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Where Classic and Contemporary Converge
📍Shenzhen｜26-29.11.2026
📍Hong Kong｜Spring 2027 Asia’s Leading International Fine Art Fair

30/10/2026

Founded in 2012 as Hong Kong’s first lacquer art gallery, Lacquer Art by SOIL is dedicated to promoting Asian lacquer art. The gallery connects artists across the region to bridge traditional craft and contemporary expression, presenting the rich diversity of lacquer art.

Born in Beijing in 1994, 隗楠 weinan currently lives and works in Kyoto. Her work has been exhibited at Collect art fair and KOGEI Art Fair Kanazawa , and is in the permanent collection of Victoria and Albert Museum in London. A finalist for the 2026 LOEWE FOUNDATION Craft Prize, this marks Wei Nan’s first time returning home to exhibit her award-winning series. 🎀The 𝑲𝒏𝒐𝒕 series uses leather to form sculptural, dimensional folds, which are then gradually fixed in their supple curves and postures through layer upon layer of lacquer application. The deep red, lustrous lacquered surface reflects light and shadow, highlighting the undulating contours of the form and the tension held within its folds.

土壤文創於2012年成立，是香港首家漆藝藝廊，專注推廣亞洲漆藝。藝廊連結來自亞洲不同地域的漆藝家，展示新舊共融的當代藝術創作，融會貫通傳統與當代，呈現漆藝豐富多姿的面貌。

隗楠1994年生於北京，現居於京都從事創作。其作品曾於英國 Collect Art Fair及日本金澤⼯藝博覽會展出，並獲倫敦維多利亞與艾爾伯特博物館收藏。入圍2026年 LOEWE 基金會工藝獎，這是隗楠首次回國展示她的得獎作品系列。《結》系列以⽪⾰塑造富有立體感的褶皺，再透過層層髹漆，將柔韌的曲線與姿態逐漸定形。深紅⽽亮澤的漆⾯映照光影，凸顯形體起伏的輪廓，以及褶皺之間蘊含的張力。

Fig. Wei Nan 隗楠 (b. 1994), Knot - Gallant 結 - 颯, 2026

【Fine Art Asia Shenzhen 典亞藝博 · 深圳 2026】
・Booth 展位 | A6
・Date 日期 | 26 - 29.11.2026
・Venue 地點 | Comprehensive Exhibition Hall, Shenzhen MoCAUP深圳市當代藝術與城市規劃館綜合展廳

29/10/2026

Founded in 1998 by renowned ancient art connoisseur and collector Mr Feng Langquan, Da Guan Tang Antiques has dedicated over three decades to the collection, research, and dissemination of Chinese classical art. Over the years, the gallery has built a diverse collection system encompassing Ming and Qing furniture, Japanese bonsai, traditional scholar’s rocks, ancient books and documents, and high-archaic art.

With a slender silhouette and a serene, compassionate expression, the Maitreya Bodhisattva stands in an elegant triple-bent posture, his right hand raised in varadamudra (the boon-granting gesture). The Licchavi period marks the “Golden Age” of Nepalese art. As wooden artifacts rarely survive and most extant Licchavi carvings depict Avalokiteshvara — this remarkably well-preserved sculpture is the only known wooden Maitreya from the period, making it a masterpiece of extraordinary rarity.

大觀堂由著名的古代藝術鑒賞家、收藏家馮朗銓先生於1998年創立，多年來致力於中國古典藝術收藏、研究與傳播，逐步構建起涵蓋明清家具、日本盆景、傳統賞石、古籍文獻及古代藝術品的多元收藏體系。

這造像體態修長，面容安詳慈悲，彌勒菩薩呈優雅的三屈立姿，右手施與願印。理查維王朝為尼泊爾藝術的「黃金時代」。由於木器極難保存，且現存可考的理查維王朝木雕大多為觀音題材，這件彌勒菩薩造像保存完整，是目前所見同代木雕里彌勒題材的孤例，極為珍貴。

