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Monday 09:00 - 18:00 Tuesday 09:00 - 18:00 Wednesday 09:00 - 18:00 Thursday 09:00 - 18:00 Friday 09:00 - 18:00

國立臺灣大學音樂學研究所

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大安區羅斯福路四段1號樂學館1樓

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國立臺灣大學音樂學研究所

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臺大音樂所隸屬於臺灣大學文學院。以Integrative（整合音樂學之分支領域）、Interdisciplinary（發展跨學科之研究方向）、International（推動跨國之教學與研究）為教育目標，最終期能建立具亞洲視角的音樂學方法。

05/10/2026

工作坊
時間：11/14（三）17：00
地點：普通506教室
講者：Dr. Anoop T
講題：Where Music Moves: The Living Sanskrit Theater of Kerala

17/09/2026

No.287 文學院音樂會
2026/11/05 Thu. 19：30 ｜台大雅頌坊

【演出團體】Atlas Maior

【演出人員】
Joshua Thomson｜中音薩克斯風 (Alto Saxophone)
Josh Peters｜烏德琴 / 打擊樂 (Oud / Percussion)

主辦單位｜國立臺灣大學文學院
協辦單位｜國立臺灣大學音樂學研究所

10/09/2026

音樂學研究討論2
講題：Vibratory Materialism, Musical Spiritualism, and Sonic Perspectivalism in the Fin de siècle
講者：Maurice Windleburn
日期：10 /30（五）
時間：14:30
地點：普通506教室
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In 1907, the author, doctor, and explorer Victor Segalen published a short story titled Dans un Monde Sonore in the Symbolist journal Mercure de France. The narrator, an anthropologist named Monsieur Leurais, visits his estranged friend André, a physicist who has isolated himself in a villa on the outskirts of Bordeaux. Leurais is shocked to find that André has opted to live solely in a world of sound, turning his study into a vibrant resonance chamber from which he rarely steps foot. Playing with common Symbolist tropes of isolation, madness, and hyperesthesia, Segalen here imagines a purely sonic world where hearing, rather than vision, is our primary sense.

In this paper, I outline three ways of contextualising André’s sound world in relation to his broader intellectual milieu. The first relates this sound world to nineteenth century developments in acoustical science and the study of vibration. I then consider the dualist nature of André’s sound world, how he regularly refers to neoplatonic ides shared by adherents of nineteenth century occultism and esotericism. Lastly, I consider Segalen’s own position concerning his character’s sound world via his adoption of anthropological and Nietzschean perspectivalism. Through these three divergent worldviews, I will consider how vibration, music, and sound were at the centre of early modernist tensions between materialism and spiritualism, while also detaching the notion of a sound world from those vibratory and sonic ontologies that have recently been posited by new materialist philosophers and sound studies scholars.

Maurice Windleburn is a fellow with the Society of Fellows in the Humanities at the University of Hong Kong. His research examines the impact of sound, music, and vibration on cosmological worldviews. He is preparing a monograph on the musical cosmologies held by philosophers, occultists, scientists, and critics in the fin de siècle, and their depiction in this period’s visual art. He is also editing a volume on negative metaphysics and sonic negation in both Western and Far Eastern musical thought. His past research focused primarily on contemporary avant-garde music understood via semiotic and intermedial frameworks, publishing his first book, John Zorn’s File Card Works: Hypertextual Intermediality in Composition and Analysis, with Routledge.

04/09/2026

音樂學研究討論①
講題：Sounding Taiwaneseness: Metal Music and Racial Politics in Postcolonial Taiwan
講者：Mark Hsiang-yu Feng
日期：10 /02（五）
時間：14:30
地點：普通506教室
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Abstract
Metal music was introduced and localized in Taiwan under the intersecting conditions of U.S. Cold War militarism and Kuomintang authoritarianism in East Asia during the 1980s. Since the 1990s, Taiwanese metal has increasingly been understood as a post-authoritarian and anticolonial expressive form associated with resistance to Kuomintang Chinese nationalism and with the articulation of Taiwanese cultural and political self-definition.
Through musical sound, performance, and embodiment, musicians construct and negotiate a postcolonial sense of Taiwaneseness. This research complicates celebratory accounts of Taiwanese metal as a straightforward medium of postcolonial resistance by examining how musical activism can simultaneously challenge one form of domination while reproducing others. In particular, I investigate how constructions of Taiwaneseness in metal remain entangled with global Whiteness, Orientalism, Han-centered nationalism, anti-Austronesian racism, and the racialization of Southeast Asian migrant workers. Drawing on critical race theory, I conceptualize Taiwan’s metal scene as a site of racial formation in which historically distinct racial logics produced through East-to-East colonialism since 1683, U.S. militarism and cultural imperialism, Han settler domination, nationalism, and transnational labor migration become sounded, embodied, negotiated, and contested through musical practice. I coin the term “hybrid racial ideology” and develop the complementary concept of “compressed racialized modernity” to theorize these overlapping racial formations. Hybrid racial ideology captures how distinct racial logics coexist, intersect, and become relationally articulated through musical practice, such that resistance to one hierarchy may coexist with implication in another. Compressed racialized modernity describes the historically multilayered condition in which successive colonial regimes, racial hierarchies, developmental capitalism, and transnational labor regimes become condensed within Taiwan’s modernity. This research contributes to ethnomusicological studies of popular music and race beyond U.S. centered models and positions Taiwan as a productive site for theorizing racial formation in East Asia.

