—ต๐—ฟ๐—ถ๐˜€๐˜๐—ถ๐—ฎ๐—ป ๐—ฆ๐—ฒ๐—ฏ๐—ฎ๐˜€๐˜๐—ถ๐—ฎ๐—ป ๐—Ÿ๐—ฎ๐—ฐ๐˜€๐—ผ๐—ป (Left Hand Puppeteer), and ๐—Ÿ๐˜†๐—ฑ๐—ถ๐—ฎ ๐—ฉ๐—ถ๐˜๐˜๐—ผ๐—ฟ๐—ถ๐—ฎ ๐—–๐—ฎ๐—ฏ๐—ฎ๐—ป๐—น๐—ถ๐—ด (Foot Puppeteer), while the Andres Bonifacio Puppet team consisted of of ๐—Ÿ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฅ๐—ฎ๐—ณ๐—ฎ๐—ฒ๐—น ๐—˜๐˜€๐—ฝ๐—ถ๐—ฟ๐—ถ๐˜๐˜‚ (Head and Right Hand Puppeteer), ๐—๐—ฒ๐—ฎ๐—ป๐—ฒ๐—น๐—น๐—ฎ ๐—™๐—ฎ๐˜†๐—ฒ ๐—š๐—ฟ๐—ฎ๐—ฐ๐—ฒ ๐—•๐—ฎ๐˜€๐—ฏ๐—ฎ๐˜€ (Left Hand Puppeteer), and ๐—ง๐—ถ๐—ณ๐—ณ๐—ฎ๐—ป๐˜† ๐—–๐—ฟ๐˜‚๐˜‡(Foot Puppeteer).

๐Ÿ‘ถ Ugoy ng Duyan - a 2025 Bunraku adaptation inspired by the lullaby composed by National Artist Lucio San Pedro but critically reinterpreted in response to a concept suggested by Prof. Zayas. The Mother puppet team included ๐—๐—ผ๐—ฎ๐—พ๐˜‚๐—ถ๐—ป ๐—ฉ๐—ฎ๐—น๐—ผ๐˜‚๐—ฟ ๐—ฉ๐—ถ๐—น๐—น๐—ฎ๐—ฟ๐˜๐—ฎ (Head and Right Hand Puppeteer), ๐—•๐—ฒ๐—ฎ๐˜๐—ฟ๐—ถ๐—ฐ๐—ฒ ๐—”๐—น๐—น๐˜†๐—ป๐—ป๐—ฒ ๐—–๐—ฎ๐—ฏ๐—ฎ๐—น๐—ฒ๐˜€ (Left Hand Puppeteer), and ๐—™๐—ถ๐—ผ๐—ป๐—ป๐—ฎ ๐— ๐—ฎ๐—ฒ ๐—”๐—ป๐—ฑ๐—ฟ๐—ฎ๐—ฑ๐—ฎ (Foot Puppeteer), while the Son puppet team featured ๐—ฅ๐—ฎ๐˜ƒ๐—ฒ๐—น ๐—ฉ๐—ถ๐—ป๐—ฐ๐—ฒ๐—ป๐˜ ๐—•๐—ฎ๐—ฟ๐˜๐—ผ๐—น๐—ผ๐—บ๐—ฒ (Head and Right Hand Puppeteer), ๐—”๐—ป๐—ท๐—ผ๐—ฟ๐˜†๐—ถ๐—ป ๐—ž๐—ฒ๐—ฒ๐˜‡๐—ต๐—ถ๐—ฎ ๐—–๐—ฎ๐—ผ๐—ถ๐—น๐—ฒ (Left Hand Puppeteer), and ๐—๐—ผ๐—ฎ๐—ป๐—ป๐—ฎ ๐—”๐—ป๐˜๐—ผ๐—ป๐—ฒ๐˜๐˜๐—ฒ ๐— ๐—ฎ๐—ฟ๐—ฎ๐—ฏ๐˜‚๐˜ (Foot Puppeteer).