Fig. A rare standing figure of Maitreya Bodhisattva 理查維彌勒立像

【Fine Art Asia Shenzhen 典亞藝博 · 深圳 2026】
・Booth 展位 | 特別展位一
・Date 日期 | 26 - 29.11.2026
・Venue 地點 | Comprehensive Exhibition Hall, Shenzhen MoCAUP深圳市當代藝術與城市規劃館綜合展廳

28/10/2026

Lau & Fung Asian Art Gallery specialises in Chinese classical furniture, with a focus on hardwood furniture made of huanghuali and zitan, as well as bamboo and wood carvings, lacquerware, and scholar’s objects, backed by over 40 years of expertise in connoisseurship.

Dating to the late Ming Dynasty, this raised-head table showcases a classic jiatousun (recessed-leg) structure and fluted legs, ingeniously pairing jichimu with yew wood🪵. The feather-like grain of the jichimu softly complements the yew wood core. Simple, balanced, and unadorned, its beauty lies purely in material contrast, form, and joinery—embodying the late Ming scholar aesthetic: Simple yet substantial, understated yet elegant 🪽.

Lau & Fung Asian Art Gallery專注於中國古典家具，主要經營黃花梨、紫壇等硬木古典家具、竹木雕刻及漆器文玩清供器物，擁有超過40年的鑒賞經驗。

此晚明文人書房翹頭案，採用夾頭榫結構，並巧妙搭配雞翅木與紅豆杉。雞翅木的羽狀紋理與紅豆杉柔和對比，因材施藝。整體造型簡練中正，全憑材色、線型與榫卯展現美感，盡顯明代「簡而厚、素而雅」的文人審美。

Fig. A jichimu and yew wood recessed-leg raised-head table with fluted legs, late Ming Dynasty, late 16th century
晚明雞翅木拼紅豆杉夾頭榫瓜棱腿翹頭案

【Fine Art Asia Shenzhen 典亞藝博 · 深圳 2026】
・Booth 展位 | A3
・Date 日期 | 26 - 29.11.2026
・Venue 地點 | Comprehensive Exhibition Hall, Shenzhen MoCAUP深圳市當代藝術與城市規劃館綜合展廳

27/10/2026

Founded in Guangzhou in 2016, JIABAO Pavilion is dedicated to the heritage of the intangible cultural heritage craft of “filigree inlay”. Following its acclaimed debut at Fine Art Asia in 2023, the gallery returns to bringing a selection of exquisite masterpieces to collectors and art lovers alike.

Crafted with delicate openwork filigree with 18K gold, the brooch captures a butterfly in mid-flight 🦋, its intricate wing veins swirling like antique Victorian lace. 💎Sparkling diamonds are meticulously paved along the wing edges and body, evoking the refined elegance of historical jewelry workshops. With its warm, vintage-inspired glow, this piece brings a touch of quiet luxury and timeless romance to the lapel.

嘉寶閣2016年在廣州成立，傳承非物質文化遺產「花絲鑲嵌」工藝。2023年首次亮相典亞藝博並備受觀眾讚賞。

這件高級定制的18K金蕾絲蝴蝶胸針，以輕巧的鏤空花絲工藝雕琢出蝴蝶展翅的姿態，翅脈間卷渦流轉，宛若維多利亞時代古董蕾絲。閃耀鑽石沿翅膀邊緣與蝶身層層密鑲，重現昔日珠寶工坊的精湛古韻。整枚胸針帶著老時光般的溫潤光澤，復古而不張揚，將一段舊日的華麗，溫柔別在衣襟之間。

Fig. 18K filigree inlay butterfly brooch 18K蕾絲金蝴蝶胸針

【Fine Art Asia Shenzhen 典亞藝博 · 深圳 2026】
・Booth 展位 | B11
・Date 日期 | 26 - 29.11.2026
・Venue 地點 | Comprehensive Exhibition Hall, Shenzhen MoCAUP深圳市當代藝術與城市規劃館綜合展廳

26/10/2026

With over 30 years of expertise in Chinese imperial lacquer furniture and scholar’s objects, Luohan Tang presents a cross-era dialogue between ancient lacquer masterworks and contemporary crafts at .

