Department of Art and Art History, University of Colorado Boulder

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ONLY 6-DAYS LEFT TO APPLY to the King Exhibition & AwardsAll Art and Art History majors and graduate students are invite...
01/28/2026

ONLY 6-DAYS LEFT TO APPLY to the King Exhibition & Awards

All Art and Art History majors and graduate students are invited to apply!

$3000 for first-place Grad and Undergrad
$2000 for second-place Grad and Undergrad
$1000 for third-place Grad and Undergrad
$500 for 4 honorable mentions

The award-winning artwork will be displayed both online and in the Visual Arts Complex.

Application is on the AAH website

https://www.colorado.edu/artandarthistory/content/king-awards-application

Are you interested in a career in the art market? Wondering how to turn what you learn in the art history program into p...
01/21/2026

Are you interested in a career in the art market? Wondering how to turn what you learn in the art history program into practical skills for a successful career in art? Curious about becoming an art appraiser? Join us for an exclusive online talk with Dr. Patricia Graham, an art history professor and curator who forged a new path as an art appraiser. She will share her journey from academia to the commercial art world.

Wednesday, January 28, 2026 at 5:00 PM
Zoom presentation: https://cuboulder.zoom.us/j/96123162779

All Art and Art History majors and graduate students are invited to apply!$3000 for first-place Grad and Undergrad$2000 ...
01/21/2026

All Art and Art History majors and graduate students are invited to apply!

$3000 for first-place Grad and Undergrad

$2000 for second-place Grad and Undergrad

$1000 for third-place Grad and Undergrad

$500 for 4 honorable mentions

The award-winning artwork will be displayed both online and in the Visual Arts Complex.

https://www.colorado.edu/artandarthistory/content/king-awards-application

Maria Gaspar: Visiting Artist LectureMonday, January 26th at 4:00 PMVisual Arts Complex Auditorium (lower-level 1B20)Mar...
01/20/2026

Maria Gaspar: Visiting Artist Lecture
Monday, January 26th at 4:00 PM
Visual Arts Complex Auditorium (lower-level 1B20)

Maria Gaspar is a Chicago-born, first-generation, interdisciplinary artist negotiating the politics of location through installation, sculpture, sound, and performance. Gaspar’s body of work addresses issues of spatial justice in order to amplify, mobilize, or divert structures of power through individual and collective gestures. For the past decade, Gaspar has been recognized nationally for her multi-year projects that attempt to dismantle borders, transcend penal matter, and turn places of precarity into places of possibility. Formative works like “Radioactive: Stories from Beyond the Wall” and the “96 Acres Project” include site interventions at the largest single-site jail in the country, the Cook County Department of Corrections, in her childhood neighborhood.

Gaspar has received the Guggenheim Award for Creative Arts, the Latinx Artist Fellowship, the United States Artists Fellowship, the 3Arts Next Level Award, the Frieze Impact Prize, the Sor Juana Women of Achievement Award in Art and Activism from the National Museum of Mexican Art, and the Chamberlain Award for Social Practice from the Headlands Center for the Arts. Gaspar’s projects have been supported by the Art for Justice Fund, the Graham Foundation for Advanced Studies in the Fine Arts, the Robert Rauschenberg Artist as Activist Fellowship, the Creative Capital Award, the Joan Mitchell Emerging Artist Grant, and the Art Matters Foundation. Gaspar has lectured and exhibited extensively at venues including MoMA PS1 and El Museo Del Barrio in New York, NY; the Contemporary Arts Museum, Houston, TX; the Institute of the Arts and Sciences, Santa Cruz, CA; the African American Museum, Philadelphia, PA; and the Pérez Art Museum in Miami, FL.

Spring Semester Visiting Artist ProgramThe Visiting Artist and Scholar Program (established in 1972) aims to reinforce t...
01/08/2026

Spring Semester Visiting Artist Program

The Visiting Artist and Scholar Program (established in 1972) aims to reinforce the mission of the Art and Art History Department by inviting leading artists and scholars to present an array of artistic practices, historical discourse and divergent perspectives that can increase access to creativity and forge new territories between the arts and broader cultural movements.​

All lectures are scheduled for MONDAYS from 4:00-5:00 PM
Location: Visual Arts Complex 1B20 Auditorium (Lower-level)
CU Boulder campus, 1085 18th Street, Boulder, CO 80309
We hope you will join us in person for these impressive talks. Find more information on our website.

The Department of Art and Art History at the University of Colorado-Boulder invites applications for a full-time tenure ...
12/18/2025

The Department of Art and Art History at the University of Colorado-Boulder invites applications for a full-time tenure track Assistant Professor in Photography and the History of Photography. The selected candidate will teach three classes in photographic art practice and one class on the history of photography and critical issues in photography per academic year. Prospective candidates should have a minimum of two years of teaching experience in a comparable academic institution. As a department with a well-established darkroom program, we seek candidates with a deep knowledge of and practice in traditional chemical-based photography and experience with a diverse range of film cameras. Interest in alternative non-silver processes such as cyanotypes, Van D***s, and other similar practices are also welcome. The candidate should also be well versed in diverse forms of digital photography.