UPCIS acknowledges with gratitude its artistic collaborators. For Pag-ibig sa Tinubuang Lupa, the puppet dance featured music by Restie Umali interpreted by coloratura soprano Luz Morete, accompanied on the piano by concert pianist and current director of the Philippine High School for the Arts (PHSA), Greg Zuniega. Featuring costumes by Darwin Desoacido, a theater arts alumnus and member of the Bunraku Ensemble since 2014, the Bunraku pas de deux was brought to life through the choreography of Joanne Koโ€“de la Calzada, an alumna of the PHSA, the UP College of Music Dance Program, and Ballet Philippines.

For Ugoy ng Duyan, UPCIS also extends its gratitude to Kim Quinola of the College of Home Economicsโ€™ Department of Clothing, Textiles and Interior Design for the costumes; Rowena Bayon, a PHSA and UP alumna for the props; Jethro Joaquin, former faculty member of DSCTA for the sound design; and Edith Gordoncillo โ€” an alumna of PHSA, Ballet Philippines, and Philippine Educational Theater Association (PETA) for the choreography.

Congratulations to our students, mentors, artistic collaborators and production team for a successful performance celebrating intercultural engagement, creativity, and rigorous performance practice.

ใฉใ†ใ‚‚ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ—ใŸใ€‚

๐ŸŽญ ๐„๐—๐๐„๐‘๐ˆ๐„๐๐‚๐„ ๐“๐‡๐„ ๐€๐‘๐“ ๐Ž๐… ๐๐”๐๐‘๐€๐Š๐”! ๐ŸŽญWitness the artistry, discipline, and intercultural engagement of the students of the ...
24/05/2026

๐ŸŽญ ๐„๐—๐๐„๐‘๐ˆ๐„๐๐‚๐„ ๐“๐‡๐„ ๐€๐‘๐“ ๐Ž๐… ๐๐”๐๐‘๐€๐Š๐”! ๐ŸŽญ

Witness the artistry, discipline, and intercultural engagement of the students of the ๐—š๐—น๐—ผ๐—ฏ๐—ฎ๐—น ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ฒ๐˜€ (๐—š๐—ฆ) ๐Ÿญ๐Ÿต๐Ÿณ: ๐—๐—ฎ๐—ฝ๐—ฎ๐—ป๐—ฒ๐˜€๐—ฒ ๐—ง๐—ฟ๐—ฎ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ for the Second Semester of AY 2025โ€“2026 as they bring to life traditional Japanese Bunraku puppetry in ๐™€๐™—๐™ž๐™จ๐™ช ๐™ˆ๐™–๐™ž (๐™๐™๐™š ๐˜ฟ๐™–๐™ฃ๐™˜๐™š ๐™ค๐™› ๐™€๐™—๐™ž๐™จ๐™ช), as well as Bunraku interpretations of ๐—”๐—ป๐—ฑ๐—ฟ๐—ฒ๐˜€ ๐—•๐—ผ๐—ป๐—ถ๐—ณ๐—ฎ๐—ฐ๐—ถ๐—ผโ€™๐˜€ ๐™‹๐™–๐™œ-๐™ž๐™—๐™ž๐™œ ๐™จ๐™– ๐™๐™ž๐™ฃ๐™ช๐™—๐™ช๐™–๐™ฃ๐™œ ๐™‡๐™ช๐™ฅ๐™–, and ๐—Ÿ๐˜‚๐—ฐ๐—ถ๐—ผ ๐—ฆ๐—ฎ๐—ป ๐—ฃ๐—ฒ๐—ฑ๐—ฟ๐—ผโ€™๐˜€ ๐™๐™œ๐™ค๐™ฎ ๐™ฃ๐™œ ๐˜ฟ๐™ช๐™ฎ๐™–๐™ฃ.