The exhibition’s centrepiece is a magnificent three-metre-long orange qiangjin and tianqi lacquer altar table, dating to the early Kangxi period.

Its bold scale sets the stage for a vivid lakeside scene of 🪷 lotuses, flowering plants, rocks, and birds set against a wanzi-patterned ground. Distinctive side panels feature cutout confronting phoenixes 🐦‍🔥— a motif echoed on the everted ends, complemented by 🐉 dragon cartouches and floral scrolls along the frame and legs. Delicate qiangjin gold engraving captures the light, casting an aura of imperial opulence.

羅漢堂深耕中國宮廷漆器家具與文人雅物研究逾三十年，將於 #典亞藝博深圳2026，以古代漆藝為基底，呈現一場古代漆藝重器與當代漆藝創作的跨時代對話。

焦點展品為一件出自清康熙初期的 3 米長供桌。此案採用填漆與戧金技法，桌面上荷花、睡蓮與繁花木石相映成趣，於萬字紋橙色漆地上交織出如畫般的湖山景致；兩側板鏤刻對鳳，與翹頭上的鳳紋遙相呼應；桌框與桌腿則飾有龍紋開光及花卉卷草紋，精細的戧金金線勾勒出華貴流光。

Fig. An orange qiangjin and tianqi lacquer altar table, Qing Dynasty, early Kangxi period (1661-1722) 清康熙戧金填漆翹頭案

【Fine Art Asia Shenzhen典亞藝博 · 深圳 2026】
・Booth 展位 | A9, A11
・Date 日期 | 26 - 29.11.2026
・Venue 地點 | Comprehensive Exhibition Hall, Shenzhen MoCAUP深圳市當代藝術與城市規劃館綜合展廳

22/10/2026

Founded in 2001, Grotto Fine Art is dedicated to nurturing and promoting emerging Hong Kong artists, and remains the only gallery devoted exclusively to contemporary Hong Kong art.

At , the gallery presents new works from the “Cave” series by Hong Kong ink artist Shum Kwan Yi (sim). In Cave no. 23: Ashes of Silence, the viewer gazes outward from inside a painted grotto onto a vast, boundless sea🌊. Smoke of oxidised metal foil hangs from the sky as if foreboding a burning shipwreck at sea, yet the ship itself remains unseen — an echo of the Mogao Caves in Dunhuang🏜️, whose river was long diverted to save the cliffside temples. Pines struggle for space within the narrow frame yet leave room for one another, their dense, symbolic rendering inspired by Dunhuang murals, holding the resilient character sealed deep within us all.

嘉圖現代藝術創立於 2001 年，致力培育與推廣香港新晉藝術家，亦是本地唯一專注當代香港藝術的畫廊。

在 #典亞藝博深圳2026 中，畫廊帶來香港水墨藝術家沈君怡「洞窟」系列新作。畫面從洞窟內部向外望去，是一片茫茫大海；天空垂下氧化金屬箔製成的煙霧，彷彿遠處有沉船著火，船身卻隱而不現。這與敦煌莫高窟的歷史遙相呼應：洞窟前的大泉河早已改道，眼前風景與千年前不同。松樹在狹窄空間裡奮力求生，仍為同類留出位置 — 靈感源自敦煌壁畫符號化的繁密紋樣，象徵我們心底深藏、不曾磨滅的堅韌品格。

Fig. Shum Kwan Yi (b. 1995), Cave No. 23: Ashes of Silence 第23窟: 寂靜之爐, 2026

【Fine Art Asia Shenzhen 典亞藝博・深圳 2026】
・Booth 展位 | C1
・Date 日期 | 26-29.11.2026
・Venue 地點 | Comprehensive Exhibition Hall, Shenzhen MoCAUP 深圳市當代藝術與城市規劃館綜合展廳

21/10/2026

Based in Hong Kong, Ever Arts Gallery is celebrated for classical Chinese furniture and scholar’s objects, with longstanding expertise in the appreciation and restoration of Ming and Qing huanghuali furniture, alongside fine bamboo and wood carvings.

