ABOUT:
The USC Thornton School of Music offers a full range of academic and performance opportunities for aspiring historians, allowing students to study music in an environment where scholarship and performance interact. Students in the USC Thornton Musicology program will benefit from the faculty’s strengths in both post-1900 and early music. The program also benefits from close links to many o
n-campus partners, including USC’s Early Modern Studies Institute, the Levan Institute for the Humanities and the USC School of Cinematic Arts. The PhD degree in historical musicology prepares students for careers in musical research, writing, and university teaching. Through seminars and lectures, musicology program students explore the breadth of music ranging from topics in Western art music, popular music, performance practices, criticism, jazz and film, theory and musical analysis and music of the world. Students are provided the opportunity to present papers at national and international conferences and symposia and to participate in a musicology forum that attracts top scholars in the field. Students may take courses in the arts and letters and participate in performance ensembles at the USC Thornton School of Music, including its renowned early music ensemble, the USC Thornton Baroque Sinfonia. García Corona - Ethnomusicology
Joanna Demers - Popular and Experimental Music Since 1945
Adam Knight Gilbert - 15th-century music, historical performance practice
Rotem Gilbert - Early music, performance practice
Jonathan A. Gómez - Black American music of 20th and 21st centuries
Leah Morrison - Medieval Music, 19th-Century Music
Sean Nye - Electronic music, science fiction, hip-hop studies
Nate Sloan - Jazz, Tin Pan Alley, and Popular Music
Scott Spence - Ethnomusicology, oral tradition
Lisa Cooper Vest - Music History and the Avant Garde