This performance is the culmination of a semester of rigorous immersion in Japan's traditional performance practice under the guidance of the dedicated mentors and members of the UPCIS Bunraku Ensemble headed by UPCIS lecturer ๐—Ÿ๐—ฒ๐—ผ ๐—ก๐—ถ๐—ฒ๐—น ๐—๐—ฎ๐˜€๐—ฝ๐—ฒ๐—ฟ ๐—ฆ๐—ฒ๐˜€๐—ฒ and assisted by ๐—ง๐—ฎ๐—ป๐˜†๐—ฎ ๐—ฆ๐—ฎ๐—ฏ๐—ถ๐—ป๐—ฎ ๐— ๐—ฎ๐—ฟ๐—ฝ๐˜‚๐—ฟ๐—ถ and ๐—”๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฎ ๐—ฅ๐—ผ๐—ฑ๐—ฒ๐—น๐—ฎ๐˜€. Presented under the artistic direction of ๐—ฃ๐—ฟ๐—ผ๐—ณ. ๐—”๐—บ๐—ฝ๐—ฎ๐—ฟ๐—ผ ๐—”๐—ฑ๐—ฒ๐—น๐—ถ๐—ป๐—ฎ ๐—จ๐—บ๐—ฎ๐—น๐—ถ, ๐—œ๐—œ๐—œ, the performances feature costumes for Ebisu Mai and Pag-ibig sa Tinubuang Lupa by ๐——๐—ฎ๐—ฟ๐˜„๐—ถ๐—ป ๐——๐—ฒ๐˜€๐—ผ๐—ฎ๐—ฐ๐—ถ๐—ฑ๐—ผ and costumes for Ugoy ng Duyan by ๐— ๐˜€. ๐—ž๐—ถ๐—บ ๐—ค๐˜‚๐—ถ๐—ป๐—ผ๐—น๐—ฎ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ด๐—ฒ ๐—ผ๐—ณ ๐—›๐—ผ๐—บ๐—ฒ ๐—˜๐—ฐ๐—ผ๐—ป๐—ผ๐—บ๐—ถ๐—ฐ๐˜€โ€™ ๐——๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐˜๐—บ๐—ฒ๐—ป๐˜ ๐—ผ๐—ณ ๐—–๐—น๐—ผ๐˜๐—ต๐—ถ๐—ป๐—ด, ๐—ง๐—ฒ๐˜…๐˜๐—ถ๐—น๐—ฒ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ถ๐—ผ๐—ฟ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป. Choreography for ๐˜œ๐˜จ๐˜ฐ๐˜บ ๐˜ฏ๐˜จ ๐˜‹๐˜ถ๐˜บ๐˜ข๐˜ฏ is by ๐— ๐˜€. ๐—˜๐—ฑ๐—ถ๐˜๐—ต ๐—š๐—ผ๐—ฟ๐—ฑ๐—ผ๐—ป๐—ฐ๐—ถ๐—น๐—น๐—ผ and choreography for ๐˜—๐˜ข๐˜จ-๐˜ช๐˜ฃ๐˜ช๐˜จ ๐˜ด๐˜ข ๐˜›๐˜ช๐˜ฏ๐˜ถ๐˜ฃ๐˜ถ๐˜ข๐˜ฏ๐˜จ ๐˜“๐˜ถ๐˜ฑ๐˜ข is by ๐— ๐˜€. ๐—๐—ผ๐—ฎ๐—ป๐—ป๐—ฒ ๐—ž๐—ผ - ๐—ฑ๐—ฒ ๐—น๐—ฎ ๐—–๐—ฎ๐—น๐˜‡๐—ฎ๐—ฑ๐—ฎ.

Come celebrate the art of Japanese puppetry and the hard work of our students

๐Ÿ—“๏ธ ๐—ช๐—›๐—˜๐—ก: ๐—ง๐—ผ๐—บ๐—ผ๐—ฟ๐—ฟ๐—ผ๐˜„, ๐Ÿฎ๐Ÿฑ ๐— ๐—ฎ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ
๐Ÿฎ:๐Ÿฏ๐Ÿฌ ๐—ฃ๐—  โ€“โ€“ Open House
๐Ÿฏ:๐Ÿฌ๐Ÿฌ ๐—ฃ๐—  โ€“โ€“ Performance

๐Ÿ“ ๐—ช๐—›๐—˜๐—ฅ๐—˜: ๐—จ๐—ฃ๐—–๐—œ๐—ฆ ๐—–๐—น๐—ฎ๐˜€๐˜€๐—ฟ๐—ผ๐—ผ๐—บ ๐—– ๐—•๐—ฒ๐—ป๐˜๐—ผ๐—ป ๐—›๐—ฎ๐—น๐—น, ๐—จ๐—ฃ ๐——๐—ถ๐—น๐—ถ๐—บ๐—ฎ๐—ป

๐—ง๐—ต๐—ถ๐˜€ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜ ๐—ถ๐˜€ ๐—™๐—ฅ๐—˜๐—˜ ๐—ฎ๐—ป๐—ฑ ๐—ผ๐—ฝ๐—ฒ๐—ป ๐˜๐—ผ ๐˜๐—ต๐—ฒ ๐—ฝ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ!