As part of ,the gallery is pleased to be featured in ”Antiques Reimagined“, a special exhibition co-curated by five galleries to spark an engaging dialogue between past and present. On display is a notable early-Qing bamboo brushpot featuring the ”Hehe Erxian“, masterfully carved by Shao Wenyou.

Carved from a natural bamboo stem🎋, its exterior relief-decorated with auspicious clouds☁️, beneath which the twin immortals Hanshan and Shide ride a boat floating across rolling waves — one holding a palm fan, the other a broom, their expressions carefree and serene. The finely wrought carving conveys the elegant charm of early-Qing bamboo carving, where craftsmanship and literati taste meet.

來自香港的恆藝館，專營中國古典家具與文房雅玩。藝廊尤精於明清黃花梨家具的鑒賞與修復，同時深耕竹木雕刻與文房清供之美。

在 #典亞藝博深圳2026 中，恆藝館將攜手其餘四家藝廊，於特別展覽「革古鼎新」中聯袂呈獻，引領觀眾以當代視角重讀古物之美，並重點呈獻一件出自嘉定竹刻名家邵文右之手、製於清早期的竹雕和合二仙筆筒。

筆筒以天然竹莖雕成，外壁浮雕祥雲，其下寒山、拾得二仙乘舟浮於波濤之間，一持蒲扇、一執掃帚，神情悠然自得。刀法細膩，透出清初竹刻藝術與文人雅趣交融的韻致。

【Fine Art Asia Shenzhen 典亞藝博・深圳 2026】
・Booth 展位 | B19
・Date 日期 | 26-29.11.2026
・Venue 地點 | Comprehensive Exhibition Hall, Shenzhen MoCAUP 深圳市當代藝術與城市規劃館綜合展廳

20/10/2026

Renowned for classical Chinese furniture and scholar’s objects, London gallery MD Flacks makes a much-anticipated return to after a several-year hiatus, turning its lens toward contemporary craft with this playful reinterpretation of Chinese antiques.

The special exhibition “Antiques Reimagined” brings five leading galleries into a new dialogue with antiques, anchored by the participation of MD Flacks. Among the highlights is The Monkey’s Cabinet of Curiosities (2026), an exquisite porcelain brushpot by British artist Edward Luper (Edward Luper), rendered in underglaze blue, vibrant overglaze enamels, and delicate gilt details 🔹.

A former Chinese art specialist at Bonhams, Luper fills the brushpot with all the things he loves: the playful monkey🐒 is inspired by a Qing dynasty textile depicting monkeys stealing peaches, while the densely packed shelves of books, vases, and curios draw from Korean scholar’s screens (Chaekgeori). There is no single vantage point—turn the piece, and a delightful new detail is revealed at every angle.

致力於推廣中國古典家具及文人雅器的 MD Flacks，於睽違數年後重磅回歸 #典亞藝博深圳2026 。MD Flacks 更聯同四位古代藝術專家共同打造特別展覽「革古鼎新」，引領觀眾以當代視角重讀古物之美。

這件當代青花瓷筆筒《猴子的奇珍櫃》由英國藝術家愛德華・盧珀於 2026 年創作。盧珀曾任邦瀚斯中國藝術專家，其筆筒上的猴子意象源自清代猴子偷桃織錦，而滿佈器身的博古架、書卷、瓶花與奇珍，則取材自韓國文人「冊架圖」畫屏。隨着轉動筆筒，每一面都有無盡細節等待探索。

Fig. Edward Luper (b. 1988), The Monkey’s Cabinet of Curiosities 猴子的奇珍櫃, 2026

【Fine Art Asia Shenzhen 典亞藝博‧深圳 2026】
• Booth 展期 | B17
• Date 日期｜26-29.11.2026
• Venue 地點｜Comprehensive Exhibition Hall, Shenzhen MoCAUP 深圳市當代藝術與城市規劃館綜合展廳

Edward Luper (b. 1988), The Elephant Unseen 不見之象, 2026

Edward Luper (b. 1988), The Evening Banquet of the Legorati 樂高文人「樂在其中」夜宴圖, 2026

Edward Luper (b. 1988), Faus Bois 仿木紋理 , 2026

Edward Luper (b. 1988), The Selfie Elephant 自拍洗象圖 , 2026

16/10/2026

Rossi & Rossi , renowned for its expertise in Himalayan art, presents treasures spanning centuries of Buddhist heritage.

