07/17/2026
The golden summer light of July has welcomed into this world an abundance of ground-breaking women who have illuminated our existence...from Amelia Earhart, Frida Kahlo and Malala Yousafzai to Bernice Abbott, Jacqueline Kennedy Onassis and Angela Merkel, all of whom were born in the month of July.
And so, it feels like a moment of kismet that our new series of Hebrabic© sculptures in 24-karat gold, Thank God For Making Me A Woman, has just been completed in the middle of July. The sculpture merges a cross-cultural veneration of women with the materiality and symbolism of gold...its associations as a signifier of the sacred, wisdom and immutability.
The sculpture's structure of Hebrabic©—a phrase-based melding of Hebrew and Arabic I conceived in 1999—engages the shared linguistic root of these two Semitic languages as a lens to consider the collective personal, cultural and spiritual relationships in these two cultures, which are traditionally seen as oppositional. The sculpture alters the daily prayer Orthodox men say, “Thank God for Not Making Me a Woman,” by removing the word “Not.” “Thank God for Making Me A Woman,” subverts the original text’s denigration of women and transforms it into a transcultural veneration. At the same time, it creates a conduit to contemplate gender status in these two cultures, as well as others.
Rendering the sculpture in gold also invokes the radiance of feminine energy. If you’d like more details or information about the sculpture's availability, please email [email protected]
The new work is the latest in a series of aluminum and 24-karat gold sculptures, first created in 2010, in Hebrabic© and Hindru© (my phrase-based melding of Hindi and Urdu). Hebrabic© and Hindru© are integral elements of the studio's work and have been exhibited internationally, including the Asia Society Triennial, the Jerusalem Biennale, Art Mumbai, the Textile Museum in Washington, D.C., the Jewish Museum in Vienna and most recently at the 2026 India Art Fair in New Delhi. Contact Magazine wrote that the work, “…parses the meaning of language, identity, religion…and the imperative of intercultural understanding and respect.”