Last May 8โ€“9, 2026, undergraduate students from the UP Center for International Studies (UPCIS) enrolled in ๐—ž๐—ผ๐—ฟ๐—ฒ๐—ฎ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ฒ...
18/05/2026

Last May 8โ€“9, 2026, undergraduate students from the UP Center for International Studies (UPCIS) enrolled in ๐—ž๐—ผ๐—ฟ๐—ฒ๐—ฎ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ฒ๐˜€ ๐Ÿญ๐Ÿฌ๐Ÿฎ: ๐—ง๐—ต๐—ฒ ๐— ๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—ผ๐—ณ ๐—š๐—น๐—ผ๐—ฏ๐—ฎ๐—น ๐—ž๐—ผ๐—ฟ๐—ฒ๐—ฎ this Second Semester AY 2025โ€“2026, showcased their academic research through a vibrant poster presentation at the ๐Ÿญ๐Ÿญ๐˜๐—ต ๐—ฃ๐—ต๐—ถ๐—น๐—ถ๐—ฝ๐—ฝ๐—ถ๐—ป๐—ฒ ๐—ž๐—ผ๐—ฟ๐—ฒ๐—ฎ๐—ป ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ฒ๐˜€ ๐—ฆ๐˜†๐—บ๐—ฝ๐—ผ๐˜€๐—ถ๐˜‚๐—บ (๐—ฃ๐—ž๐—ฆ๐—ฆ), held at the Pilar Herrera Lecture Hall, UP Diliman.

Since its inauguration in 2012, PKSS has been a venue for Filipino and international scholars to share their research outputs and insights on Korea-related issues and Korea-Philippines relations. UPCIS is an Exhibit partner of the UP Korea Research Center for this yearโ€™s PKSS.

As military budgets grow, an urgent question remains: what kind of future are we funding?Join the UP Asian Center, toget...
15/05/2026

As military budgets grow, an urgent question remains: what kind of future are we funding?
Join the UP Asian Center, together with the IPB - International Peace Bureau, Stop the War Coalition, and the Alternative Development Program of the UP Center for Integrative and Development Studies, for โ€œ๐— ๐—ถ๐—น๐—ถ๐˜๐—ฎ๐—ฟ๐˜† ๐—ฆ๐—ฝ๐—ฒ๐—ป๐—ฑ๐—ถ๐—ป๐—ด ๐—ผ๐—ฟ ๐—™๐˜‚๐—ป๐—ฑ๐—ถ๐—ป๐—ด ๐—ข๐˜‚๐—ฟ ๐—™๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ? ๐—” ๐— ๐˜‚๐—น๐˜๐—ถ๐˜€๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ๐—ฎ๐—น ๐—™๐—ผ๐—ฟ๐˜‚๐—บ ๐—ผ๐—ป ๐—ฃ๐—ฒ๐—ฎ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—›๐˜‚๐—บ๐—ฎ๐—ป ๐—ฆ๐—ฒ๐—ฐ๐˜‚๐—ฟ๐—ถ๐˜๐˜†,โ€ on 15 May 2026 at the Seminar Room, UP Asian Center.
๐Ÿ“… 15 May 2026 (Friday) | 2:00 - 5:00 PM (Manila Time)
๐Ÿ“ Seminar Room, UP Asian Center
๐Ÿ”— Register now: bit.ly/acmilitaryspending
This forum brings together voices from academia, civil society, and advocacy groups to examine the broader social, political, and economic impacts of militarization in the region and beyond.

As military budgets grow, an urgent question remains: what kind of future are we funding?