At , the gallery will showcase Buddhist sculptures and thangkas, starting with a rare stucco head of Buddha from ancient Gandhara, Pakistan.

Carved between the 4th and 5th centuries, the head bears a rounded ushnisha and fine snail-shell curls, with half-closed eyes and a serene, otherworldly composure. The weathered stucco surface lends it a warm, ancient tactility — a fragment that still captures the essence of Gandharan art, where East and West meet in perfect harmony.

Rossi & Rossi 多年專注研究喜馬拉雅藝術，將於 #典亞藝博深圳2026 展出佛教雕塑及唐卡等精品。今天率先介紹一尊來自巴基斯坦古犍陀羅地區的佛頭像。

佛頭像頂上隆起圓潤的肉髻，螺髮細密規整，雙目微閉，面容沉靜端莊，透出超越塵世的安然。灰泥表面斑駁的歲月痕跡，更賦予造像溫潤古樸的質感，一尊殘首已足以體現犍陀羅佛教造像融匯東西之美的藝術精華。

Fig. Head of Buddha, 4th or 5th century, Pakistan, ancient region of Gandhara 佛頭像 | 公元4或5世紀 | 巴基斯坦，古犍陀羅地區

【Fine Art Asia Shenzhen典亞藝博‧深圳2026】
• Booth 展位| A10, A12
• Date 日期｜26-29.11.2026
• Venue 地點｜Comprehensive Exhibition Hall, Shenzhen MoCAUP 深圳市當代藝術與城市規劃館綜合展廳

16/10/2026

🌟A major highlight of the fair is 𝗔𝗻𝘁𝗶𝗾𝘂𝗲𝘀 𝗥𝗲𝗶𝗺𝗮𝗴𝗶𝗻𝗲𝗱, a special exhibition curated by five distinguished dealers with extensive expertise in the field. Offering a fresh perspective on the creation and everyday use of antiques, the exhibition explores the interplay between old and new, bringing Eastern aesthetics into dialogue with contemporary culture and reimagining traditional objects beyond conventional boundaries.

The exhibition brings together London’s MD Flacks alongside leading Hong Kong galleries, including Ever Arts Gallery, China Art Group, Wui Po Kok Antiques Co., Ltd., and Andy Hei Ltd.

👉🏼Stay tuned as we reveal more exhibition highlights!

本屆一大亮點為特別展覽「革古鼎新」，由五位在古代藝術領域具備深厚專業知識的古玩商聯合策劃。

以嶄新視角重新探索古玩的創作理念與日常用途，是次特展呈現新舊交融的多元面貌，讓東方美學與當代文化展開對話，並突破傳統框架，重新演繹經典器物的當代意義。

展覽陣容強大，由來自倫敦的 MD Flacks，聯合香港恒藝館、華藝大榮、匯寶閣古美術及研木得益五大享譽業界的古玩專家攜手共策。

【Fine Art Asia Shenzhen典亞藝博‧深圳2026】
* Date 日期｜26-29.11.2026
* Venue 地點｜Comprehensive Exhibition Hall, Shenzhen MoCAUP 深圳市當代藝術與城市規劃館綜合展廳

Address

Hall 1, Hong Kong Convention And Exhibition Centre
Wan Chai
N/A

Opening Hours

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Tuesday	10:00 - 18:00
Wednesday	10:00 - 18:00
Thursday	10:00 - 18:00
Friday	10:00 - 18:00
Saturday	10:00 - 18:00

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http://www.fineartasia.com/

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