05/03/2022
Repost from
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Come celebrate the opening of the next iteration of Corpus Ex Machina this Thursday, May 5 from 3:30 to 5PM in our Open Classroom. This new version of the exhibition explores the implications of technological surveillance and data accumulation on our bodies and lives, tracing a history of technologies of surveillance—photographic and architectural—from the 18th century to the present. Corpus Ex Machina: Smile, You’re on Camera asks how and what technological vision sees when it measures human activities and forms.
The exhibition centers on a single work from the Neuberger Museum of Art’s collection. Conformal Guyou L2sph(8/6)7_98, by Lilla LoCurto and William Outcault, was created in 2000 utilizing then cutting-edge scanning and mapping technologies. The resulting image is an unsettling, strange representation of the human body, disseminated across a global grid. This work represents urgent, concerning issues about the relationships between representation of the physical world, technological advancement, and perception of the human body.
Curated by 404 Collective: Leigh Colby, Jordan Frank, Mark Lusardi (Art History MA/M+ students), and Emily Nugent (BA/BFA 2022).
Access the web version of this exhibition at corpusexmachina.com.
The exhibition is an Open Classroom project made possible with support from the Purchase College Art History Department (), Neuberger Museum of Art, and the Strypemonde Foundation.
Image: Shannon Stapleton, Dashboard for the New York Police Department’s Domain Awareness System, 2016