Join the UP Asian Center, together with the IPB - International Peace Bureau, Stop the War Coalition, and the Alternative Development Program of the UP Center for Integrative and Development Studies, for โ€œ๐— ๐—ถ๐—น๐—ถ๐˜๐—ฎ๐—ฟ๐˜† ๐—ฆ๐—ฝ๐—ฒ๐—ป๐—ฑ๐—ถ๐—ป๐—ด ๐—ผ๐—ฟ ๐—™๐˜‚๐—ป๐—ฑ๐—ถ๐—ป๐—ด ๐—ข๐˜‚๐—ฟ ๐—™๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ? ๐—” ๐— ๐˜‚๐—น๐˜๐—ถ๐˜€๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ๐—ฎ๐—น ๐—™๐—ผ๐—ฟ๐˜‚๐—บ ๐—ผ๐—ป ๐—ฃ๐—ฒ๐—ฎ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—›๐˜‚๐—บ๐—ฎ๐—ป ๐—ฆ๐—ฒ๐—ฐ๐˜‚๐—ฟ๐—ถ๐˜๐˜†,โ€ on 15 May 2026 at the Seminar Room, UP Asian Center.

๐Ÿ“… 15 May 2026 (Friday) | 2:00 - 5:00 PM (Manila Time)
๐Ÿ“ Seminar Room, UP Asian Center
๐Ÿ”— Register now: bit.ly/acmilitaryspending

This forum brings together voices from academia, civil society, and advocacy groups to examine the broader social, political, and economic impacts of militarization in the region and beyond.

๐“๐ก๐ž ๐Ÿ”๐ญ๐ก ๐๐ก๐ข๐ฅ๐ข๐ฉ๐ฉ๐ข๐ง๐ž ๐’๐ญ๐ฎ๐๐ข๐ž๐ฌ ๐‚๐จ๐ง๐Ÿ๐ž๐ซ๐ž๐ง๐œ๐ž ๐ข๐ง ๐‰๐š๐ฉ๐š๐ง October 30 - November 2, 2026 | The University of Osaka, Minoh CampusThe ...
07/05/2026

๐“๐ก๐ž ๐Ÿ”๐ญ๐ก ๐๐ก๐ข๐ฅ๐ข๐ฉ๐ฉ๐ข๐ง๐ž ๐’๐ญ๐ฎ๐๐ข๐ž๐ฌ ๐‚๐จ๐ง๐Ÿ๐ž๐ซ๐ž๐ง๐œ๐ž ๐ข๐ง ๐‰๐š๐ฉ๐š๐ง
October 30 - November 2, 2026 | The University of Osaka, Minoh Campus

The Philippine Studies Conference in Japan (PSCJ) is convened every four years as an international forum for scholarly exchange in Philippine Studies in Japan. Over the course of its history, the conference has brought together researchers from a wide range of disciplines, including anthropology, history, political science, sociology, and linguistics, to advance academic dialogue on Philippine society.

The PSCJ 2026, marking the sixth conference in this series, aims to build upon the accumulated achievements of Philippine Studies in Japan while critically re-examining ongoing social transformations and evolving research methodologies. By fostering dialogue across disciplinary and generational boundaries among scholars based both in Japan and abroad, the conference seeks to provide a platform for exploring new directions and perspectives in Philippine Studies.

Official website of the 6th Philippine Studies Conference in Japan (PSCJ 2026), held once every four years. In 2026, we welcome you to the University of Osaka. Join this premier international gathering of scholars to explore Philippine studies. Call for Papers and registration details available here...

๐“๐‡๐„ ๐Ÿ๐Ÿ’๐ญ๐ก ๐‹๐ˆ๐“๐„๐‘๐€๐‘๐˜ ๐’๐“๐”๐ƒ๐ˆ๐„๐’ ๐‚๐Ž๐๐…๐„๐‘๐„๐๐‚๐„  | ๐Ÿ๐Ÿ-๐Ÿ๐Ÿ‘ ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”Universitas Sanata Dharma, Yogyakarta, IndonesiaPolitics and L...
07/05/2026