25/08/2026

🔔 立臺灣大學音樂學研究所誠徵專任教師兩名 🔔

本所誠徵助理教授兩名，一職專長為系統音樂學或音樂理論（包括聲音研究、音樂與科技、電影音樂等專長），另一職專長為民族音樂學。我們歡迎音樂學各相關領域學者前來應徵，專長與本所現任教師互補者優先考慮。本所強調音樂學相關領域的整合、跨領域與跨學科合作。應徵者之研究與教學需連結並延伸本所對跨文化性、音樂媒介與媒介化、音樂與具身性等研究旨趣。研究區域不受限，但本所特別歡迎聚焦南亞、東南亞、太平洋及其散居社群之學者，或專長為音樂與數位人文相關領域學者。

應徵者必須具備中、英文雙語教學與行政能力。尤以具備以下條件者為佳：展現優異研究成果或潛力、具有教學熱忱、對音樂學具有寬廣視野、呈現跨領域或跨文化觀點、重視社會責任，並能協助提升本所與國際學術社群之交流。申請者須有博士學位及國際交流經驗，以具博後訓練者優先，請提供應徵函及以下資料：

📌預定起聘日期：2027 年 8 月 1 日。
📌職責：開設研究所與大學部課程（可用中文或英文授課）、指導論文、協助行政事務。

📌申請資料（電子檔或掃描檔）：
1.申請信函（內容包括現有研究、教學興趣、長期目標等）
2.個人履歷（含歷年著作目錄）
3.三位推薦人姓名及聯絡方式
4.博士學位畢業證書（或臨時學位證明文件）
5.博士班歷年成績單（無成績單者，請提供校方相關說明書）
6.五年內代表著作期刊論文二篇或專書一本（必須為 2021 年 8 月以後出版）或未出版之博士論文（必須為 2021 年 8 月以後完成）
7.七年內參考著作一至三件（必須為 2019年 2 月以後出版）
8.如有現職及經歷證明文件，請提供該文件
9.如有中華民國教育部核發之教師證書，請提供該證書
10.擬開課程之課程大綱（一至二門）

📌申請截止日期：2026年 10 月 15 日

🔸新聘教師甄選委員會召集人：施永德所長
🔸電郵收件地址：請一次同時寄給文學院 [email protected] 及音樂學研究所 [email protected]
🔸郵件標題：【申請音樂學所教職】─〔您的姓名〕

………………………………………………………………………………………

The Graduate Institute of Musicology at National Taiwan University invites applications for two full-time faculty positions at the assistant professor level beginning in fall 2027. For the first position we seek a scholar employing systematic approaches with an ability to teach music theory （including sound/voice studies, music and technology, film music studies）； for the second, an ethnomusicologist. Our institute stresses an integrated approach to musicology and values interdisciplinary work. We are particularly interested in applicants whose research connects with and extends our interests in media / mediation, embodiment, sound studies, and transculturality. Regional specialization is open, but with a preference for scholars of South and Southeast Asia and the Pacific. Interested candidates must also be proficient in Mandarin and English.

Complete applications should be sent electronically by the deadline of 15 October 2026 and include:

（1） a letter of application detailing current and future research and teaching interests,
（2） a complete CV,
（3） names and contact information for three recommenders,
（4） PhD diploma and transcripts,
（5） examples of your best scholarship from the last five years （two journal articles or one book； can include unpublished PhD thesis. All completed / published after August 2021）,
（6） one or two additional publications from the last seven years （published or completed before August 2019）,
（7） proof of current academic position （if applicable）,
（8） Taiwan Ministry of Education Teachers’ Certificate （if applicable）
（9） syllabi for two courses to be taught in the institute.

🔸Please send applications to the College of Liberal Arts [email protected] and the Graduate Institute of Musicology [email protected] using the subject heading “Application to position in GIM – [YOUR NAME]”.　

