Classics at Batten University

Classics at Batten University Page for Classics at Batten. Maintained by the one full-time classics faculty member Ben Haller.

True to our motto, "A university without a Classics department with a Latin major is like a body lacking a soul," the Major in Classics at VWU has two tracks: 1) the Latin track, which focuses on the Latin language, and is appropriate for students considering graduate school in Classics or teaching Latin, inter alia; and 2) the Classical Civ track, which demands some language study, but focuses mo

re on Greek and Roman history, archaeology, and literatures in translation. Because of its utility for understanding language, for expressing oneself in writing and in speaking, for parsing technical vocabulary in the STEM disciplines--and because of the benefits of reading Greek and Latin literature in the original language, we are committed to keeping language study (Greek and Latin) at the front and center of our program. For us, our Latin major track is central to VWU's identity as a Liberal Arts institution, and for this reason we regularly check in with our Academic Dean to ensure that our Latin major track is healthy and not threatened with the sorts of cuts which have endangered the Humanities at other institutions. We are grateful to Dean Schaus and Dean Larkin for giving us their word during their tenures as Dean that the Latin major track is and will continue to be an integral part of the curriculum at VWU. We have one full-time tenured Classics faculty member: Benjamin Haller ([email protected]), but hope to hire a second full-time tenure-track faculty member with a specialization in Archaeology soon. Social Media Policy
1) The primary purpose for the Classics Facebook and Instagram accounts is to publicize events, discoveries, performances, and publications at VWU and elsewhere relating to ancient Greece, Rome, Egypt and the regions these areas impacted with their cultures. 2) In general, posts should be positive and informational in nature. No posts targeting or portraying in a disrespectful manner any individuals or groups on the basis of ethnicity, religion, race, gender, or sexual orientation are permitted under any circumstances.3) While we recognize that ancient art often involves nudity, and that images of nudity in statues or paintings may appear in advertisements for lectures and events, and that lectures discussing gender and sexuality in the ancient world are a legitimate subject for posting, posts containing inappropriate or gratuitous nudity or sexual content are not permitted under any circumstances.4) Our social media should reflect VWU's commitment to diversity and respectful open public discourse. 5) No posts containing hate speech or threatening language will be tolerated; we recognize that even if a cartoon or joke seems amusing or harmless to one individual, it may cause serious offense to others. Accordingly, we will avoid vitriolic or adversarial political posts, ad hominem attacks on figures public or individual, or negative comments of any sort. 6) At the same time, we embrace balanced coverage of controversies in the field of Classics (the Elgin Marbles, the Obbink/Museum of the Bible controversy, etc.) in established national or international press such as the New York Times, Washington Post, Frankfurter Allgemeine Zeitung, Le Monde, Haaretz; or popular/professional publications on Classics and/or Archaeology such as Archaeology, The American Journal of Archaeology, the SCS blog, etc. VWU's/Batten's Social Media Policy just changed to forbid the use of quotations in email signatures, so we move ours here:

Non potes legere hanc epistulam electronicam, et nimium est tibi dignitatis et mores meliores quam ut Intellegentiae Artficiali consulas? Stude linguae latinae, et lege non solum hanc epistulam pedestrem et ineptam, sed quoque carmina Lucretii, Horatii, Vergilii; de cyclopibus, centauris, umbris, larvis, versipellibus, et sagis fabulas; de itineribus usque ad orbis terrarum fines belli gerendi et novarum provinciarum imperio subiungendarum causā ab ducibus illustribus factis; de vagationibus etiam ad lunam et ad stellas historias; Miltonii nonnulla opera—etiam, si cordi tibi est, fabulam quandam de Catto Illo Petasato! Universitas studiorum classicorum facultate carens--aut in Linguae disciplinā Latinae Baccalaureo Artium carens--est sicut corpus animā destitutum. Quid porro aut praeclarum putet in rebus humanis, qui haec deorum regna perspexerit, aut diuturnum, qui cognoverit, quid sit aeternum, aut gloriosum, qui viderit, quam parva sit terra, primum universa, deinde ea pars eius, quam homines incolant, quamque nos in exigua eius parte adfixi plurimis ignotissimi gentibus speremus tamen nostrum nomen volitare et vagari latissime? Divitias alius fulvo sibi congerat auro
Et teneat culti iugera multa soli,
Quem labor adsiduus vicino terreat hoste,
Martia cui somnos classica pulsa fugent:
Me mea paupertas vita traducat inerti,
Dum meus adsiduo luceat igne focus. Ipse seram teneras maturo tempore vites
Rusticus et facili grandia poma manu.

μνήσομαι οὐδὲ λάθωμαι Ἀπόλλωνος ἑκάτοιο.

08/30/2026
08/30/2026

📣SASA is proud to announce a new partnership related to ancient studies on Port Ancient ⛵️

🎉 Pyrophoros: The Princeton Undergraduate Classics Journal
⚓️ https://classics.princeton.edu/pyrphoros-princeton-undergraduate-classics-journal.

Pyrophoros is an undergraduate classics journal begun by Jack Geld, a recent Classics graduate from the university. They provide students with a space to share their varied interests in the classical world. They publish volumes of student articles online, and they are free for all to read. They hope to help anyone who is excited about Classics to explore academic topics and connect with others who have a shared passion for antiquity.

✨ Want your project to be featured as well?✨
Email us at [email protected] on how your project can set anchor at SASA’s Port Ancient gallery! saveancientstudies.org/port-ancient

This is really interesting! It seems totally legitimate to me to do different translations for different audiences with ...
08/30/2026

This is really interesting! It seems totally legitimate to me to do different translations for different audiences with different aesthetic aims, different meters (her first translation used iambic pentameter), etc.

Emily Wilson's 2017 translation of “The Odyssey” is a million-seller. It's also not the end of the story.

08/14/2026

Review of Clay & Vergados' Hesiod: Theogony in Classics For All, 'an important work of scholarship, upon which the editors are warmly to be congratulated': https://cup.org/4gV4I0e

08/10/2026

As the buzz and controversy over Nolan’s The Odyssey heats up, it’s time for those who have contributed reflections on the poem on In Medias Res over the last year to chime in.

In a virtual roundtable Paul Cartledge, Joy Connolly, Tatiana Eva-Marie () and IMR’s editor, Mark Buchan, will briefly outline their own highs and lows of the film, before engaging in a more general discussion of the controversies it has already ignited, and what it might mean for the future of Classics.

Join us on Sunday, August 9th at 12:30pm ET.

RSVP here: https://paideiainstitute.org/roundtable_on_christopher_nolan_s_the_odyssey

The NY Times' run-down of Emily Wilson's London Review of Books discussion of Nolan's Odyssey. As someone who enjoyed bo...
08/02/2026

The NY Times' run-down of Emily Wilson's London Review of Books discussion of Nolan's Odyssey. As someone who enjoyed both Wilson's translation and Nolan's film, I would point out that one mark of a great work of literature (or translation, or adaptation) is its ability to provoke disparate responses, engage different audiences in different ways, and spark debate. https://www.facebook.com/share/p/1BU8EdP7KD/

The scholar Emily Wilson’s 2017 translation of Homer’s Greek classic influenced Christopher Nolan’s adaptation of “The Odyssey.” Her 4,000-plus-word takedown of the film appeared to temporarily crash the website for The London Review of Books and fueled a debate over balancing commercial success with literary authenticity. Here’s what to know. https://nyti.ms/4blom1N

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