๐“๐‡๐„ ๐Ÿ๐Ÿ’๐ญ๐ก ๐‹๐ˆ๐“๐„๐‘๐€๐‘๐˜ ๐’๐“๐”๐ƒ๐ˆ๐„๐’ ๐‚๐Ž๐๐…๐„๐‘๐„๐๐‚๐„ | ๐Ÿ๐Ÿ-๐Ÿ๐Ÿ‘ ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”

Universitas Sanata Dharma, Yogyakarta, Indonesia

Politics and Literature in Southeast Asia: Contesting Power, Imagining Futures

In Southeast Asia, literature has never been neutral. Writers, poets, playwrights, and cultural producers have had to confront the harsh realities of colonialism, neocolonialism, authoritarianism, and neoliberal globalization. Literary texts and performances have served as weapons of resistance, instruments of state ideology, and laboratories for imagining alternative futures. In a world ruled by Thucydidesโ€™ aphorism that โ€œthe strong do what they can and the weak suffer what they must,โ€ literature is challenged to provide an alternative spaceโ€”one where imagination contests domination, and where voices from the margins articulate visions of justice and solidarity.

Today, the stakes are heightened. The rise of populist and autocratic leaders across the globe, including in Southeast Asia, has intensified the deployment of manipulative discourse, manufactured consent, and the continuing erosion of democratic institutions. Literature, criticism, and theory must respond to these challenges, not only by documenting them but by actively intervening in the struggle over meaning, representation, and power. Critical theory should empower critics and writers to expose the mechanisms of authoritarian populism, to resist the co-optation of language, and to reclaim literature as a site of ethical and political imagination.

THE 14th LITERARY STUDIES CONFERENCE 22-23 October 2026 Universitas Sanata Dharma, Yogyakarta, Indonesia Politics and Literature in Southeast Asia: Contesting Power, Imagining Futures In Southeast Asia, literature has never been ...

๐Ÿ‡ช๐Ÿ‡บ ๐€ ๐Œ๐ข๐ฅ๐ž๐ฌ๐ญ๐จ๐ง๐ž ๐ƒ๐ข๐š๐ฅ๐จ๐ ๐ฎ๐ž: ๐‡.๐„. ๐’๐ฎ๐ฃ๐ข๐ซ๐จ ๐’๐ž๐š๐ฆ ๐š๐ญ ๐”๐ ๐ƒ๐ข๐ฅ๐ข๐ฆ๐š๐ง ๐Ÿ‡ช๐Ÿ‡บ The ๐”๐ ๐‚๐ž๐ง๐ญ๐ž๐ซ ๐Ÿ๐จ๐ซ ๐ˆ๐ง๐ญ๐ž๐ซ๐ง๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐’๐ญ๐ฎ๐๐ข๐ž๐ฌ (๐”๐๐‚๐ˆ๐’), the Asian Ce...
07/05/2026

๐Ÿ‡ช๐Ÿ‡บ ๐€ ๐Œ๐ข๐ฅ๐ž๐ฌ๐ญ๐จ๐ง๐ž ๐ƒ๐ข๐š๐ฅ๐จ๐ ๐ฎ๐ž: ๐‡.๐„. ๐’๐ฎ๐ฃ๐ข๐ซ๐จ ๐’๐ž๐š๐ฆ ๐š๐ญ ๐”๐ ๐ƒ๐ข๐ฅ๐ข๐ฆ๐š๐ง ๐Ÿ‡ช๐Ÿ‡บ

The ๐”๐ ๐‚๐ž๐ง๐ญ๐ž๐ซ ๐Ÿ๐จ๐ซ ๐ˆ๐ง๐ญ๐ž๐ซ๐ง๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐’๐ญ๐ฎ๐๐ข๐ž๐ฌ (๐”๐๐‚๐ˆ๐’), the Asian Center, UP Diliman, and the UPD Department of European Languages, in partnership with the ๐ƒ๐ž๐ฅ๐ž๐ ๐š๐ญ๐ข๐จ๐ง ๐จ๐Ÿ ๐ญ๐ก๐ž ๐„๐ฎ๐ซ๐จ๐ฉ๐ž๐š๐ง ๐”๐ง๐ข๐จ๐ง ๐ญ๐จ ๐ญ๐ก๐ž ๐๐ก๐ข๐ฅ๐ข๐ฉ๐ฉ๐ข๐ง๐ž๐ฌ, successfully hosted a public lecture by ๐‡๐ข๐ฌ ๐„๐ฑ๐œ๐ž๐ฅ๐ฅ๐ž๐ง๐œ๐ฒ ๐’๐ฎ๐ฃ๐ข๐ซ๐จ ๐’๐ž๐š๐ฆ, ๐€๐ฆ๐›๐š๐ฌ๐ฌ๐š๐๐จ๐ซ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐„๐ฎ๐ซ๐จ๐ฉ๐ž๐š๐ง ๐”๐ง๐ข๐จ๐ง ๐ญ๐จ ๐€๐’๐„๐€๐, on Wednesday, May 6, 2026.

