Haverford College Department of Fine Arts

Haverford College Department of Fine Arts Fine arts at Haverford focuses on the individual. Studio classes are small and students from beginners to majors receive individual instruction.

Every student is encouraged to develop the physical and critical skills necessary to create art.

Sophie Morvan at work in Parker House, February 24. Seeking to better understand her Breton heritage, Sophie’s senior th...
04/25/2026

Sophie Morvan at work in Parker House, February 24. Seeking to better understand her Breton heritage, Sophie’s senior thesis explores the folklore of this French region through both archival research and the personal stories of her Breton relatives. Though otherwise naturalistic, her paintings depict several Breton legends using the medieval device of reoccurring characters and events combined within single images. Reflecting the artist’s personal stake in these traditions, the project includes a series of portraits focusing on each tale’s individual characters. Join Sophie and the other graduating seniors at the 2026 Fine Arts Senior Thesis Exhibition, opening, 5-7pm, May 1 at Cantor Fitzgerald Gallery.

Skyler Kim-Schellinger at work in Parker House, February 24. Skyler’s life-size paintings of NYC subway cars, crammed wi...
04/22/2026

Skyler Kim-Schellinger at work in Parker House, February 24. Skyler’s life-size paintings of NYC subway cars, crammed with commuters from all walks of life, explore anonymity, alienation and community: the contradictions between intimacy and strangerhood, and between other-wordly ads and messy, teeming life. Her senior thesis project, on view May 1-16 at Cantor Fitzgerald Gallery, includes a book of etchings of the small, non-human creatures that share this absurd subterranean world. Join Skyler and the other graduating seniors for refreshments at the opening reception, 5-7pm May 1.

Nada Elshafey at work in the Parker House studio, February 24. Nada’s senior thesis project investigates how historical ...
04/19/2026

Nada Elshafey at work in the Parker House studio, February 24. Nada’s senior thesis project investigates how historical cultural tensions have shaped – and misshaped – a familiar domestic object: the chair. As a child growing up in Cairo, Egypt, Nada watched her family gradually move from the millennia-old tradition of sitting cross-legged on the floor to western-style, “civilized” seating and its attendant spinal stress. Constructed in walnut, Nada’s prototype rethinks the western chair, seeking a means to return to the ground without leaving the seat: to merge the culture of her youth with modern practicality. Join Nada at the Fine Arts Senior Thesis Exhibition reception, 5-7pm, May 1 at Cantor Fitzgerald Gallery.

Pascale Lowell at work in the printmaking studio, March 3. Produced through etching, aquatint and chine-collé techniques...
04/11/2026

Pascale Lowell at work in the printmaking studio, March 3. Produced through etching, aquatint and chine-collé techniques, Pascale's prints depict the traditional folktale of the Selkie, the seal/woman who lived on the liminal divide between land and water. Many prints are elaborated in watercolor; some will be bound in a handmade book. On view May 1-16 in the Senior Thesis Exhibition, the prints examine issues of stolen identity, queerness, womanhood, and community. Please join Pascale for refreshments at the opening reception, 5-7pm May 1 at Cantor Fitzgerald Gallery.

The Lewis Hine Exhibition at Haverford College is a document of America at the beginning of the 20th century. Lewis W. H...
04/10/2026

The Lewis Hine Exhibition at Haverford College is a document of America at the beginning of the 20th century. Lewis W. Hine photographed labor and laborers from 1901 until his death in 1940. He was careful to provide accurate information in his field notes as he photographed up and down the East Coast and along the Gulf of Mexico. His photographs and field notes were used documentary evidence providing the basis for the drafting of legislation and to increase public awareness of labor conditions.
One of the families he photographed was the DeMarco family working in the Cranberry bogs of the Pinelands in South Jersey in 1910. A century later this family owned a 9,500 tract of bog land that was one of the most productive cranberry operations of its kind. One of the descendants of those laborers photographed by Hine was James Garfield “Gar” Demarco, a Phi Beta Kappa graduate of Dartmouth College and a graduate of Yale University Law school. DeMarco was also an influential member of the State Republican Committee and a board member of the Ocean Spray Cooperative Association. In 2002, DeMarco sold 9,400 acres — the vast majority of his family’s property — to a foundation to become a permanent nature preserve. The sale price was $12 million, roughly half of the land’s estimated worth, and the deal remains one of the largest private, nonprofit conservation sales in New Jersey. The preserved land — named the Franklin Parker Preserve after the first chairman of the Pinelands Commission — stretches through 14-miles of Woodland, Tabernacle and Bass Rivers and is home to more than 50 rare, threatened or endangered species, according to the foundation.

Photo l.
Lewis W. Hine
De Marco Family Shack, Pemberton N.J., Sept., 1910
Gelatin silver print;
Gift; Mr. and Mrs. Samuel Stern; 1979
812 P-R Box 35 / HC11-5044
National Child Labor Committee Print Numbered 1139 and accompanied by a caption. Note on accompanying print: "1139 Pemberton, N.J. Sept., 1910 Small shack on Forsythe's Bog, occupied by De Marco family, 10 in the family living in this one room. Room is 10 ft. x 11 ft. x 51/2 ft. high and gable attic above. Wooden toilets near at hand and bushes used as such, gave forth offensive odors. Turkeytown, near Pemberton, N.J."