The Department of Art and Art History at the University of Colorado-Boulder invites applications for a full-time tenure ...
12/18/2025

The Department of Art and Art History at the University of Colorado-Boulder invites applications for a full-time tenure track Assistant Professor in Photography and the History of Photography. The selected candidate will teach three classes in photographic art practice and one class on the history of photography and critical issues in photography per academic year. Prospective candidates should have a minimum of two years of teaching experience in a comparable academic institution. As a department with a well-established darkroom program, we seek candidates with a deep knowledge of and practice in traditional chemical-based photography and experience with a diverse range of film cameras. Interest in alternative non-silver processes such as cyanotypes, Van D***s, and other similar practices are also welcome. The candidate should also be well versed in diverse forms of digital photography.

Click the link for more information.

Our visiting artist and scholars program for fall has ended with an amazing conversation between David Velasco and profe...
11/11/2025

Our visiting artist and scholars program for fall has ended with an amazing conversation between David Velasco and professor Megan O'Grady.

Excited to welcome David Velasco to campus! David Velasco is an American editor. He was the editor-in-chief of the art m...
11/10/2025

Excited to welcome David Velasco to campus!

David Velasco is an American editor. He was the editor-in-chief of the art magazine Artforum from 2017 to 2023. He is the editor of Modern Dance, a 2017 series of books on contemporary choreographers published by the Museum of Modern Art, New York. He has written texts on a number of artists, including Sarah Michelson, Adrian Piper, and David Wojnarowicz. In 2017, he assisted photographer and activist Nan Goldin establish the activist group P.A.I.N., chronicled in Laura Poitras's Academy Award–nominated documentary All the Beauty and the Bloodshed (2022).

Upcoming lecture! Color on MapsWednesday, November 5th at 5pmCenter for British and Irish studies in Norlin libraryIndig...
11/03/2025

Upcoming lecture! Color on Maps
Wednesday, November 5th at 5pm
Center for British and Irish studies in Norlin library

Indigenous Mexican mapmakers created extraordinary maps of cities and rural territories in the 1500s. These painters often deployed broad fields of color in hues that were based on visible observation, but sometimes not. What was the meaning of color to these artists? Was the application of pigment meaningful in the contests to territory that erupted after the Spanish invasion of the sixteenth century? Was it a form of ecological knowledge? In this talk, art historian Barbara Mundy explores the image making traditions of Central Mexican Indigenous communities and their relationship to ecological knowledge and the possession of territory.

About the speaker: Barbara E. Mundy is the Donald and Martha Robertson Chair in Latin American Art History, Tulane University. Her scholarship dwells in zones of contact between Native peoples and settler colonists as they forged new visual cultures in the Americas. Mundy’s interest in the social construction of space and its imaginary bore fruit in her first book, The Mapping of New Spain. More recently, The Death of Aztec Tenochtitlan, the Life of Mexico City draws on Mexica texts and representations to counter a colonialist historiography, revealing the city’s nature as an Indigenous city through the sixteenth century. Her current research focuses on the production of books in the sixteenth century in New Spain, with particular emphasis on the books of Nahuatl speakers in the Basin of Mexico.

Join us for a special short film screening event on Monday at 4pm! Director of the Thomas Edison Media Arts Consortium, ...
10/17/2025

Join us for a special short film screening event on Monday at 4pm! Director of the Thomas Edison Media Arts Consortium, Jane Steuerwald will screen a curated selection of the best short videos from the Thomas Edison Film Festival.

Since 1981, the mission of the Thomas Edison Film Festival (TEFF) has been to promote innovation in the art of the moving image, and the films that are the centerpiece of the festival honor Edison’s vision. Edison’s films did for the eye what his phonograph did for the ear. He made 75, twenty-second-long films in his West Orange studio. His earliest films presented magic shows, plays, vaudeville shows with dancers and strongmen, cowboys, and boxing matches. The festival’s relationship to Thomas Edison’s invention of the motion picture camera and the kinetoscope and his experimentation with the short film is central to TEFF.

The festival is a socially conscious, modern, independent traveling showcase reaching out to diverse audiences with provocative, timely, edgy, and compelling new works by both accomplished and emerging filmmakers. The Thomas Edison Film Festival welcomes all genres including narrative, experimental, animation, documentary, screen dance and hybrids. We celebrate films which address the environment, race and class, immigration, the LGBTQ+ community, people with disabilities and issues of social justice. The films are artistic, and engaging works which simultaneously teach and entertain

What an amazing day at the Culture Crawl! 🎉✨Lots of people stopped by to learn about AAH, BMoCA, and other fantastic org...
10/09/2025

What an amazing day at the Culture Crawl! 🎉✨

Lots of people stopped by to learn about AAH, BMoCA, and other fantastic organizations. Visitors got the chance to experience art demos by our talented faculty and grad students — from gel print transfers with Corrina Espinoza to making their own woodblock prints with Luis Pérez . 🎨🖼️

A big thank you to Jean Goldstein for her excellent coordination and support! 🙌

Special thanks to Provost Ann Stevens for joining us and creating her own print!

Thanks to everyone who came out and made it such a memorable event.

Address

1085 18th Street
Boulder, CO
80309

Opening Hours

Monday 8:30am - 5pm
Tuesday 8:30am - 5pm
Wednesday 8:30am - 5pm
Thursday 8:30am - 5pm
Friday 8:30am - 5pm

Telephone

(303) 492-6504

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