🔸For more information, please contact Ms Mou via telephone +886 2-3366-4699 or email [email protected] or consult our institute’s website https://gim.ntu.edu.tw/home.jsp?lang=en

公告詳情請見：
https://ann.cc.ntu.edu.tw/asp/Show.asp?num=116008

24/08/2026

No.286 文學院音樂會〈夢的六種方式〉
2026/10/16 Fri. 12：30 ｜台大文學院大堂
音樂會資訊連結：https://gim.ntu.edu.tw/web/events/events_in.jsp?np_id=NP1787558458599&npage=1

夢，是每個人都熟悉，卻又難以定義的存在。
它可能是一首母親哼唱的搖籃曲，也可能是一陣吹散思緒的風；有時映照內心深處的孤獨，有時承載對理想的嚮往；它會揭開生命中最深的傷口，也會在醒來之前，悄悄修補那些現實中無法圓滿的遺憾。
本場音樂會以「夢」為主題，選擇六首來自不同文化背景與時代的作品——中國東北民歌、劉天華的經典二胡作品、義大利當代作曲家 Giovanni Sollima 的現代作品，以及三首由臺灣、香港及馬來西亞作曲家所創作的當代作品，透過二胡與大提琴的交織，描繪夢境的六種樣貌。這並不是一場描述同一個夢境的音樂會，而是六位創作者以各自不同的生命經驗，對「夢」提出不同的回答。

【演出人員】
張瑟涵 / 二胡
主辦單位｜國立臺灣大學文學院
協辦單位｜國立臺灣大學音樂學研究所

02/06/2026

【音樂會回顧】
感謝大家的出席！現場坐滿🤩
音樂所的孩子雖然平常主要都在寫論文
演奏實踐也是有所兼顧
有發現他們的音樂跟音樂系「不太一樣」嗎？
其實同學們都是憑藉原有學習＋生活環境＋自行探索
更重要的是融合了自己研究的觀察與精神
才有這些獨一無二的聲音

繼續支持我們！

31/05/2026

【音樂會資訊】🎵
感謝國立臺灣大學文學院 College of Liberal Arts, NTU 的邀請
音樂所的同學將在明天帶來精彩的音樂會🎵
呼應2026 首屆 TRIP（東亞四校教學與研究創新計劃）國際研討會主題「Embodied Humanities」👏

⬇️本場音樂會資訊⬇️
【東方不是夢——跨域音樂饗宴】
🎵本音樂會以甫獲臺灣傳藝金曲獎之專輯《東方不是夢》為起點，於全球流動脈絡中反思傳統音樂之單一東方想像。演出者多為臺大音樂所學生，兼具表演與學術能量，透過不同形式的編創，結合跨域實踐，探索聲音、環境與文化之互動，並於即興中重構「傳統」之當代表述。
🎵演出者
🎹緬甸竹琴｜呂心純所長
🎤主持、印尼甘美朗｜徐承任
🎸柳琴、中阮｜陳崇青
👄演唱｜陳祈宏（Madal）馬樂Madal
🥁打擊｜張幼欣（特邀）
⚡️電聲、長笛｜鄭琬蒨
🪈笛、簫、Suling｜廖聖捷
🪕大阮｜江浩綦
時間：6月1日 16：50-18：00
地點：臺大藝文中心雅頌坊
報名連結：https://my.ntu.edu.tw/actregister/sessionView.aspx?actID=20265100_05&sesID=1
（已截止，沒有報名到的可能現場問問工作人員能不能候補，祝音樂會順利～）

30/05/2026

【 #臺大音樂所 30週年活動圓滿落幕】🎉
感謝大家的蒞臨～
短短的兩天有精彩的表演、感人的大合唱、老師校友在校生的短講、演講課、新書發表會等，精彩連篇～
看到一些好久不見的學長姐來真的好感動🥹
小編也是第一次參加所慶！很難得會有這麼長的時間大家聚在一起聊聊本所（害羞🤭
多虧有大家在這裡的各種緣份，音樂所才能成長茁壯～
未來還有很多課題要面對，請繼續多多支持🥺

攝影：

29/05/2026

【 #臺大音樂所所慶第二天活動預告】🎂
明天是老師們的新書發表😊 是9:30開始喔！
要小編morning call的留言區報名🤣
老師們辛苦教學之餘還要累積學術成果～～
含金量超高，根本像回春當學生來上課，不來後悔😭

⬇️書籍資訊⬇️
• #沈冬《萍歌：周藍萍與戰後臺灣華語流行歌曲》
• #呂心純《節慶景觀：緬華樂舞的多點域流變與文化新生》
• Jen-yen Chen #陳人彥 «Macau and Catholic Sacred Music Across the Sino-Western Divide»
• Yamauchi, Fumitaka #山內文登 / Wang, Ying-Fen #王櫻芬 «Phonographic Modernity: The Gramophone Industry and Music Genres in East and Southeast Asia»

Address

大安區羅斯福路四段1號樂學館1樓
Taipei
106

Opening Hours

Monday	09:00 - 18:00
Tuesday	09:00 - 18:00
Wednesday	09:00 - 18:00
Thursday	09:00 - 18:00
Friday	09:00 - 18:00

Telephone

+886233664699

Website

http://www.gim.ntu.edu.tw/

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