Photo 2.
Demarco Family, Pemberton, NJ, Sept. 1910
Gelatin silver print;
Gift; Samuel A. Stern; 1979
812 B-R / HC07-0269
National Child Labor Committee Print Number 1151

Photo 3.
Photographer Unknown
James Garfield DeMarco died 2019 at age 80. He is pictured in the Pine lands at an earlier date.

The Lewis Hine Exhibition closes on April 25, 2026 in the Atrium Gallery Jane Lutnick Fine Art Center. Click on link below for gallery hours and additional information about the show.
https://exhibits.haverford.edu/finearts/lewis-wickes-hine-compassionate-documentarian-of-work-and-workers/

Hazel Nguyen at work on her senior thesis project, “In-Between.” Exploring intersections between reality and fantasy, Ha...
04/02/2026

Hazel Nguyen at work on her senior thesis project, “In-Between.” Exploring intersections between reality and fantasy, Hazel’s paintings combine luminously naturalistic objects in fantastical settings. The results are both Surrealist and Absurdist; women with crows’ heads dance by the sea, while angels emerge from the silhouette of the moon. In the largest painting, the artist’s family and close friends appear as budding knots in a tree’s spreading branches; it's a dreamscape at once intimate and outlandish. Join Hazel and the other graduating seniors at the reception for the Fine Arts Senior Thesis Exhibition, 5-7pm, May 1 at Cantor Fitzgerald Gallery

Ella Mbanefo at work in the photography studio, March 3. Ella’s senior thesis, “Cyphers: Portraits of a New Black Arts M...
03/27/2026

Ella Mbanefo at work in the photography studio, March 3. Ella’s senior thesis, “Cyphers: Portraits of a New Black Arts Movement,” traces the visual, emotional and political roots of contemporary Black culture: its music, fashion and aesthetics. On view May 1-16, Ella’s installation in the Fine Arts Senior Thesis Exhibition at Cantor Fitzgerald Gallery will include contemporary portraits as well as reworked cutouts from Essence, Jet, and Ebony —magazines that were once among the few platforms affirming Black life, beauty, and style. A record bin, filled with facsimiles of LP jackets, will heighten the album-like experience: something felt over time, layered, and lived with.

Alyssa Phillips at work in the foundry, February 24. Allysa’s sculpture “Fighting Myself,” constructed of steel, foam, a...
03/22/2026

Alyssa Phillips at work in the foundry, February 24. Allysa’s sculpture “Fighting Myself,” constructed of steel, foam, aqua resin, paint and plaster, depicts two life-size figures in dramatic tension, pushing and pulling each other apart. Rather than following photographic or anatomical models, Alyssa focuses on process, allowing the figures to build organically from their diverse materials. “Fighting Myself” will appear in the 2026 Fine Arts Senior Thesis, opening May 1at Cantor Fitzgerald Gallery.

You are invited to visit the Lewis Wicks Hine: Compassionate Documentarian of Work and Workers exhibition  at the Jane L...
02/01/2026

You are invited to visit the Lewis Wicks Hine: Compassionate Documentarian of Work and Workers exhibition at the Jane Lutnick Fine Art Center on January 31st to April 25. The exhibition covers Hine’s work from Ellis Island to his Empire State pictures made at the height of the Great Depression. The Center piece of the exhibition is the child labor photograpghs. Read through the post to get a sense of the scope of the exhibition. Gallery hours are: Monday–Friday, 9:00 a.m. to 5:00 p.m.
Weekends, noon to 6:00 p.m.
The exhibition web link is: https://exhibits.haverford.edu/finearts/lewis-wickes-hine-compassionate-documentarian-of-work-and-workers/

This is the last week for Bruce Davidson’s show of 36 photographs on display at the Atrium Gallery-Jane Lutnick Fine Art...
12/01/2025

This is the last week for Bruce Davidson’s show of 36 photographs on display at the Atrium Gallery-Jane Lutnick Fine Art Center, which is closing Saturday, December 6. Bruce Davidson’s seminal black and white silver gelatin photographic prints from 1958 to 1992 is supplemented with photographs and 1st edition books by Cartier-Bresson, Robert Frank, Diane Arbus, August Sander, and Lewis Hine for comparison and contrast purpose to demonstrate Davidson’s historical affinity with these photographers and their works. Davidson’s images made from the 1950s of cultural phenomena such as big top tent circuses in America were dying out, and as political changes were being ushered in by the civil rights movement affected American society for generations to come. Davidson’s photographs of Central Park from the 1990s offer a fitting coda to his tumultuous work of earlier decades. Click on the link for information about the show and gallery hours.

https://exhibits.haverford.edu/finearts/bruce-landon-davidson-humanistic-documentarian-photographs-from-1958-1992/

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370 W Lancaster Avenue
Haverford, PA
19041

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