๐‚๐ก๐š๐ง๐œ๐ž๐ฅ๐ฅ๐จ๐ซ ๐„๐๐ ๐š๐ซ๐๐จ ๐‚๐š๐ซ๐ฅ๐จ ๐•๐ข๐ฌ๐ญ๐š๐ง ๐ˆ๐ˆ opened the program with a special message. ๐ƒ๐ซ. ๐€๐š๐ซ๐จ๐ง ๐‰๐ž๐ ๐‘๐š๐›๐ž๐ง๐š of the UP Asian Center introduced the lecture's academic context, and ๐ƒ๐ซ. ๐ƒ๐š๐ง๐ข๐œ๐š ๐€๐ง๐ง๐š ๐ƒ. ๐†๐ฎ๐›๐š๐ง-๐‚๐š๐ข๐ฌ๐ข๐๐จ of UP DEL then formally introduced our distinguished guest speaker.

In his lecture, โ€œ๐“๐ก๐ž ๐€๐’๐„๐€๐-๐„๐ฎ๐ซ๐จ๐ฉ๐ž๐š๐ง ๐”๐ง๐ข๐จ๐ง ๐ƒ๐ข๐š๐ฅ๐จ๐ ๐ฎ๐ž ๐๐š๐ซ๐ญ๐ง๐ž๐ซ๐ฌ๐ก๐ข๐ฉ ๐“๐ฎ๐ซ๐ง๐ข๐ง๐  ๐Ÿ“๐ŸŽ,โ€ Ambassador Seam provided a masterclass on the evolution of the EU-ASEAN strategic alliance. He highlighted the "Golden Jubilee" of this partnership as a vital catalyst for deeper cooperation in digital sovereignty, the green transition, and sustainable connectivity.

The discussion was further enriched by our panel of reactors: ๐€๐ฌ๐ฌ๐ญ. ๐๐ซ๐จ๐Ÿ. ๐‘๐š๐ฒ๐ฆ๐จ๐ง๐ ๐Œ๐š๐œ๐š๐ฉ๐š๐ ๐š๐ฅ (UPCIS), ๐ƒ๐ซ. ๐…๐ซ๐š๐ง๐œ๐ž๐ฌ ๐€๐ง๐ญ๐จ๐ข๐ง๐ž๐ญ๐ญ๐ž ๐‚๐ซ๐ฎ๐ณ (UP DEL), ๐š๐ง๐ ๐ƒ๐ซ. ๐€๐ซ๐ข๐ž๐ฅ ๐‹๐จ๐ฉ๐ž๐ณ (UP Asian Center), who shared their localized and interdisciplinary insights.

The entire proceedings were expertly guided by ๐ƒ๐ซ. ๐€๐ฆ๐ฉ๐š๐ซ๐จ ๐€๐๐ž๐ฅ๐ข๐ง๐š ๐”๐ฆ๐š๐ฅ๐ข ๐ˆ๐ˆ๐ˆ of UPCIS, who served as the overall emcee where engaging questions from students sparked a truly dynamic Open Forum. Finally, UPCIS Director ๐ƒ๐ซ. ๐‘๐š๐ฆ๐จ๐ง ๐†๐ฎ๐ข๐ฅ๐ฅ๐ž๐ซ๐ฆ๐จ brought the event to a formal close by emphasizing the importance of these international academic exchanges.

This event stands as a testament to UP Dilimanโ€™s commitment to fostering global dialogue and academic excellence.

Thank you to everyone who joined us in celebrating 50 years of EU-ASEAN diplomacy!

Photo credits to: Mr. Jonas Catubay, UP Asian Center

HAPPENING NOW!Ambassador Sujiro Seam talks about the current state of ASEAN-EU relations at the onsite public lecture, "...
06/05/2026

HAPPENING NOW!

Ambassador Sujiro Seam talks about the current state of ASEAN-EU relations at the onsite public lecture, "๐—ง๐—ต๐—ฒ ๐—”๐—ฆ๐—˜๐—”๐—ก-๐—˜๐—จ ๐——๐—ถ๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ ๐—ฃ๐—ฎ๐—ฟ๐˜๐—ป๐—ฒ๐—ฟ๐˜€๐—ต๐—ถ๐—ฝ ๐—ง๐˜‚๐—ฟ๐—ป๐—ถ๐—ป๐—ด ๐Ÿฑ๐Ÿฌ," today, 6 May 2026 at the Seminar Room, UP Asian Center. For more information: bit.ly/aseaneudialogue
This lecture is organized by the UP Center for International Studies, UP Asian Center and the UPD Department of European Languages

04/05/2026

๐Ÿ’ 11PKSS Exhibit Partner๐Ÿ’  UP Center for International Studies

Don't miss the poster presentation by undergraduate students: Korea Studies 102 The Making of Global Korea this current 2nd Semester AY 2025-2026! During the breaks, please meet our students and interact with them outside Pilar Herrera Lecture Hall!๐Ÿ’—โœจ

โฐ DATE: 8 - 9 May 2026
๐Ÿ“Œ VENUE: Pilar Herrera Lecture Hall, G/F Palma Hall, UP Diliman
๐Ÿ—“๏ธ PROGRAM VIEWING: https://bit.ly/11PKSSpro
๐Ÿ—“๏ธ REGISTRATION LINK: https://forms.gle/RP3YAcBsyvwCG9A27

Since its inauguration in 2012, PKSS has been a venue for Filipino and international scholars to share their research outputs and insights on Korea-related issues and Korea-Philippines relations. ๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ต๐Ÿ‡ญ

#ํ•œ๊ตญํ•™ #ํ•„๋ฆฌํ•€ํ•œ๊ตญํ•™ํšŒ

04/05/2026

[SPECIAL LECTURE] War, Speed, and Care: Korean Society through the Lens of Literature

Abstract:
This lecture examines how Korean literature reflects the historical and social conditions of modern Korea through three key themes: war, speed, and care. The Korean War has been revisited in Korean literature for decades, and Koreaโ€™s enduring militaristic culture continues to evoke the sense of a war that has never fully ended. At the same time, the struggle for survival has accelerated many aspects of Korean society, producing a culture marked by speed and pervasive anxiety. These dynamics often appear in modern Korean fiction, where characters struggle either to keep pace with shifting social expectations or to resist them. The tempo and narrative form of these works frequently mirror the experience of social acceleration itself. Against this backdrop of violence and pressure, contemporary Korean literature raises another question: what forms of care might allow us to imagine different ways of living together today?

Speaker:
Dr. Wookyung Jeong is a lecturer at Incheon National University and Kyung Hee University. She received her PhD in Modern Korean Literature from Seoul National University, where her dissertation examined the literature of Chโ€™oe Yun and the poetics of translation. Her research interests include translation studies, multilingual literature, womenโ€™s writing, and care. Recently, she has been exploring Korean novels, poetry, and webtoons translated into French and English.

REGISTRATION LINK (Zoom): https://up-edu.zoom.us/meeting/register/kWv0MUwLQBi2Sm7V4cxznA

YouTube Live Link: https://www.youtube.com/live/tYfiiI3PnMQ

This online lecture is co-hosted by UP Center for International Studies, Seoul National University Asia Center, and UP KRC with support of the Korea Foundation-ํ•œ๊ตญ๊ตญ์ œ๊ต๋ฅ˜์žฌ๋‹จ.

Address

1F Benton Hall, Roxas Avenue, University Of The Philippines, Diliman
Quezon City
1101

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